Skip to main content
Back to search
  • Add to playlist

D'après une histoire vraie

D'après une histoire vraie

D'après une histoire vraie

Stage left, two drummers play live on a platform. Eight men meet, get together and take a few steps together, which gradually evolve into a tribal dance with roots in the traditional dances of the Mediterranean Basin.

A few years ago in Istanbul, Christian Rizzo watched a traditional dance performed solely by men. The choreographer was suddenly overcome with a profound emotion. The memory of that scene, fixed in his mind, has since evolved and has now re-emerged as the point of departure for the show 'D'Après une Histoire Vraie'. With eight dancers and two musicians playing live, Christian Rizzo creates a powerful hybrid dance that combines folkloric practices and contemporary dance. The two drums, beating on the margins of tribal rhythms and psychedelic rock, maintain a relationship between dialogue and battle. The dancers form a human chain, hands on shoulders, creating tighter and tighter circles. 

CDN Haute-Normandie

Credits

conception, choreography, scenography and costumes : christian rizzo
performance : fabien almakiewicz, yaïr barelli, massimo fusco, miguel garcia llorens, pep garrigues, kerem gelebek, filipe lourenço and roberto martínez
original music : didier ambact and king Q4
light design : caty olive
general manager : jérôme masson
sound manager : vanessa court
light manager and video : arnaud lavisse
light manager : samuel dosière
administration, production and touring : bureau cassiopée

executive producer : l’association fragile
coproduction : théâtre de la ville - paris (FR), festival d’avignon (FR), opéra de lille (FR), le centre de développement chorégraphique de toulouse - midi-pyrénées (FR), la ménagerie de verre – paris (FR), la filature, scène nationale - mulhouse (FR), l’apostrophe, scène nationale de cergy-pontoise et du val d’oise (FR), centre chorégraphique national de rillieux-la-pape / direction yuval pick (FR)
with the support : conseil régional nord-pas de calais, convention institut français + city of lille, association beaumarchais – sacd and institut français dans le cadre du fonds de production circles
with the help : le phénix, scène nationale valenciennes
residency for the rehearsals : opéra de lille (FR), centre chorégraphique national de rillieux-la-pape / direction yuval pick (FR), centre chorégraphique national roubaix nord-pas de calais (FR)
thanks to : all the team of the opéra de lille, l’opéra de lyon, le théâtre du nord, le fresnoy – studio national des arts contemporains, marie-thérèse allier, rostan chentouf, sophie laly, arthur le fol, frédéric bonnemaison, catherine tsékenis and stéphane malfettes. 

Video direction and production Association Fragile

Rizzo, Christian

Christian Rizzo was born in 1965 in Cannes. His artistic career began in Toulouse, where he started a rock band and designed a line of clothing, after which he studied fine arts at the Villa d'Arson in Nice, then unexpectedly branched out into dance.

In the 90s he performed with a number of contemporary choreographers including mathilde monnier, herve robbe, mark tompkins and georges appaix, and sometimes created soundtracks and costumes for them as well.

He also worked with choreographers with a different artistic approach, such as vera mantero, catherine contour, emmanuelle huynh and rachid ouramdane.

In 1996 he founded l'association fragile and began presenting events, dancing objects, solos and group pieces, as well as various projects and commissioned work in fashion and the visual arts.

Since then, over thirty projects have borne fruit, not counting his pedagogical activities. Christian rizzo teaches on a regular basis in art schools in France and abroad, as well as in establishments devoted to contemporary dance.

On January 1st, 2015, Christian Rizzo takes the lead of the National Choreographic Center of Montpellier. Now called ICI (International Choreographic Institute), the CCN offers a transversal vision of creation, training, artistic education and openness to the public.

Source : Website of ICI, CCN of Montpellier

More information :

http://ici-ccn.com/

http://www.lassociationfragile.com/

D'après une histoire vraie

Artistic direction / Conception : Christian Rizzo

Choreography : Christian Rizzo

Interpretation : Fabien Almakiewicz, Yaïr Barelli, Massimo Fusco, Miguel Garcia Llorens, Pep Garrigues, Kerem Gelebek, Filipe Lourenço, roberto Martínez

Set design : Christian Rizzo

Original music : Didier Ambact et King Q4

Live music : Didier Ambact et King Q4

Video conception : Samuel dosière (régie)

Lights : Caty Olive, Samuel dosière (régie)

Costumes : Christian Rizzo

Sound : Vanessa Court

Other collaborations : Jérôme Masson (régie générale)

Production / Coproduction of the choreographic work : Bureau cassiopée Léonor Baudouin, Mélanie Charreton, Isabelle Morel et émilie davy, l’association fragile, Coproduction Théâtre de la ville - paris, Festival d’avignon, Opéra de lille, cDc de Toulouse / Midi-pyrénées, Ménagerie de Verre - paris, la Filature / scène nationale de Mulhouse, l’apostrophe / scène nationale de cergy-pontoise et du Val d’Oise, ccn rillieux-la-pape, avec le soutien du conseil régional nord-pas de calais, de la convention institut français + Ville de lille, de l’association Beaumarchais - SACD et de l’institut français dans le cadre du fond de production circles, Avec l’aide du phénix scène nationale Valenciennes résidences de création Opéra de lille, ccn rillieux-la-pape, ccn roubaix nord-pas de calais remerciements à toute l’équipe de l’Opéra de lille, à l’Opéra de lyon, au Théâtre du nord, au Fresnoy - studio national des arts contemporains, au centquatre-paris, à Marie-Thérèse allier, rostan chentouf, sophie laly, arthur le Fol, Frédéric Bonnemaison, catherine Tsékenis et stéphane Malfettes. l’association fragile est aidée par le Ministère de la culture et de la communication / Drac nord-pas de calais au titre de l’aide à la compagnie chorégraphique conventionnée et reçoit le soutien du conseil régional du nord-pas de calais, de la Ville de lille et de l’institut français pour ses tournées à l’étranger. De septembre 2007 à juin 2012, l’association fragile / christian rizzo a été en résidence à l’Opéra de lille. au 1er janvier 2015, christian rizzo prend la direction du centre chorégraphique national de Montpellier- languedoc roussillon

Production / Coproduction of the video work : Association fragile

Our videos suggestions
02:56

Ligne de crête

Marin, Maguy (France)

  • Add to playlist
03:01

Hard to Be Soft

Doherty, Oona (France)

  • Add to playlist
02:58

Another look at memory

Lebrun, Thomas (France)

  • Add to playlist
03:01

Peekaboo

Goecke, Marco (France)

  • Add to playlist
02:57

BiT

Marin, Maguy (France)

  • Add to playlist
03:31

Panorama

Decouflé, Philippe (France)

  • Add to playlist
03:05

Panorama

Decouflé, Philippe (France)

  • Add to playlist
03:15

Sketches From Chronicle

Graham, Martha (France)

  • Add to playlist
02:31

The Spectator's moment (2021): Mourad Merzouki

Merzouki, Mourad (France)

  • Add to playlist
03:13

Rose - variation

Monnier, Mathilde (France)

  • Add to playlist
05:16

Bruit de couloir

Dazin, Clément (France)

  • Add to playlist
07:42

Coupé décalé [1ère partie] - Robyn Orlin

Orlin, Robyn (France)

  • Add to playlist
08:17

Impair

Brabant, Jérôme (France)

  • Add to playlist
06:20

Flat/grand délit

Lheureux, Yann (France)

  • Add to playlist
03:12

Gravel Works

Gravel, Frédérick (France)

  • Add to playlist
03:02

Mekech Mouchkin

Merzouki, Mourad (France)

  • Add to playlist
03:13

Debout !

Delaunay, Raphaëlle (France)

  • Add to playlist
02:59

Japan

Tanguy, Simon (France)

  • Add to playlist
04:39

Next Days

Robbe, Hervé (France)

  • Add to playlist
03:42

Lucinda Childs

Childs, Lucinda (United States)

  • Add to playlist
Our themas suggestions

Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois

If the 19th century is that of romanticism, the entry into the new century is synonymous of modernity! It was a few decades later that it would be assigned, a posteriori, the name of “neo-classical”. 

Parcours

fr/en/

LATITUDES CONTEMPORAINES

Exposition virtuelle

fr/en/

James Carlès

Exposition virtuelle

fr/en/

The committed artist

In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.

Parcours

fr/en/pl/

La part des femmes, une traversée numérique

Exposition virtuelle

fr/en/

Qudus Onikeku - Reclaim a forgotten memory

Exposition virtuelle

fr/en/

CHRISTIAN & FRANÇOIS BEN AÏM – VITAL MOMENTUM

Exposition virtuelle

fr/en/

Indian dances

Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!

Parcours

fr/en/

[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.

In the 1970s, artists’ drive towards a new classic had been ongoing for more than a half century and several generations had already formed since the Russian Ballets. As the years went by, everyone defended or defends classical dance as innovative, unique, connected to the other arts and the preoccupations of its time.

Parcours

fr/en/

les ballets C de la B and the aesthetic of reality

Exposition virtuelle

fr/en/

DANCE AND DIGITAL ARTS

Exposition virtuelle

fr/en/

Black Dance

James Carlès, dancer and choreographer and specialist of Afro-American dance, evokes the origin of current-day urban dances. From Africa to the United States via Europe, he emphasizes their hybrid style and puts their social and political dimension into perspective. A myriad of videos, photos, illustrations and additional resources complement this interview.

Webdoc

fr/en/

Why do I dance ?

Social dances, anti-establishment, protest dances, rhythms or identities, rituals or pleasures... There are a myriad of reasons for dancing and a myriad of points of view. A webdoc to discover, enhanced with extracts from performances and accounts from amateurs... all the right reasons for dancing!

Webdoc

fr/en/

Artistic Collaborations

Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians

Parcours

fr/en/

Meeting with literature

Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.

Parcours

fr/en/

Dance and performance

 Here is a sample of extracts illustrating burlesque figures in Performances.

Parcours

fr/en/

Round dance

 Presentation of the Round’s figure in choreography.

Parcours

fr/en/

The Dance Biennale

Exposition virtuelle

fr/en/

Exposition virtuelle

fr/en/

Female / male

A walk between different conceptions and receptions of genres in different styles and eras of dance.

Parcours

fr/en/es/de/pl/pt-pt/
By accessing the website, you acknowledge and accept the use of cookies to assist you in your browsing.
You can block these cookies by modifying the security parameters of your browser or by clicking onthis link.
I accept Learn more