Skip to main content
Back to search
  • Add to playlist

Parallèle

CN D - Centre national de la danse 2013 - Director : Centre national de la danse, Réalisation

Choreographer(s) : Dianor, Amala (France)

Present in collection(s): Centre national de la danse , CN D - Spectacles et performances

Video producer : Centre national de la danse

Integral video available at CND de Pantin

en fr

Parallèle

CN D - Centre national de la danse 2013 - Director : Centre national de la danse, Réalisation

Choreographer(s) : Dianor, Amala (France)

Present in collection(s): Centre national de la danse , CN D - Spectacles et performances

Video producer : Centre national de la danse

Integral video available at CND de Pantin

en fr

Parallèle

Conceived as the partner piece of “Crossroads”, created in 2012 for the Hautes Tensions festival (Parc de la Villette, Paris), “Parallèle” stages four female personalities with radically different feelings and journeys. On their own or as a group, the dancers create a space where energies overlap, accumulate and sketch a portrait of the woman of today. Fusing hip-hop and contemporary styles, the dance is a hybrid, a melting pot of choreographic shapes created by the dancers - an original work on the concept of the “parallel”.

Show presented in partnership with the town of Pantin and Moov'n Aktion as part of the Festival Danse Hiphop Tanz

Further information

Company website

Updating: September 2013

Dianor, Amala

A hip hop dancer, Amala Dianor trained at the CNDC in 2000. Working as a performer in many diverse productions (from hip hop to neo-classical, contemporary and afro-contemporary dance), he quickly acquired undeniable recognition in the dancing community.

During these years, Amala perfected his writing: he masterfully went from one technique to another, but truly thrived through building bridges through these worlds. With the company C dans C, he choreographed (or co-choreographed) and performed in his first shows.

In 2012 he created “Crossroads” (winner of the Second and Third Awards at the Concours Renaissance), as well as his own company, the Amala Dianor Company, with which he developed his work as a choreographer.

The following year, he created “Parallèle”, a feminine dancing quartet at the Centre National de la Danse. In 2014, he choreographed the Extension duo alongside Bboy Junior, a surprising encounter between two esteemed performers of the French hip hop scene. That same year, he created and performed in his first solo show, Man Rec, which premiered in the Avignon festival.

In 2015, the company launched a regional project called “A Wink of Time” putting in the spotlight 18 amateur dancers on their way to becoming professionals. This project led to the creation of “Overflow”, co-signed with Mickael Le Mer, Pierre Bolo and Annabelle Loiseau. Amala also became the artist in residence at the Théâtre Louis Aragon in Tremblay-en-France, on a two-year contract.

In 2016 he created “Di(s)generation”, bringing together several generations of hip hop dancers, and showcased “New School”, a trio from “Di(s)generation” inspired by Abstract dance.

The 2016-2017 season marks Amala Dianor’s first of three years as an Associate Artist for the CDC Pôle Sud in Strasbourg, as well as for the 104 in Paris, and the Scènes de Pays dans les Mauges (Maine et Loire), France.

Source : The Amala Dianor Company 's website

More information : amaladianor.com

Centre national de la danse, Réalisation

Since 2001, the National Center for Dance (CND) has been making recordings of its shows and educational programming and has created resources from these filmed performances (interviews, danced conferences, meetings with artists, demonstrations, major lessons, symposia specialized, thematic arrangements, etc.).

Parallèle

Choreography : Amala DIANOR

Interpretation : Marion ALZIEU, Aude ARAGO, Johanna FAYE, Fanny ROUYÉ

Original music : Éric ALDÉA, Ivon CHIOSSONE

Lights : Samson MILCENT

Duration : 30 minutes

Our videos suggestions
01:27:28

Inanna

  • Add to playlist
06:38

Vertige d'Elle

Moineau, Claire (France)

  • Add to playlist
01:12

Ways to Strength and Beauty

  • Add to playlist
01:14:54

El Djoudour, the roots

Lagraa, Abou (France)

  • Add to playlist
10:37

Chambre (La)

Obadia, Régis (France)

  • Add to playlist
09:16

Another Bloody Mary

La Ribot (Switzerland)

  • Add to playlist
03:07

Opus 40

Maillot, Jean-Christophe (Monaco)

  • Add to playlist
03:15

Bal des genies

  • Add to playlist
11:20

The Sacred Wood, 1882

  • Add to playlist
03:32

BGirls

  • Add to playlist
03:04

BGirls

  • Add to playlist
03:58

Kafrine - focus

Bulin, Nadjani (Reunion)

  • Add to playlist
11:59

Feathers of La Fronde

Barua, Natalia (United Kingdom)

  • Add to playlist
03:37

Couleurs de femmes

Chane, Yun (Reunion)

  • Add to playlist
14:18

Sehnsucht [remontage 2015]

Waehner, Karin (France)

  • Add to playlist
47:49

Hurry Up !

Bouvier, Joëlle (France)

  • Add to playlist
20:37

Doubt and Certitude

Giordano, Raffaella (France)

  • Add to playlist
02:11

Psaumes Etudes No 2 Excerpt 2

Carlès, James (France)

  • Add to playlist
04:29

Psalms Study n°2

  • Add to playlist
06:17

RECHTSRADIKAL - Broadcasting Kulturzeit

Winkler, Christoph (Germany)

  • Add to playlist
Our themas suggestions

[1930-1960]: Neoclassicism in Europe and the United States, entirely in tune with the times

The Ballets Russes paved the way for what would become known as: neo-classical. Back then, the term “modern ballet” was frequently used to define this renewal of aesthetics: a savvy blend of tradition and innovation, which each choreographer defined in their own way.

Parcours

fr/en/

Bagouet Collection

Exposition virtuelle

fr/en/

The committed artist

In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.

Parcours

fr/en/pl/

Exposition virtuelle

fr/en/

CHRISTIAN & FRANÇOIS BEN AÏM – VITAL MOMENTUM

Exposition virtuelle

fr/en/

[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.

In the 1970s, artists’ drive towards a new classic had been ongoing for more than a half century and several generations had already formed since the Russian Ballets. As the years went by, everyone defended or defends classical dance as innovative, unique, connected to the other arts and the preoccupations of its time.

Parcours

fr/en/

Why do I dance ?

Social dances, anti-establishment, protest dances, rhythms or identities, rituals or pleasures... There are a myriad of reasons for dancing and a myriad of points of view. A webdoc to discover, enhanced with extracts from performances and accounts from amateurs... all the right reasons for dancing!

Webdoc

fr/en/

Female / male

A walk between different conceptions and receptions of genres in different styles and eras of dance.

Parcours

fr/en/es/de/pl/pt-pt/

The “Nouvelle Danse Française” of the 1980s

In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out  their unique take on the world. 

Parcours

fr/en/

Modern Dance and Its American Roots [1900-1930] From Free Dance to Modern Dance

At the dawn of the 20th century, in a rapidly changing West, a new dance appeared: Modern Dance. In the United States as in Europe, modern trends emerge simultaneously and intertwine in thier development. Let's dive into the beginnings of American modern dance!  

Parcours

fr/en/

Carolyn Carlson, a woman of many faces

Exposition virtuelle

fr/en/

Charles Picq, dance director

Exposition virtuelle

fr/en/

A Rite of Passage

Classical, telluric, shamanic, revolutionary? On May 29th, 1913, the first performance of Nijinski's "Rite of Spring" made such a scandal. This webdoc tells the story of this key work which inspired so many artists.

Webdoc

fr/en/

When reality breaks in

How does choreographic works are testimonies of the world? Does the contemporary artist is the product of an era, of its environment, of a culture?

Parcours

fr/en/

Butoh

On 24th May 1959, Tatsumi Hijikata portrayed the character of the "Man" in the first presentation of a play called Kinjiki (Forbidden Colours).
The Ankoku Butoh was born,

Parcours

fr/en/

States of the body

Explanation of the term « State of the body » when it’s about dance.

Parcours

fr/en/

Dance in Quebec: Untamed Bodies

First part of the Parcours about dance in Quebec, these extracts present how bodies are being used in a very physical way.

Parcours

fr/en/

Dance and percussion

Découvrez de quelles manières ont collaboré chorégraphes et éléments percussifs.

Parcours

fr/en/

Outdoor dances

Stage theater and studio are not the only places of work or performance of a choreographic piece. Sometimes dancers and choreographers dance outside.

Parcours

fr/en/es/de/pl/pt-pt/

Rituals

Discover how the notion of ritual makes sense in various dances through these extracts.

Parcours

fr/en/es/de/pl/pt-pt/
By accessing the website, you acknowledge and accept the use of cookies to assist you in your browsing.
You can block these cookies by modifying the security parameters of your browser or by clicking onthis link.
I accept Learn more