The Algeria is not a part of the world. It's as if she turned him back  pay stomach sink IN SON own . Explore over there : Find ç'est Sense Deep  CRI en measuring Ë EACH HIS OWN instant resistance. The air there is  dry , brittle, nothing -can grow, everything is sentenced to Break .  Body Burn Encore SES Latest reserved. Thought It , What is caged TO be  fulfilled fate. Should he pay Holding crier crier pay What It Takes All ,  repeat . I Thought it Would perhaps planter flagship United Nations at  the heart of Algeria waving pour the rest of the world to tell him the  Way of Life desperate and yet so tenacious, take place in EC lighthouse  and believe Qu ' it is the center of the world. The Algeria is not a  part of the world.

Nacera Belaza (source: website of the company)

Born in Algeria, Nacera Belaza moved to France at the age of five. Following modern literature studies at the Université de Reims, she set up her own company in 1989. 

Decorated Chevalier de l'ordre des Arts et des Lettres, this self-taught artist entered the world of dance, developing a choreography that draws its source in an inner journey, a careful listening of the body, of space and the inner void. Her path, like a quest, aims to promote the direct link between the dancer and the spectator, open to the infinity of the stage. The elements of the pieces – light, space, time, the body – respond to one another on the stage, developing their own special scenography. 

Repetition of gesture, infinite slowness, stretching out of time: Nacera Belaza’s works all explore movement as you would explore a serene, profound and continuous breath rubbing against the “deafening racket of our existences”, as Nacera Belaza confided.

The Company Nacera Belaza presents its works internationally with a regular presence in Europe, Africa, Asia and North America. In France, it has been invited by prestigious structures and festivals such as the Festival Montpellier Danse (2003, 2006, 2012, 2014, 2016), the Rencontres chorégraphiques internationales de Seine-Saint-Denis (2008, 2010), the Festival d’Avignon (2009, 2012), not to mention the Biennale de la danse de Lyon (2010, 2014) and the Festival de Marseille (2017, 2018). Its work, recognised by the Syndicat de la Critique (Union of theatre, musical and dance critics) in 2008 and by the SACD in 2017 (Choreography Award), has allowed the company to enjoy an international reach. 

The choreographer Nacera Belaza’s desire to share and transmit has assumed concrete shape in her relationship with publics and their territories. She has developed artistic actions and creations in multiple forms, from master classes to in situ performances. Thus, Nacera Belaza has continuously travelled between Algeria and France in the pursual of her artistic career. Alongside her activities with her company based in France, she founded an artistic cooperative in Algeria. She was responsible for the programming of the contemporary dance festival, Temps Dansé, and proposes activities for training and raising awareness of publics to contemporary art and danced gestures.

Nacera Belaza has created multiple choreographies that have been inspired by the sufi-culture. In her pieces Le Trait and Le Temps Scellé she explores the relation between traditional forms of Algerian dance, holy rituals and her own movement idiom.

http://cie-nacerabelaza.com 

Since 2001, the National Center for Dance (CND) has been making recordings of its shows and educational programming and has created resources from these filmed performances (interviews, danced conferences, meetings with artists, demonstrations, major lessons, symposia specialized, thematic arrangements, etc.).