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Erase-E(x) [parts 1, 2, 3]

Maison de la Danse de Lyon 2008

Choreographer(s) : Saunier, Johanne (Belgium) Soupart, Isabelle (Belgium)

Present in collection(s): Maison de la Danse de Lyon , Saisons 2000 > 2009

Video producer : Joji inc;Maison de la Danse

Integral video available at Maison de la danse de Lyon

en fr

Erase-E(x) [parts 1, 2, 3]

Maison de la Danse de Lyon 2008

Choreographer(s) : Saunier, Johanne (Belgium) Soupart, Isabelle (Belgium)

Present in collection(s): Maison de la Danse de Lyon , Saisons 2000 > 2009

Video producer : Joji inc;Maison de la Danse

Integral video available at Maison de la danse de Lyon

en fr

Erase-E(x), parts 1, 2, 3

Inspired by the painting "Erased De Kooning Drawing"  (1953)  in which Robert Rauschenberg erased a drawing of Willem De Kooning and  in doing so made it substantially his own, Joji Inc has imagine  ERASE-E(X), a multi parts project in which several choreographers are  invited to erase and recreate the preceding one.

It stars with a dance material provided  by A.T de  Keersmaeker. The Wooster Group of New York erases this prologue. Then is  erased by A.T de Keersmaeker who is erased by Isabella Soupart who is  erased by the Video performer Kurt D'Hasealeer etc.

Part 1 : The form of Anne Teresa De Keersmaeker dance  is erased by The Wooster Group  in stages as each choreographic gesture is infused with the  psychological content of Godard's "modern women", capricious, royal,  mysterious.

Part 2 : Anne Teresa De Keersmaeker takes back all the Wooster Group's material, erases any psychological  content to create a virtuoso piece danced to the Indian percussion music  of Umayalpuram Sivaraman, and Dolly Parton ' s"Jolene". 

Part 3 : Isabella Soupart deletes  the second part and creates a piece between theater and dance. A  duo/duel with a touch a cruel thriller. A feeling of emergency. Of a man  facing a woman he thinks he recognises.  a complex story slowly  revealed itself. Physical and rhythmical tainted of a laced  cinematographic naturalism with humour and drama. It is the  deconstruction of the text and movement that gushes with its entire  force into this direction.


Source : Joji Inc


More information : www.jojiinc.org

Saunier, Johanne

Johanne Saunier, after dancing more then ten years in the ROSAS company directed by Anne Teresa De Keersmaeker founded in 1998 JOJI INC with Jim Clayburgh; this scenographic/choreographic partnership led to many performances. 

In 2000, she won the Bagnolet choreography award with Final Scene. « Erase-E(X) » a collaborative work with artists such as The Wooster Group from New York, Anne Teresa de Keesmaeker, Georges Aperghis composer, and a video artist Kurt d'Haeseleer, toured for over 4 years. IM-agined (2007) in collaboration with the textile designer Anke Loh, is exploring the Lumalive technology created by Philips. Musée en chantier (2010) for voice and movement created with Cécile Goossens is based on Les Récitations by Aperghis. Johanne Saunier performs in contemporary operas by P. Boesmans and Luc Bondy, Guy Cassiers, Georges Aperghis with the Ictus Ensemble and IRCAM, A king, Lear by composer François Sarhan and the Quatuor Diotima, Line of Oblivion with the composer Arturo Fuentes based on the text of Carlos Fuentes. 

She choreographs singers for opera: LOLITA (2008) directed by Jim Clayburgh, music by Joshua Fineberg, Machinations from Georges Aperghis directed by the VocalLab, « The man of La Mancha » by with Sybille Wilson, « Carmen » and « l’Incoronazione di Poppea » for the opera de Lille and « La Traviata » with Nathalie Dessay in Aix en Provence, directed by Jean François Sivadier. 

Her recents projects are « Luna Park » composed and staged by Georges Aperghis and Modern Dance in collaboration with Mathurin Bolze.


Source : the company Joji Inc 's website


More information : jojiinc.org

Soupart, Isabelle

Isabella Soupart is based in Brussels, where she develop and perform her work. In 2006/2007 she reached the final of the Rolex Mentor and Protégé Arts Initiative.

After studying graphic arts in Brussels, Isabella Soupart changed directions, inspired by the “new dance” movement. She trained with a number of prominent choreographers, including Trisha Brown, Dominique Duszynski (Pina Bausch), Yoshi Oida, Eric Raaves (Jan Fabre). She came to the public’s notice as an actress in the Dardenne brothers’ film “Le Fils”. She has also appeared in features by Raoul Ruiz, Maria Speth, and others.

In the year 2000, she founded her own company to pursue her unique brand of work which lies at the intersection of many different disciplines - theatre and dance, installation and performance, architecture, moving image and fine arts. Elle a aussi produit plusieurs performances, installations, films-vidéo : « Waves », performance-musique - 2004, « Déambulation », installation performance - 2004, « RED ROOM I », film - 2008 et « RED ROOM II », film - 2009. These eclectic antecedents certainly marked Isabella Soupart whose work is difficult to categorize as it is located on the edge of installation and performance, theater and the visual arts, dance and architecture


Sources : Isabella Soupart Cie 's website ; Festival "Temps d'Images" 


More information : isabellasoupart.com

Erase - E(x), parts 1, 2, 3

Artistic direction / Conception : Joji Inc - Johanne Saunier et Jim Clayburgh

Choreography : The Wooster Group (part 1) Anne Teresa De Keersmaeker (part 2) Isabella Soupart (part 3)

Interpretation : Johanne Saunier, Charles François

Additionnal music : Georges Delerue (bande original du film "Le Mépris" -JL Godard) - (part 1) / percussions de Umayalpuram Sivaraman, Dolly Parton - (part 2) / Kip Harrahan, John Zorn, Angelo Badalamenti - (part 3)

Costumes : Anke Loh, Perrine Mees

Production / Coproduction of the choreographic work : JOJI INC Coproduction SACD/Festival d'Avignon dans le cadre du "Sujet à vif" Avec le soutien de Ministère de la Communauté française - Service de la dans, Met de steun van de Vlaamse minister van Cultuur, Jeugd, Sport en Brussel, Met de steun de Vlaamse Gemeenschapscommissie van het Brussels Hoofdstedelijk Gewest.

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