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Cutting Flat

Abou Lagraa constructs his dance with and for his 10 dancers. The scene he proposes is architecture, which Is as physical as it is mental. Marks on the ground, lines, partition walls and mirrors both mark boundaries and create a space for the 10 performers to cohabitate. The dance articulates the affirmation of each dancer's identity, the meetings and the games of amorous seduction, the ever-present desire to be together, to belong to the group, but also the butting up against the differences of the other, of the others. It is a game of sharing, of communing as much as it is an affirmation of individualities. The only windows in this space are the images, which are projected or reflected by the mirrors. They duplicate the faces and the identities of the dancers. This piece, which began in Tunisia, then was re-worked in Annecy, is imbued with the marks of this voyage, Eastern accents rub up against the rigor of the choreographic construction. The energy developed in this dance is frictional, produced as much by that which unites as by that which divides the bodies and the groups.


Source : La Baraka


More information : https://www.aboulagraa.fr/ 

Lagraa, Abou

Born in Annonay, Abou Lagraa began dancing at the age of 16 before entering the Conservatoire National Supérieur de Musique et de Danse, Lyon. He began his career as a dancer at the S.O.A.P. Dance Theatre, Frankfurt with Rui Horta and became his assistant on a project at the Calouste Gulbenkian Centre, Lisbon. He was soon noticed and went on to work with Robert Poole, Denis Plassard and Lionel Hoche. His qualities as a performer have been rewarded twice:  in 1998 by the 2nd Prize for performance at the Paris International Dance Competition, then in 2009 by the prize for Best Male Dancer, awarded by the International Movimentos Dance Prize. In 1997 he founded his own company, La Baraka.


Once again, recognition came quickly; numerous French venues programmed the young choreographer and he received proposals for collaboration. As a result, after 4 years as an associated artist at Bonlieu Scène Nationale in Annecy, since 2009 Abou Lagraa and his company have been hosted in production residency at Gémeaux Scène Nationale, Sceaux. The fame of the company spread rapidly beyond France's borders and tours followed one after the other, throughout Europe and also in the United States, Algeria, Tunisia and Indonesia… Alongside his work with the company, Abou Lagraa is regularly in demand by large organisations.

In 2001 he devised Fly, Fly for the CCN Ballet de Lorraine. This piece later was subsequently added to the repertoire of the ABC Dance Company of St Pölten in Austria.


In 2003 he devised a work for the second-year students of the Centre National de Danse Contemporaine, Angers, then in 2007 for the pupils of the Frankfurt Hochschule and the pupils of the Centre Méditerranéen de Danse Contemporaine, Tunis.

In 2006 his work entered the repertoire of the Paris Opéra Ballet with Le Souffle du Temps, a piece for 21 dancers, including 3 étoiles (Marie-Agnès Gillot, Manuel Legris, Wilfried Romoli). Then, in 2008, he composed Everyone's One at the invitation of Ballet Memphis (USA).


Since 2009, in association with the Algerian Ministry of Culture and th Algerian Agency for the Cultural Brilliance, he works, with Nawal Aït Benalla-Lagraa, in the elaboration of a “Mediterranean Cultural Bridge", the project of French-Algerian cooperation for the development of the dance and the artistic exchanges which will contain a program of Training and creation. In this frame, he sees confiding for July, 2009, the choreography of Closing ceremony of the 2nd Pan-African Festival of Algiers. In 2010, he creates the Ballet Contemporain d'Alger, under the Nawal Aït Benalla-Lagraa's educational responsibility, with a first piece NYA. The success of which ends in several national and international tours.


This piece was to be distinguished in 2011 when it was awarded the Grand Prix de la Critique as “Best Choreography of the Year”.

In 2016, he becomes the « Dream up » ambassador, an international arts-based education programme set up by the BNP Paribas foundation. This programme will help some 30,000 underprivileged or disabled children and teenagers to develop and find fulfilment by practising an artistic or creative activity. 


In 2016, he becomes “Chevalier des arts et des lettres” nominated by the French ministry of culture. 


Source : Cie La Baraka


More information : https://www.aboulagraa.fr/ 

Cutting Flat

Choreography : Abou Lagraa

Interpretation : Séverine Allarousse, Kevin Bruneel, Hafiz Dhaou, Amala Dianor, David Drouard, Ivan Fatjo, Chloé Hernandez, Leïla Pasquier, Aurélia Picot, Sandra Savin Musique Eric Aldéa

Video conception : Charles Picq

Lights : Franck Besson, Gérard Garchey

Costumes : Michelle Amet, Caroline Audrain

Sound : Béranger Mank

Production / Coproduction of the choreographic work : Compagnie La Baraka, Bonlieu Scène Nationale d'Annecy, Théâtre National de Chaillot, la Coursive Scène Nationale de La Rochelle, le Centre National de Danse Contemporaine-Angers

Duration : 70'

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