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Terrain vague

“For this new creation, I have brought together on the same stage my first access to show-business: circus, my current driving force: dance, and that towards which I am leaning: a certain theatricality. The artists who share this adventure with me are dancers, acrobats and actors. From this assembly of individuals, each with particular characteristics, a group gels and forms a unit to tell a story. This group forms the focal point for all these energies: that of hip-hop being close to that of the circus. To create my show, I started with a place: the waste ground. A certain nostalgia binds me to this kind of place where anyone is free to come, build, destroy, play, create. It is a place of passage, encounters, lives… When I was a youngster, it was my playground. Usually thought of as a ‘non-place' in a divided and compacted urban landscape where the overwhelming feeling is that of being stifled, the waste ground is also like a breath of fresh air to me, a respiration devoid of external constraints. A place where life worms its way in with its own codes and rules, a place where everything is possible. A place made in the image of the people who live there, marginalised by the outside world.”

Mourad Merzouki

Merzouki, Mourad

Born in Lyon in 1973, Mourad Merzouki began practicing martial arts and circus arts as early as a seven-year-old. At the age of fifteen, he encountered hip-hop culture for the first time and through it, he discovered dance.

He quickly decided to develop this form of street art while also experimenting with other choreographic styles, particularly with Maryse Delente, Jean-François Duroure and Josef Nadj.

The wealth of his experiences fed his desire to direct artistic projects, blending hiphop with other disciplines. In 1989 he, along with a group of dancers, created his first company ‘Accrorap'.

In 1994 the company performed Athina during Lyon's Biennial Dance Festival; it was a triumph that brought street dance to the stage.Merzouki's travels have led him into unchartered territory, where dance can be a powerful means of communication.

In order to develop his own artistic style and sensitivity, Merzouki established his own company, Käfig, in 1996.

In January 2006, Compagnie Käfig began a period of residence at Espace Albert Camus in Bron. The theatre became the venue of the Karavel Festival, created in 2007 under the leadership of Mourad Merzouki. The festival invites some 10 different hip-hop companies and other initiatives to the city.

In parallel, Mourad Merzouki spearheaded the inception of a new center for choreographic creation and development: Pôle Pik opened its doors in Bron in 2009.

In June 2009, Mourad Merzouki was appointed director of the Centre chorégraphique National de Créteil et du Val-de-Marne. He continues to develop his projects there, with an accent on openness to the world.

In 18 years, the choreographer has created 22 shows and his company gives on average 150 performances per year around the world.


Source : CCN Créteil et Val-de-Marne’s website


More information : http://ccncreteil.com/

Picq, Charles

Author, filmmaker and video artist Charles Picq entered working life in the 70s through theatre and photography. A- fter resuming his studies (Maîtrise de Linguistique - Lyon ii, Maîtrise des sciences et Techniques de la Communication - grenoble iii), he then focused on video, first in the field of fine arts at the espace Lyonnais d'art Contemporain (eLaC) and with the group « Frigo », and then in dance.
 On creation of the Maison de la Danse in Lyon in 1980, he was asked to undertake a video documentation project that he has continued ever since. During the ‘80s, a decade marked in France by the explosion of contemporary dance and the development of video, he met numerous artists such as andy Degroat, Dominique Bagouet, Carolyn Carlson, régine Chopinot, susanne Linke, Joëlle Bouvier and regis Obadia, Michel Kelemenis. He worked in the creative field with installations and on-stage video, as well as in television with recorded shows, entertainment and documentaries.

His work with Dominique Bagouet (80-90) was a unique encounter. He documents his creativity, assisting with Le Crawl de Lucien and co-directing with his films Tant Mieux, Tant Mieux and 10 anges. in the 90s he became director of video development for the Maison de la Danse and worked, with the support of guy Darmet and his team, in the growing space of theatre video through several initiatives:
     - He founded a video library of dance films with free public access. This was a first for France. Continuing the video documentation of theatre performances, he organised their management and storage.
     - He promoted the creation of a video-bar and projection room, both dedicated to welcoming school pupils.
     - He started «présentations de saisons» in pictures.
     - He oversaw the DVD publication of Le tour du monde en 80 danses, a pocket video library produced by the Maison de la Danse for the educational sector.

More recently, he launched the series “scènes d'écran” for television and online. He undertook the video library's digital conversion and created the website numeridanse.tv, an international video library for dance online.

His main documentaries are: enchaînement, Planète Bagouet, Montpellier le saut de l'ange, Carolyn Carlson, a woman of many faces, grand ecart, Mama africa, C'est pas facile, Lyon, le pas de deux d'une ville, Le Défilé, Un rêve de cirque.

He has also produced theatre films: Song, Vu d'ici (Carolyn Carlson), Tant Mieux, Tant Mieux, 10 anges, Necesito and So schnell, (Dominique Bagouet), Im bade wannen, Flut and Wandelung (Susanne Linke), Le Cabaret Latin (Karine Saporta), La danse du temps (Régine Chopinot), Nuit Blanche (Abou Lagraa), Le Témoin (Claude Brumachon), Corps est graphique (Käfig), Seule et WMD (Françoise et Dominique Dupuy), La Veillée des abysses (James Thiérrée), Agwa (Mourad Merzouki), Fuenteovejuna (Antonio Gades), Blue Lady revistied (Carolyn Carlson).

Source : Maison de la Danse

Terrain vague

Artistic direction / Conception : Mourad Merzouki

Choreography : Mourad Merzouki

Choreography assistance : Kader Belmoktar

Interpretation : Carima Amarouche, Mickaël Arnaud, Rémi Autechaud, Kader Belmoktar, Olivier Boyer, Vincent Gomez, David Rodriguez, David Soubies, Mourad Merzouki, Jennifer Suire

Set design : Mourad Merzouki, Benjamin Lebreton

Original music : AS'N

Additionnal music : Frédéric Peyron (accordéon), Yuri Mardones (percussions et voix), Aurélien Galichet (guitare et violon) Frédérick Miclet (paysages sonores)

Lights : Yoann Tivoli

Costumes : Carima Amarouche, Valérie Alcantara

Settings : Gilles Simon Perret (Acte 48), Patrick Lerat, Élisabeth Buisson, Stéphane Guillemin

Production / Coproduction of the choreographic work : Compagnie Käfig, Maison de la Danse de Lyon, Espace des Arts de Chalon-sur- Saône, Château Rouge – Annemasse, Espace Albert Camus - Bron Avec le soutien de la Fondation BNP Paribas, l'Association Beaumarchais

Production / Coproduction of the video work : Captation réalisée à la Maison de la Danse de Lyon en janvier 2006 par Charles Picq Montage teaser Fabien Plasson

Duration : 1 heure 05

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