Grand Finale
2017
Choreographer(s) : Shechter, Hofesh (Israel)
Present in collection(s): Maison de la Danse de Lyon , Saisons 2010 > 2019
Grand Finale
2017
Choreographer(s) : Shechter, Hofesh (Israel)
Present in collection(s): Maison de la Danse de Lyon , Saisons 2010 > 2019
Grand final
"Grand Finale was quite simply one of the most astonishing performances of dance I have seen in the last 30 years."(Audience member)
Part gig, part dance, part theatre and wholly original – there is no better way to describe Grand Finale, the latest work of internationally celebrated choreographer Hofesh Shechter.
Spectacularly bold and ambitious, Grand Finale is at once comic, bleak and beautiful, evoking a world at odds with itself, full of anarchic energy and violent comedy. Filtering this irrepressible spirit, Shechter creates a vision of a world in freefall, featuring an exceptional ensemble of dancers and a live band of musicians.
Grand Finale was nominated for an Olivier award for Best New Dance Production and has been nominated for Outstanding Production in the Bessies 2018.
Source: Hofesh Shechter Company
Shechter, Hofesh
Choreographer Hofesh Shechter OBE is recognised as one of the most exciting artists making stage work today, renowned for composing atmospheric musical scores to compliment the unique physicality of his movement. He is Artistic Director of the UK-based Hofesh Shechter Company, formed in 2008. The company are resident at Brighton Dome and Shechter is an Associate Artist of Sadler’s Wells.
Hofesh Shechter’s repertoire for the company includes Uprising (2006), In your rooms (2007), The Art of Not Looking Back (2009), Political Mother (2010), Political Mother: The Choreographer’s Cut (2011), Sun (2013), barbarians (2015), Grand Finale (2017), SHOW (2018) and POLITICAL MOTHER UNPLUGGED (2020). Grand Finale was nominated for an Olivier Award for Best New Dance Production.
Shechter has also staged and choreographed works on leading international dance companies including the Alvin Ailey American Dance Theater, Batsheva Ensemble, Candoco Dance Company, Cedar Lake Contemporary Ballet, Nederlands Dans Theater 1, Paris Opera Ballet, Royal Ballet and Royal Ballet Flanders.
He has choreographed for theatre, television and opera, notably at the Metropolitan Opera (New York) for Nico Mulhy’s Two Boys, the Royal Court on Motortown and The Arsonists, the National Theatre on Saint Joan and for the Channel 4 series Skins. As part of #HOFEST, a 4 week festival celebrating Shechter’s work across 4 iconic London venues, he co-directed Gluck’s Orphée et Eurydice with John Fulljames at the Royal Opera House. In 2016 he received a Tony Award nomination for his choreography for the Broadway revival of Fiddler on the Roof.
In 2018 Hofesh Shechter was awarded an honorary OBE for Services to Dance and the company's first dance film, Hofesh Shechter’s Clowns, was broadcast by the BBC in September to great acclaim.
In 2020, Hofesh Shechter Company was named the winner of the Fedora – VAN CLEEF & ARPELS Prize for Ballet for LIGHT: Bach Dances, in collaboration with Royal Danish Opera and co-directed by Hofesh Shechter and John Fulljames.
Hofesh Shechter’s new creation Double Murder will premiere in 2021.
More information: hofesh.co.uk
Hofesh Shechter Company
Artistic direction: Hofesh Shechter
Creation: 2008
Hofesh Shechter Company is one of the world’s leading dance companies.
“We’re in the business of inspiring people. I want to change lives, like my life was changed.”
– Hofesh Shechter
We celebrate and inspire the freedom of the human spirit through dance. We travel the world with our extraordinary company of internationally diverse dancers, breaking boundaries and releasing the visceral power that lies beyond the conscious mind.
We believe that dance has the ability to prod and poke and tap into our deepest emotions; an instinctive, deep-rooted part of ourselves that we rarely access in modern life. We dance to know what it feels like, not just to live, but to be alive.
In all our work, we strive to move ourselves, and our audiences, beyond reason.
We are based in the UK and create our work here and in Europe. Our work can be seen in the UK, major European cities, Canada, USA and beyond.
“I want audiences to be awakened, to experience my work from the gut. Trusting the gut is to me like trusting nature, or God, or a sense of purpose; a source, a spark. Trusting a higher and better force than our limited oppressed cultured minds.”
– Hofesh Shechter
More information: hofesh.co.uk
Grand final
Artistic direction / Conception : Hofesh Shechter
Artistic direction assistance / Conception : Bruno Guillore
Choreography assistance : Rosie Elnile
Set design : Tom Scutt
Original music : Hofesh Shechter
Lights : Tom Visser
Costumes : Tom Scutt
Duration : 1h15
Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois
If the 19th century is that of romanticism, the entry into the new century is synonymous of modernity! It was a few decades later that it would be assigned, a posteriori, the name of “neo-classical”.
LATITUDES CONTEMPORAINES
James Carlès
Bagouet Collection
The committed artist
In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.
The American origins of modern dance: [1930-1950] from the expressive to the abstract
CHRISTIAN & FRANÇOIS BEN AÏM – VITAL MOMENTUM
Indian dances
Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!
[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.
In the 1970s, artists’ drive towards a new classic had been ongoing for more than a half century and several generations had already formed since the Russian Ballets. As the years went by, everyone defended or defends classical dance as innovative, unique, connected to the other arts and the preoccupations of its time.
les ballets C de la B and the aesthetic of reality
Black Dance
Why do I dance ?
Artistic Collaborations
Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians
Meeting with literature
Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.
Round dance
Presentation of the Round’s figure in choreography.
The Dance Biennale
Female / male
A walk between different conceptions and receptions of genres in different styles and eras of dance.
Contemporary Italian Dance : the 2000s
Panorama of contemporary dance practices in Italy during the 2000s.
Hip hop / Influences
This Course introduce to what seems to be Hip Hop’s roots.