Transmission de Ostrich
2009 - Director : Carlès, James
Choreographer(s) : Carlès, James (France) Dafora, Asadata (Sierra Leone)
Present in collection(s): Maison de la Danse de Lyon , Compagnie James Carlès Danse & Co - Œuvres majeures du patrimoine chorégraphique ( Danses noires, danses modernes, danses contemporaines, danses urbaines, etc...)
Video producer : James Carlès
Transmission de Ostrich
2009 - Director : Carlès, James
Choreographer(s) : Carlès, James (France) Dafora, Asadata (Sierra Leone)
Present in collection(s): Maison de la Danse de Lyon , Compagnie James Carlès Danse & Co - Œuvres majeures du patrimoine chorégraphique ( Danses noires, danses modernes, danses contemporaines, danses urbaines, etc...)
Video producer : James Carlès
Ostrich
This solo is one of the first compositions on the western stage to combine modern dance and African movement. Asadata Dafora, who immigrated to the United States in 1929, delivers his choreographic vision of traditional African dance presented on stage with the canons of western dance. The dancer is transformed into a majestic, powerful bird.
Credits
Creation : 1934
Choregraphy : Asadata Dafora
Transmission: Ella Moore
Rerun by : James Carlès
Duration : 4 mn
Interpreter : James Carles ou Georgey Souchette ou Clément Assémian
Music : Traditionnal African percussions
Carlès, James
James Carles is a choreographer, researcher and lecturer. He received initial training in dance and music of Africa and its Diaspora and then trained with the great names of modern dance in New York and London mainly. Since 1992, he hired an artistic and analytical approach that explores the “places junctions” between the dances, rhythms and philosophies of Africa and its Diaspora with technical and western thoughts frames. To date, his company’s directory contains more than fifty pieces of his own creation and authors like Katherine Dunham, Pearl Primus, Talley Beatty, Asadata Dafora, Geraldine Armstrong, Rick Odums, Wayne Barbaste, Carolyn Carlson, Robyn Orlin, etc.
Dancer soloist and outstanding performer, James Carles was performer and artistic collaborator for not only numerous “all music” ranging from Baroque to contemporary music, through jazz; but also choreographers such as Carolyn Carlson, Robyn Orlin, Rui Horta, Myriam Naisy, etc.
Artist associated with Astrada- Jazz In Marciac 2012-2014, research associate in the laboratory of the University LLA Créatis Jean Jaures Toulouse, James Carles is particularly invests in heritage projects for diversity and diffusion of choreographic culture. He is also founder and artistic director of the festival “Dances and Black Continents”.
Dafora, Asadata
Asadata Dafora (1890-1965) arrived in New York in 1929 after having studied and danced for many years in Europe and in Sierra Leone, his country of birth. He began working with Africans who are associated with the National Counsel of the African Union and created Shogola Oloba, a troupe of African artists. In 1934, he created Kykunkor, a work that ushered in an innovative new genre labeled indigenous African Opera. Kykunkor tells the story of a spouse haunted by the curses of an upset lover.
Carlès, James
Since 2016, James Carlès has made the choice to make available to the public a selection of its videos.
Ostrich
Choreography : Création : 1934 - Chorégraphe : Asadata Dafora - Passeur : Ella Moore - Repris par : James Carlès
Interpretation : James Carles ou Georgey Souchette ou Clément Assémian
Additionnal music : Musique traditionnelle, percussions africaines
Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois
If the 19th century is that of romanticism, the entry into the new century is synonymous of modernity! It was a few decades later that it would be assigned, a posteriori, the name of “neo-classical”.
James Carlès
Bagouet Collection
The American origins of modern dance: [1930-1950] from the expressive to the abstract
Black Dance
The Dance Biennale
Female / male
A walk between different conceptions and receptions of genres in different styles and eras of dance.
Contemporary techniques
This Parcours questions the idea that contemporary dance has multiples techniques. Different shows car reveal or give an idea about the different modes of contemporary dancer’s formations.
Modern Dance and Its American Roots [1900-1930] From Free Dance to Modern Dance
At the dawn of the 20th century, in a rapidly changing West, a new dance appeared: Modern Dance. In the United States as in Europe, modern trends emerge simultaneously and intertwine in thier development. Let's dive into the beginnings of American modern dance!
Charles Picq, dance director
Genesis of work
A dance show is created in multiples steps between the enunciation of an initial desire which launch the project and the first representation. This parcours presents diff
Dance and music
The relationship between music and choreographic works varies throught dance history.
Rituals
Discover how the notion of ritual makes sense in various dances through these extracts.
Scenic space
A dance performance takes place in a defined spatial area ... or not. This course helps to understand the occupation of the stage space in dance.