Skip to main content
Back to search
  • Add to playlist

Sous apparence

Sous apparence

Sous apparence

Sous apparence is the "transcription of an experience in a musical, visual and choreographic mode". Marie-Agnès Gillot is experimenting pointe work, worn by both female and male dancers. The piece is about the paradox of appearances that are so closely linked  to the stage: "We constantly play appearances, we are taken for what we are not. My search is about challenging myself to approach spirituality" she says.


Source : Ariane Bavelier

Gillot, Marie-Agnès

Marie-Agnès Gillot enters the Paris Opera Ballet School in 1985 and, at the age of 15 in 1990, she joins the Corps de ballet. She is promoted to “Première danseuse” in 1999. On March 18th 2004 she is made an « Étoile » following her performance of "Signes" (Carlson). Chevalier des Arts et des Lettres and the ordre national du Mérite, she is also a choreographer.

Source : Paris Opera 's website


More information : operadeparis.fr

Sous apparence

Choreography : Marie-Agnès Gillot

Choreography assistance : Laurence Equilbey

Interpretation : Laetitia Pujol, Alice Renavand, Vincent Chaillet, les Etoiles et le Ballet de l'Opéra de Paris

Live music : Ars Nova, Choeur Accentus

Additionnal music : Anton Bruckner, Morton Feldman, György Ligeti

Lights : Madjid Hakimi

Costumes : Walter Van Beirendonck

Settings : Olivier Mossey

Production / Coproduction of the video work : Telmondis (France), Opéra National de Paris, Mezzo (France)

Duration : 30'

Our videos suggestions
03:01

Hard to Be Soft

Doherty, Oona (France)

  • Add to playlist
03:01

Peekaboo

Goecke, Marco (France)

  • Add to playlist
02:55

Céu Cinzento

Oliveira, Clébio (France)

  • Add to playlist
02:44

Transparent Monster

Teshigawara, Saburo (France)

  • Add to playlist
03:31

Panorama

Decouflé, Philippe (France)

  • Add to playlist
03:05

Panorama

Decouflé, Philippe (France)

  • Add to playlist
03:15

Sketches From Chronicle

Graham, Martha (France)

  • Add to playlist
03:13

Rose - variation

Monnier, Mathilde (France)

  • Add to playlist
06:38

Vertige d'Elle

Moineau, Claire (France)

  • Add to playlist
05:16

Bruit de couloir

Dazin, Clément (France)

  • Add to playlist
07:42

Coupé décalé [1ère partie] - Robyn Orlin

Orlin, Robyn (France)

  • Add to playlist
08:17

Impair

Brabant, Jérôme (France)

  • Add to playlist
06:20

Flat/grand délit

Lheureux, Yann (France)

  • Add to playlist
03:13

Debout !

Delaunay, Raphaëlle (France)

  • Add to playlist
02:59

Japan

Tanguy, Simon (France)

  • Add to playlist
03:42

Lucinda Childs

Childs, Lucinda (United States)

  • Add to playlist
03:27

Mirage

Kunes, Vaclav (Czech Republic)

  • Add to playlist
03:29

Plexus

Bory, Aurélien (France)

  • Add to playlist
05:01

Un voyage d'hiver

Massin, Béatrice (France)

  • Add to playlist
03:00

Taoub

Bory, Aurélien (France)

  • Add to playlist
Our themas suggestions

[1930-1960]: Neoclassicism in Europe and the United States, entirely in tune with the times

The Ballets Russes paved the way for what would become known as: neo-classical. Back then, the term “modern ballet” was frequently used to define this renewal of aesthetics: a savvy blend of tradition and innovation, which each choreographer defined in their own way.

Parcours

fr/en/

James Carlès

Exposition virtuelle

fr/en/

The committed artist

In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.

Parcours

fr/en/pl/

La part des femmes, une traversée numérique

Exposition virtuelle

fr/en/

Qudus Onikeku - Reclaim a forgotten memory

Exposition virtuelle

fr/en/

CHRISTIAN & FRANÇOIS BEN AÏM – VITAL MOMENTUM

Exposition virtuelle

fr/en/

Indian dances

Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!

Parcours

fr/en/

[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.

In the 1970s, artists’ drive towards a new classic had been ongoing for more than a half century and several generations had already formed since the Russian Ballets. As the years went by, everyone defended or defends classical dance as innovative, unique, connected to the other arts and the preoccupations of its time.

Parcours

fr/en/

DANCE AND DIGITAL ARTS

Exposition virtuelle

fr/en/

Black Dance

James Carlès, dancer and choreographer and specialist of Afro-American dance, evokes the origin of current-day urban dances. From Africa to the United States via Europe, he emphasizes their hybrid style and puts their social and political dimension into perspective. A myriad of videos, photos, illustrations and additional resources complement this interview.

Webdoc

fr/en/

Why do I dance ?

Social dances, anti-establishment, protest dances, rhythms or identities, rituals or pleasures... There are a myriad of reasons for dancing and a myriad of points of view. A webdoc to discover, enhanced with extracts from performances and accounts from amateurs... all the right reasons for dancing!

Webdoc

fr/en/

Artistic Collaborations

Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians

Parcours

fr/en/

Meeting with literature

Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.

Parcours

fr/en/

Dance and performance

 Here is a sample of extracts illustrating burlesque figures in Performances.

Parcours

fr/en/

Round dance

 Presentation of the Round’s figure in choreography.

Parcours

fr/en/

The Dance Biennale

Exposition virtuelle

fr/en/

Exposition virtuelle

fr/en/

Female / male

A walk between different conceptions and receptions of genres in different styles and eras of dance.

Parcours

fr/en/es/de/pl/pt-pt/

Dance and visual arts

Dance and visual arts have often been inspiring for each other and have influenced each other. This Parcours can not address all the forms of their relations; he only tries to show the importance of plastic creation in some choreographies.

Parcours

fr/en/es/de/pl/pt-pt/

Contemporary Italian Dance : the 2000s

Panorama of contemporary dance practices in Italy during the 2000s.

Parcours

fr/en/
By accessing the website, you acknowledge and accept the use of cookies to assist you in your browsing.
You can block these cookies by modifying the security parameters of your browser or by clicking onthis link.
I accept Learn more