Malher's Third Symphony
2018 - Director : Grimm, Thomas
Choreographer(s) : Neumeier, John (United States)
Present in collection(s): Maison de la Danse de Lyon
Malher's Third Symphony
2018 - Director : Grimm, Thomas
Choreographer(s) : Neumeier, John (United States)
Present in collection(s): Maison de la Danse de Lyon
La troisième symphonie de Malher
Like Mahler's music, the ballet was not created according to a Libretto. The music itself is its theme. The following is therefore not a literal synopsis. These word-images are John Neumeier's spontaneous answers to the question of meaning in his ballet—written long after its creation.
Source: Hamburg Ballett Staatsoper
Neumeier, John
John Neumeier was born in 1939 in Milwaukee, Wisconsin, where he received his first dance training. He continued his dance studies in Chicago as well as at Marquette University in Milwaukee where he created his first choreographic works. After further ballet study both in Copenhagen and at The Royal Ballet School in London, John Cranko invited him in 1963 to join Stuttgart Ballet, where he progressed to soloist and continued his choreographic development.
In 1969, Ulrich Erfurth appointed Mr. Neumeier Director of Ballet Frankfurt, where he soon caused a sensation with his new interpretations of such well-known ballets as The Nutcracker and Romeo and Juliet. In 1973, August Everding invited him to become Director and Chief Choreographer of The Hamburg Ballet. Under his direction, The Hamburg Ballet became one of the leading ballet companies on the German dance scene and soon received international recognition. As a choreographer, Mr. Neumeier has continually focused on the preservation of ballet tradition, while giving his works a modern dramatic framework. His ballets range from new versions of full-length story ballets to musicals and to his symphonic ballets, especially those based on Gustav Mahler's compositions, as well as his choreographies to sacred music. His latest creations for The Hamburg Ballet: Duse in 2015, Turangalîla in 2016 and Anna Karenina in 2017. In 1975, Neumeier conceived the Hamburg Ballet Festival as a climax and end to each season.
In 1978, he founded the School of the Hamburg Ballett. In 1989 the school, together with the company, moved into its own Ballettzentrum (ballet center) provided by the city of Hamburg. Its facilities include nine studios and a boarding school for over 30 students. Today more than 80% of the company's dancers are graduates from the school.
Neumeier has worked as guest choreographer with many companies, including The Royal Ballet in London; The Vienna, Munich and Dresden State Operas; The Stuttgart Ballet (for which he has created several works); The Royal Danish Ballet; The Ballet of the Paris Opera and many others.
Mr. Neumeier holds the Dance Magazine Award (1983), Order of Merit of the Federal Republic of Germany and French Order of Arts and Letters and the Legion of Honour. In 2006, he was awarded the prestigious Nijinsky Award for Lifetime Achievement. He received the Herbert von Karajan Musikpreis in 2007 and the Deutscher Jubiläums Tanzpreis in 2008. In 2007, he was made an honorary citizen of the city of Hamburg. In November 2012, he accepted the Order of Friendship of the Russian Federation. In 2015, the Inamori Foundation presented Mr. Neumeier with the Kyoto Prize for his contributions to the Arts and Philosophy; in 2016 he received the renowned Prix Benois de la Danse for Lifetime Achievement. Among his recent awards are the Livetime Achievement Award of the Prix de Lausanne 2017 and the Erich Fromm Prize 2017.
Neumeier established the John Neumeier Foundation in February 2006 with the aim of preserving and eventually making available to the public his collection of dance and balletrelated objects. The Foundation will maintain and secure his repertoire and related materials for the city of Hamburg. In 2011, Neumeier founded Germany's National Youth Ballet. The young company of eight dancers is based at the Ballettzentrum in Hamburg but finds its performing spaces away from the Hamburg Opera. In addition to international touring this creative young company dances in schools, retirement homes and prisons.
Source : Hamburg ballett
Grimm, Thomas
Ballet de l'Opéra National de Paris
The Paris Opéra Ballet is the official ballet company of the Opéra national de Paris, otherwise known as the Palais Garnier, though known more popularly simply as the Paris Opéra. Its origins can be traced back to 1661 with the foundation of the Académie Royale de Danse and the Le Ballet de l'Opéra in 1713 by King Louis XIV of France.
The aim of the Académie Royale de Danse was to reestablish the perfection of dance. In the late seventeenth century, using 13 professional dancers to drive the academy, the Paris Opéra Ballet successfully transformed ballet from court entertainment to a professional performance art for the masses. It later gave birth to the Romantic Ballet, the classical form of ballet known throughout the world. The Paris Opéra Ballet dominated European ballet throughout the eighteenth and early nineteenth centuries and remains a leading institution in the art of ballet today.
Source: New World Encyclopedia
La troisième symphonie de Gustav Malher
Choreography : John Neumeier
Interpretation : Les Étoiles, les Premiers Danseurs et le Corps de Ballet de l'Opéra National de Paris
Live music : Simon Hewett (direction musicale) / Orchestre et Choeurs de l'Opéra national de Paris / Alessandro Di Stefano (Chef de choeur) / Aline Martin (Alto)
Additionnal music : Gustav Mahler
Lights : John Neumeier
Settings : John Neumeier
A Rite of Passage
Webdoc
A Rite of Passage
Webdoc
Why do I dance ?
Webdoc
Why do I dance ?
Webdoc
Genesis of work
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Genesis of work
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A dance show is created in multiples steps between the enunciation of an initial desire which launch the project and the first representation. This parcours presents diff
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Artistic Collaborations
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Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians
When reality breaks in
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When reality breaks in
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Dance and performance
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Dance and performance
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Butoh
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The Ankoku Butoh was born,
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Do you mean Folklores?
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Presentation of how choreographers are revisiting Folklore in contemporary creations.
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States of the body
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Explanation of the term « State of the body » when it’s about dance.
Ballet pushed to the edge
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Ballet pushed to the edge
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Ballet’s evolution from its romantic form until néo-classicism.
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Dance in Quebec: Collectivities in motion
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Dance in Quebec: Untamed Bodies
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Dance in Quebec: Untamed Bodies
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La Maison de la Danse de Lyon
Exposition virtuelle
La Maison de la Danse de Lyon
Exposition virtuelle
Créée à Lyon en 1980, la Maison de la Danse fut le premier théâtre en Europe dédié exclusivement la danse. Avec plus de 150 000 spectateurs par saison et près de 200 levers de rideaux, la Maison de la Danse rassemble aujourd’hui un large public de spectacles très fédérateurs mais aussi d’œuvres innovantes et de recherche. Théâtre de diffusion mais aussi pôle européen de création et d’innovations numériques, la Maison de la Danse vous ouvre ses portes et vous dévoile ses projets.
Female / male
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Female / male
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A walk between different conceptions and receptions of genres in different styles and eras of dance.