Changes (by the students)
1987 - Director : Rezkallah, Farid
Choreographer(s) : Cunningham, Merce (United States) Burns, Louise (United States)
Present in collection(s): CNDC - Angers
Video producer : CNDC Angers
Changes (by the students)
1987 - Director : Rezkallah, Farid
Choreographer(s) : Cunningham, Merce (United States) Burns, Louise (United States)
Present in collection(s): CNDC - Angers
Video producer : CNDC Angers
Changes
Cunningham, Merce
Born in Centralia, Washington on April 16, 1919, Cunningham began his career as a modern dancer at the age of 20, dancing for six years with the Martha Graham Dance Company. He presented his first recital in 1944, and formed the Merce Cunningham Dance Company in 1953. The company was a living canvas for his experimentation and the creation of his unusual pieces.
Over his long career he choregraphed more than 150 pieces and more than 800 Events. Many dancers studied and worked with Cunningham before founding their own companies, among them Paul Taylor, Trisha Brown, Lucinda Childs and Karole Armitage ... He collaborated with many artists; his collaboration with John Cage had the most influence on his practice.
Together Cunningham and Cage proposed a series of radical innovations in dance. The most famous and controversial of these dealt with the relationship between dance and music, able to co-exist in the same space and time but needing to be conceived independently of each other.
Cunningham continued to experiment and innovate throughout his life, and he was one of the first to use new technologies in his own art form. He choreographed and taught almost until the day he died, July 26, 2009, and received many awards and accolades. Cunningham’s life and work have inspired the publication of four books and three important exhibitions; several of his pieces have been presented by other prestigious companies such as American Ballet Theatre, the Ballet de Lorraine, the New York City Ballet, the Paris Opera Ballet, the Rambert Dance Company in London and the White Oak Dance Project.
Source: CCN-Ballet de Lorraine
More information: www.mercecunningham.org
Burns, Louise
Rezkallah, Farid
Changes
Choreography : Louise Burns
Interpretation : (étudiants du CNDC, promotion 1986-1987) Eva Katarina Bader, Olivier Bodin, Dominique Bousquet, Alain Chastenet, Teresa Cunha, Anne Holzer, Anne-Karine Lescop, Fabrice Ramalingom
Live music : Valérie Castan (flûte)
Additionnal music : Alain Chastenet
Lights : Colman Rupp
Costumes : Sylvie Gabin
Production / Coproduction of the choreographic work : CNDC Angers
Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois
If the 19th century is that of romanticism, the entry into the new century is synonymous of modernity! It was a few decades later that it would be assigned, a posteriori, the name of “neo-classical”.
LATITUDES CONTEMPORAINES
The committed artist
In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.
CHRISTIAN & FRANÇOIS BEN AÏM – VITAL MOMENTUM
[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.
In the 1970s, artists’ drive towards a new classic had been ongoing for more than a half century and several generations had already formed since the Russian Ballets. As the years went by, everyone defended or defends classical dance as innovative, unique, connected to the other arts and the preoccupations of its time.
les ballets C de la B and the aesthetic of reality
Why do I dance ?
Round dance
Presentation of the Round’s figure in choreography.
Contemporary Italian Dance : the 2000s
Panorama of contemporary dance practices in Italy during the 2000s.
Contemporary techniques
This Parcours questions the idea that contemporary dance has multiples techniques. Different shows car reveal or give an idea about the different modes of contemporary dancer’s formations.
Les Rencontres chorégraphiques internationales de Seine-Saint-Denis
40 years of dance and music
The national choreographic centres
Roots of Diversity in Contemporary Dance
Modern Dance and Its American Roots [1900-1930] From Free Dance to Modern Dance
At the dawn of the 20th century, in a rapidly changing West, a new dance appeared: Modern Dance. In the United States as in Europe, modern trends emerge simultaneously and intertwine in thier development. Let's dive into the beginnings of American modern dance!
Carolyn Carlson, a woman of many faces
Käfig, portrait of a company
Genesis of work
A dance show is created in multiples steps between the enunciation of an initial desire which launch the project and the first representation. This parcours presents diff