Skip to main content
Add video to a playlist

Title

Choreographer

The description is limited to to a length of 500 characters


Your playlists

The video has been added successfully.

The video is already in this playlist.

You must be a member to enjoy all functionalities Login Register
You must be a member to view this playlist Login Register
Delete my video history Are you sure you want to delete the history?
Delete my search history Are you sure you want to delete the history?
Create a playlist The description is limited to to a length of 500 characters


Embed the video Embed the video on your website
Index
See the video
You can now make your playlists public! To do that, please visit your personnal account

Attention !
This video contains violence or nudity
Delete the playlist Are you sure you want to delete the playlist ?
Share this playlist
Configure access Keep your playlist private
(Only you can see it)
Make your playlist public
(and share it with the rest of users)
Configure access
Share Address Share by e-mail Send
Help By default, the search engine returns results for all founded words. For an advanced search, please use ":"
(eg: ":hiphop && breakdance")

You can use thoses operators :
AND (&&), OR (||), NOT, (! or -)

To use the NOT operator correctly, the second word needs to be written just after the exclamation mark, without space (e.g. ":merzouki !hip hop").


Documents
Information Your submission has been sent
Video information

Google Chrome Web Browser's video policy changed since version 66 : Video playlist can't be played automatically.

For the best experience of Numeridanse, we recommand you to use Mozilla Firefox.

offers

PRO Offer

Exclusively for artists/companies, directors.

options:

  • Virtual exhibition tool
  • Independent management and promotion of your work
  • Unlimited number of contributor account administrators
  • Guest account creation
  • No advertising on the site or videos
  • Site available in French and English
  • HTML5 player ready
  • Unlimited bandwidth
  • Shareable private links
  • Unlimited uploads
  • Secure data storage
  • + Technical support
offers

PRO Offer +

Artists, companies, organisations, production agencies, libraries and resource centres, local authorities, festivals, performance centres, arts councils and foundations, directors, associated professionals.

options:

  • Virtual exhibition tool
  • Independent management and promotion of your work
  • Unlimited number of contributor account administrators
  • Guest account creation
  • No advertising on the site or videos
  • Site available in French and English
  • HTML5 player ready
  • Unlimited bandwidth
  • Shareable private links
  • Unlimited uploads
  • Secure data storage
  • + Technical support

+ Advice and support to create video content, further training in cataloguing, browsing, researching documents and organising video content (virtual exhibitions, playlists, etc.)

advantages

Promote your video collection

Unlike more generic platforms, Numeridanse offers a platform dedicated to dance and is run by professionals – La Maison de la Danse and Centre national de la danse.
Numeridanse is an internationally renowned site used by artists, arts professionals, journalists, researchers, teachers, dance enthusiasts, etc.

advantages

Guaranteed access to an exclusive video collection

Only dance professionals can open PRO and PRO+ accounts and exhibit their content on the platform. You are contributing to the history of dance. By appearing on Numeridanse your videos are made available to everyone.

advantages

Share your account

You can create ‘guest contributor’ accounts so your staff can share the same tools as you. Their video collections are linked to your account and any upload will be submitted to you for validation.

  • Add to playlists
  • Remove from your favorites Add to your favorites

Non Solo Medea

Ballet National de Marseille 2018 - Director : Teatro stabile Napoli

Choreographer(s) : Greco, Emio (Italy) C. Scholten, Pieter (Netherlands)

Present in collection(s): Ballet National de Marseille

Video producer : Ballet National de Marseille

en fr

Non Solo Medea

Ballet National de Marseille 2018 - Director : Teatro stabile Napoli

Choreographer(s) : Greco, Emio (Italy) C. Scholten, Pieter (Netherlands)

Present in collection(s): Ballet National de Marseille

Video producer : Ballet National de Marseille

en fr

Non Solo Medea

 Emio Greco and Pieter C. Scholten combine past and present in a  contemporary tragedy in the heart of actual Europe. Can we escape our  destiny?

Regret, control, acceptance, revolt, denial, realization, exodus... Non solo Medea powerfully questions the notion of determinism in a society in crisis and, in a cathartic outpouring, carries a desire for change. In this echo of Greek tragedies, an actress takes on the role of different characters such as Antigone, Oedipus, Medea, Iphigenia. 

A true challenge to the excess of ancient theatre, the  corps of eighteen dancers respond to the words punctuated by the sounds  of live percussion. Different eras come together and collide on the  sound of energetic and powerful music including the repertoire of Pink  Floyd, Arvo Pärt, Xenakis and Beethoven. Emio Greco et Pieter C. Scholten conjuguent le passé au présent  pour une tragédie contemporaine, au cœur de l’Europe d’aujourd’hui.  Est-il possible d’échapper à son destin ?

Regret, contrôle, acceptation, révolte, déni, prise de conscience, exode… Non solo Medea  interroge avec force la notion de déterminisme dans une société en  crise et porte dans un élan cathartique un désir de changement. Un écho  aux tragédies grecques incarné par la voix d’une comédienne à travers  les personnages d’Œdipe, Médée, Iphigénie, Antigone.

Véritable défi à la démesure d’un théâtre antique, le corps de  dix-huit danseurs donne la réplique à ces mots, rythmés au son de  percussions live. Les temps se frottent et heurtent au cœur d’une  création pluridisciplinaire où danse, théâtre et musique engagent un  dialogue universel.

Greco, Emio

Emio Greco was born in 1965 in Brindisi, a port in southern Italy, into a modest peasant-farming family. A classically-trained dancer, he spent three years at the Rosella Hightower Centre in Cannes before joining the Ballet Antibes Côte d'Azur. But it was while dancing with Jan Fabre, from 1993 to1996, that he revealed his fabulous talent as a performer. Marrying his instinctive and spontaneous approach to the figurative and visual world of Jan Fabre, Emio Greco savoured this taste for “the skin of the animal”, this fragile and violent creature cowering within us which rebels against the rules that safeguard harmonies and disciplines. In 1996 he joined the Karas company, run by Japanese choreographer and sculptor Saburo Teshigawara, for whom the body is a sculpture brought to life and which its maker animates in space and light, a genesis impregnated with spirituality and oriental aesthetics. There is no doubt that Saburo Teshigawara conveyed to him the idea of the specific potential which, according to him, lies in the transience of this art: dance is born of the acute awareness of what is and what will be. Having absorbed the wealth this fine and incisive choreographic culture, Emio Greco undertook his own choreographic and research project in parallel after meeting the director Pieter C. Scholten in 1995, relentlessly searching for new ways to allow the body's wisdom to express itself.


With Pieter C. Scholten, he founded the company EG | PC in Amsterdam, which works on a triple principle of contemporary creation, interdisciplinary exchanges – within the framework of International Choreographic Art Center Amsterdam (ICKamsterdam) which they also founded and which houses their company – and teaching, provided by the Accademia Mobile. Experimental in its principle (Bianco, Rosso, Extra Dry, a trilogy, 1996-2000), the dance of Greco and Scholten has been developing since 1998 around the concept of Double Points, short pieces which are similar to the events of Merce Cunningham. Their dance also appropriates traditional heritage, through a tetralogy which explores Dante's Divine Comedy – the first three parts being Hell (2006), then Popopera and In visione ([Purgatory], 2006-2008) – and through the rediscovery (and reinterpretation) of Bach, whose St Matthew Passion inspires the music accompanying the solo by Emio Greco in In visione.
 

Source : Maison de la Danse 


More information : www.ballet-de-marseille.com

C. Scholten, Pieter

When the former – a dancer born in southern Italy – and the latter – a director of alternative theatre in the Netherlands – pooled their talent in the 1990s, they turned their creative partnership into a choreographic adventure.
 

Starting in 1995 from curiosity about the body and its inner motives, they created their first work, a solo entitled Bianco. This formed the first part of the « Fra Cervello e Movimento » (« Between Brain and Movement ») trilogy. It was accompanied by an artistic manifesto about the body and seven principles of the body’s logic. This manifesto formed the basis for the new language they went on to create.
masquer
To describe their work and its originality combining rigour of research and imaginative power, a new term was coined: «extremalism». From the early days of their company named EG I PC, Emio Greco and Pieter C. Scholten have developed a universe and a writing forged out of tension and synchronicity, borrowing as much from classical vocabulary as from post-modern dance.
 

The strange theatricality impregnating the pieces and the high quality of the repetitive or exuberant dance of Emio Greco and his dancers are strictly framed by the choreographic score to construct enigmatic fictions of the flesh in each piece. The body, this stranger with its wealth of sensitive worlds, therefore appears reflected in it, as if it were the very author of these stories, absorbed, immersed in unexpected and mysterious spaces that the luminous set design, playing with colour or monochrome, helps reveal, in dialogue with the chosen music.
 

Their most recent creations include « La Commedia » (2011), « Rocco » (2011), « Passione in Due » (2012), « Addio alla fine » (2012), « Double Points: Verdi » (2013), « A Man without a Cause » (2013), « De Soprano’s » (2014), « Le Corps du Ballet National de Marseille », « Boléro », « Passione » and « Extremalism » (2015).
 

Emio Greco and Pieter C. Scholten have won numerous international awards for many of these shows, which are often co-produced by major festivals and performance venues and tour all over the world.
 

In 2009, they created ICKamsterdam, a multidisciplinary international platform for both up-and-coming and established artists. Appointed directors of the Ballet National de Marseille in 2014, their work focuses on the theme of the body from two perspectives: "the body in revolt" or the place of the artist in society and "the corps du ballet" or the search for a new form of contemporary ballet.


Source: Ballet National de Marseille 's website (France)


More information : ballet-de-marseille.com

Teatro stabile Napoli


Ballet national de Marseille

Back in 1972, Roland Petit created the Ballets de Marseille. Having lost  its -s, the Ballet has become a Centre Chorégraphique National in 1984  and is now run by Emio Greco and Pieter C. Scholten. The creation and  dissemination of shows by the Ballet and guest artists are at the heart  of what it does. Very much rooted in our time, curious about and open to  the world, the BNM is also a prestigious part of Marseille’s cultural  heritage, close to Parc Borély.


Source: BNM

En savoir plus: www.ballet-de-marseille.com/en

Non Solo Medea

Artistic direction / Conception : Emio Greco, Pieter C. Scholten

Choreography : Emio Greco, Pieter C. Scholten

Interpretation : Ballet National de Marseille

Stage direction : Pieter C. Scholten

Set design : Emio Greco, Pieter C. Scholten

Text : Euripide, Sophocle, Florian Hellwig Dont « L’Homme Nouveau » librement inspiré de « Fort Europa » de Tom Lanoye

Live music : Flora Duverger

Additionnal music : Pink Floyd, Arvo Pärt, Xenakis, Beethoven

Video conception : Ruben Van Leer

Lights : Henk Danner

Costumes : Clifford Portier

Technical direction : Rémi D'Apolito

Sound : Pieter C. Scholten

Other collaborations : Comédienne : Manuela Mandracchia

Production / Coproduction of the choreographic work : Ballet National de Marseille / Teatro Stabile di Napoli – Teatro Nazionale

Production / Coproduction of the video work : ICKamsterdam

Duration : 1h10

Our videos suggestions
03:00

Drumming / Fragment #3

De Keersmaeker, Anne Teresa (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
02:24

Drumming / Fragment #2

De Keersmaeker, Anne Teresa (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
02:30

Drumming / Fragment #1

De Keersmaeker, Anne Teresa (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
03:55

Out of focus

Carlson, Carolyn (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
02:58

Deux-mille-dix-sept

Marin, Maguy (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
02:55

Relâche

Börlin, Jean (Relâche)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
03:10

Et mon coeur a vu à foison

Richard, Alban (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
16:50

Éclats

Dupuy, Françoise (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
03:00

Moeder

Carrizo, Gabriela (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
04:09

Samba opus 1 - Rio, le conservatoire de la samba

Samba opus 1 - Rio, le conservatoire de la samba (Brazil)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
01:10

Gille à Pont

Gille à Pont (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
03:15

Djembefola

Djembefola (Djembefola)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
02:18

Djabote Doudou Ndiaye Rose

Djabote Doudou Ndiaye Rose (Djabote Doudou Ndiaye Rose)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
57:18

Cribles

Huynh, Emmanuelle (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
46:49

Cribles/live

Huynh, Emmanuelle (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
03:37

Couleurs de femmes

Chane, Yun (Reunion)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
02:47

Mozongi

Maboungou, Zab (Canada)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
02:27

Le Surréalisme au service de la Révolution

Morau, Marcos (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
24:12

Open Borders

Open Borders (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
Our themas suggestions

Why do I dance ?

Webdoc

Julie Charrier

Why do I dance ?

Webdoc

Social dances, anti-establishment, protest dances, rhythms or identities, rituals or pleasures... There are a myriad of reasons for dancing and a myriad of points of view. A webdoc to discover, enhanced with extracts from performances and accounts from amateurs... all the right reasons for dancing!
Discover
Know more

Dance and performance

Parcours

Marie-Thérèse Champesme

Dance and performance

Parcours

 Here is a sample of extracts illustrating burlesque figures in Performances.

Discover
Know more

Hans Holbein

Hans Holbein

Numeridanse.tv

Hans Holbein

Hans Holbein

test

Discover
Know more

Dance and percussion

Parcours

Camille Rocailleux

Dance and percussion

Parcours

Découvrez de quelles manières ont collaboré chorégraphes et éléments percussifs.

Discover
Know more

Hip hop / Influences

Parcours

Anne Décoret-Ahiha

Hip hop / Influences

Parcours

This Course introduce to what seems to be Hip Hop’s roots.

Discover
Know more

Dance at the crossroad of the arts

Parcours

Anne Décoret-Ahiha

Dance at the crossroad of the arts

Parcours

Some shows are the meeting place of different trades. Here is a preview of some shows where the arts intersect on the stage of a choreographic piece.

Discover
Know more

The committed artist

Parcours

Anne Décoret-Ahiha

The committed artist

Parcours

In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.

Discover
Know more

Do you mean Folklores?

Parcours

Sarah Nouveau

Do you mean Folklores?

Parcours

Presentation of how choreographers are revisiting Folklore in contemporary creations.

Discover
Know more

Dance in Quebec: Collectivities in motion

Parcours

Geneviève Dussault

Dance in Quebec: Collectivities in motion

Parcours

This Parcours introduces several extracts of works by contemporary Quebecois choreographers, situating them in an anthropological perspective.

Discover
Know more

Le défilé de la Biennale de la danse

Exposition virtuelle

Biennale de la danse

Le défilé de la Biennale de la danse

Exposition virtuelle

La biennale de la danse créée en 1984 à l’initiative de Guy Darmet voit en 1996 s’ajouter à son programme un nouvel événement : le Défilé.

Discover
Know more

La Maison de la Danse de Lyon

Exposition virtuelle

Maison de la Danse de Lyon

La Maison de la Danse de Lyon

Exposition virtuelle

Créée à Lyon en 1980, la Maison de la Danse fut le premier théâtre en Europe dédié exclusivement la danse. Avec plus de 150 000 spectateurs par saison et près de 200 levers de rideaux, la Maison de la Danse rassemble aujourd’hui un large public de spectacles très fédérateurs mais aussi d’œuvres innovantes et de recherche. Théâtre de diffusion mais aussi pôle européen de créa

Discover
Know more

Pantomimes

Parcours

Sarah Nouveau

Pantomimes

Parcours

Presentation of Pantomimes in the different types of dance.

Discover
Know more

Female / male

Parcours

Anne Décoret-Ahiha

Female / male

Parcours

A walk between different conceptions and receptions of genres in different styles and eras of dance.

Discover
Know more

Contemporary techniques

Parcours

Centre national de la danse

Contemporary techniques

Parcours

This Parcours questions the idea that contemporary dance has multiples techniques. Different shows car reveal or give an idea about the different modes of contemporary dancer’s formations.

Discover
Know more
By accessing the website, you acknowledge and accept the use of cookies to assist you in your browsing.
You can block these cookies by modifying the security parameters of your browser or by clicking onthis link.
I accept Learn more