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Averse

Director: Elise Vandewalle

Dancer: Carole Quettier

Vandewalle, Élise

Averse

Interpretation : Carole Quettier

Video conception : Réalisation : Elise Vandewalle - Montage Elise Vandewalle, Carole Quettier

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Hard to Be Soft

Doherty, Oona (France)

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01:39

Mirages — Boreal souls

Ben Aïm, Christian & François (France)

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03:01

Peekaboo

Goecke, Marco (France)

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02:48

Questcequetudeviens ?

Bory, Aurélien (France)

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03:31

Panorama

Decouflé, Philippe (France)

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03:05

Panorama

Decouflé, Philippe (France)

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03:15

Sketches From Chronicle

Graham, Martha (France)

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03:13

Rose - variation

Monnier, Mathilde (France)

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05:16

Bruit de couloir

Dazin, Clément (France)

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07:42

Coupé décalé [1ère partie] - Robyn Orlin

Orlin, Robyn (France)

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08:17

Impair

Brabant, Jérôme (France)

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06:20

Flat/grand délit

Lheureux, Yann (France)

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03:13

Debout !

Delaunay, Raphaëlle (France)

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02:59

Japan

Tanguy, Simon (France)

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03:42

Lucinda Childs

Childs, Lucinda (United States)

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03:27

Mirage

Kunes, Vaclav (Czech Republic)

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03:29

Plexus

Bory, Aurélien (France)

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12:37

Constellation

King, Alonzo (United States)

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07:23

l'Espace d'un Instant

Dubois, Kitsou (France)

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06:14

Terpsichore

Massin, Béatrice (France)

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Our themas suggestions

James Carlès

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The committed artist

In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.

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La part des femmes, une traversée numérique

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Qudus Onikeku - Reclaim a forgotten memory

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CHRISTIAN & FRANÇOIS BEN AÏM – VITAL MOMENTUM

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Indian dances

Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!

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[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.

In the 1970s, artists’ drive towards a new classic had been ongoing for more than a half century and several generations had already formed since the Russian Ballets. As the years went by, everyone defended or defends classical dance as innovative, unique, connected to the other arts and the preoccupations of its time.

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DANCE AND DIGITAL ARTS

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James Carlès, dancer and choreographer and specialist of Afro-American dance, evokes the origin of current-day urban dances. From Africa to the United States via Europe, he emphasizes their hybrid style and puts their social and political dimension into perspective. A myriad of videos, photos, illustrations and additional resources complement this interview.

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Why do I dance ?

Social dances, anti-establishment, protest dances, rhythms or identities, rituals or pleasures... There are a myriad of reasons for dancing and a myriad of points of view. A webdoc to discover, enhanced with extracts from performances and accounts from amateurs... all the right reasons for dancing!

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Strange works

 Unconventional contemporary dance shows which reinvent the rapport to the stage.  

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Artistic Collaborations

Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians

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Meeting with literature

Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.

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Dance and performance

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The Dance Biennale

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Female / male

A walk between different conceptions and receptions of genres in different styles and eras of dance.

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Dance and visual arts have often been inspiring for each other and have influenced each other. This Parcours can not address all the forms of their relations; he only tries to show the importance of plastic creation in some choreographies.

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