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Drottningholms Suit

CN D - Centre national de la danse Danse en amateur et répertoire 2016 - Director : Zeriahen, Karim

Choreographer(s) : Cramér, Ivo (Sweden)

Video producer : Centre national de la danse

Integral video available at CND de Pantin

en fr

Drottningholms Suit

CN D - Centre national de la danse Danse en amateur et répertoire 2016 - Director : Zeriahen, Karim

Choreographer(s) : Cramér, Ivo (Sweden)

Video producer : Centre national de la danse

Integral video available at CND de Pantin

en fr

Drottningholms Suit

Cramér, Ivo

Born in 1921.

Swedish ballet dancer, choreographer and director.

A student of S. Leeder and a disciple of B. Cullberg, he developed a personal method influenced by the Laban-Jooss technique. In 1946, he founded his first, itinerant company with B. Cullberg and received second prize at the Copenhagen Choreographic Competition in 1947. He was ballet director at the Verde Gaio in Lisbon (1948-1949), he then worked for ten years as director and choreographer on operettas and musicals.
In 1957, for the Royal Swedish Ballet, he produced “The Prodigal Son" (1957, mus. Alfven), a ballet inspired by rural 18th C paintings and considered “national” masterpieces, and still part of the company’s repertoire. With his wife, Tyyne Talvo, he founded a company (1967-1986) that crossed the country with their productions, including in small theatres. He then directed the Royal Swedish Ballet (1975-1980).
He was a prolific and skilled choreographer with a great sense of theatre. He often dealt with themes connected to history or everyday life and stamped with a deep sense of the religious. In the 1980s, he specialised in the reconstruction of old ballets, including "Arlequin, Magicien d’Amour" (1984, based on Marcadet), “La Dansomanie" (1985, based on P. Gardel), "Médée et Jason" (1992, based on Noverre), presented at the Historic Theatre of Drottningholm, and also in France, thanks to R. Nureyev, as ”La Fille Mal Gardée" (1989) was performed in Nantes with the original score.

Source: Dictionnaire de la Danse, Larousse, éd. 1999, en ligne

Zeriahen, Karim

From live stage images to life in images, the  director and video artist Karim Zeriahen seems to have found the  shortest way. Since the beginning of the 90s, when he worked in close  relationship with choreographer Philippe Decouflé, he learned how to put  the art of stage in motion, contemporary dance most of the time. Karim  Zeriahen then starts a fruitful collaboration with Montpellier based  choreographer Mathilde Monnier. Stop, Videlilah, day of night, short  films adapted from her stage creations. Each time, Karim Zeriahen's   camera takes over the place with movement, the body language is not  frozen but magnified. Choreographer Herman Diephuis also joins this  gallery of dancing portraits. Documentaries on figures such like Albert  Maysles or Hubert de Givenchy and from Joe Dalessandro to Paul  Morrissey, he sets a signature, a camera always in action with  confidence.

Today the director goes further with a new  project and tracks the subtle movements of the body language beyond the  physical appearance. A collection of living portraits as unique pièces  reminding us of the master portraitists of renaissance. These living  natures consists in filming the subject in a certain amount of time,  almost still, with signs of respiration, eye blinks, as if it were  posing for a painting. They are then displayed on a flat screen with a  memory card. With this collection starting, Karim Zeriahen, with his  documentary and artist vision, interrogates himself about the virtual  world filled with images. By taking a pause, and his models with him, he  questions the way we look at things, the way we look at life.


Source: Philippe Noisette 


En savoir plus: www.karimzeriahen.com

Drottningholms Suit

Choreography : Ivo Cramér

Interpretation : Alma Adans Mauduit, Élisa Arfi, Asma Bengaoua, Camille Degenetais, Chloé Hammoudi, Adrien Lichnewski, Hannah Nelson Gabin, Max Ricat, Céantéa Saunier, Christine Song, Éloïse Soria Monier, Vasco Vassard, Stellia Yadel, Soundous Zekhar

Additionnal music : Extraits de W. A Mozart, E. N. Mehul et anonymes français du 18e siècle

Other collaborations : Extrait remonté par Les Danseurs en herbe* (Bagnolet : CRC Danse de Bagnolet/EPT Est-Ensemble/Grand Paris, association Jocus), responsable artistique Édith Bellomo, dans le cadre de Danse en amateur et répertoire (2015) - Transmission Léna Cederwall Broberg, assistante d'Ivo

Duration : 15 minutes

Danse en amateur et répertoire

Amateur Dance and Repertory is a companion program to amateur practice beyond the dance class and the technical learning phase. Intended for groups of amateur dancers, it opens a space of sharing for those who wish to deepen a practice and a knowledge of the dance in relation to its history.


Laurent Barré
Head of Research and Choreographic Directories
Anne-Christine Waibel
Research Assistant and Choreographic Directories
+33 (0)1 41 83 43 96
danse-amateur-repertoire@cnd.fr


Source: CN D

More information: https://www.cnd.fr/fr/page/323-danse-en-amateur-et-repertoire-programme-d-aide

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