Résistances
2016
Choreographer(s) : N'gom, Abdou (France)
Present in collection(s): Maison de la Danse de Lyon , Saisons 2010 > 2019
Video producer : Maison de la Danse
Résistances
2016
Choreographer(s) : N'gom, Abdou (France)
Present in collection(s): Maison de la Danse de Lyon , Saisons 2010 > 2019
Video producer : Maison de la Danse
Résistances
N'gom, Abdou
After 10 years of karate and 5 years of gymnastics, he is electroshoked in by hip hop dance in 1999: Abdou discovers the “Rencontres de Danses Urbaines” of la Villette and starts dancing. After having been part of various groups, he devotes himself to dance teaching and follows various trainings within ADDIAM 95. In 2005, he worksd with Lia Goldberg on her first solo and enters the Malka Company for the piece "Des mots". In 2006, he creates the Stylistik Company (2010 "Entre-deux", 2016 "Résistances") with Clarisse Veaux while continuing its route as a dancer with the Losanges Company in "Zou", A’corps in 2009 and Magic Electro in 2013 in "De natura".
Sources: Association Le Maillon press file (Stylistik Cie) ; Maison de la Danse show program
Résistances
Choreography : Abdou N’gom
Choreography assistance : Jeanne Azoulay
Interpretation : Jeanne Azoulay, Nacim Battou, Mélissa Cirillo, Milène Duhameau, Karim Félouki, Slate Hemedi, Lino Mérion
Original music : Thomas Millot (création et arrangements musicaux)
Lights : Lise Poyol (création et régie)
Costumes : Claude Murgia
Other collaborations : Soutien et accueil studio : Centre Chorégraphik Pole Pik - Bron, Théâtre du Parc - Andrézieux-Bouthéon, Auditorium du Thor - Avignon, Maison de la Danse - Lyon, Commune de Belley, Le Sémaphore - Irigny, avec le soutien de l’INSA de Lyon, en coproduction avec le Centre Chorégraphique National de La Rochelle / Poitou-Charentes, Kader Attou / Cie Accrorap
Production / Coproduction of the choreographic work : Production Compagnie Stylistik. Coproduction Centre Culturel Louis Aragon - Oyonnax, IADU - Paris, Théâtre du Parc - Andrézieux-Bouthéon, Arts Vivants Vaucluse, en coproduction avec le Centre Chorégraphique National de La Rochelle / Poitou- Charentes, Kader Attou / Cie Accrorap, avec le soutien du Groupe des 20 Rhône-Alpes
James Carlès
The American origins of modern dance: [1930-1950] from the expressive to the abstract
[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.
In the 1970s, artists’ drive towards a new classic had been ongoing for more than a half century and several generations had already formed since the Russian Ballets. As the years went by, everyone defended or defends classical dance as innovative, unique, connected to the other arts and the preoccupations of its time.
Why do I dance ?
The Dance Biennale
Les Rencontres chorégraphiques internationales de Seine-Saint-Denis
Vlovajobpru company
Body and conflicts
A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.
The national choreographic centres
Roots of Diversity in Contemporary Dance
Do you mean Folklores?
Presentation of how choreographers are revisiting Folklore in contemporary creations.
Dancing bodies
Focus on the variety of bodies offered by contemporary dance and how to show these bodies: from complete nudity to the body completely hidden or covered.