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Despedida

Szperling, Silvina

Festival Oberá en cortos (Argentine)

Production / Coproduction of the video work : Centre de Vidéo Danse de Bourgogne

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02:42

Têtes à têtes

Villa-Lobos, Maria Clara (Belgium)

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26:10

Flânerie

Fattoumi, Héla (France)

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07:58

Coupé décalé [2e partie] - James Carlès

Carlès, James (France)

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07:42

Coupé décalé [1ère partie] - Robyn Orlin

Orlin, Robyn (France)

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08:55

Final/ment/seule

Proust, Cécile (France)

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07:23

l'Espace d'un Instant

Dubois, Kitsou (France)

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05:45

4D

Cherkaoui, Sidi Larbi (Belgium)

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03:03

Daral Shaga

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03:41

Men's Dance

Maillot, Jean-Christophe (Monaco)

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44:32

Des mots sur des gestes

Bagouet, Dominique (France)

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03:46

Le défilé de la Biennale de la Danse 2008

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03:07

Oeil pour Oeil

Maillot, Jean-Christophe (Monaco)

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09:04

Uncles and Angels

Xaba, Nelisiwe (South Africa)

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12:57

Deep Night

Sabbagha, PJ (South Africa)

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01:01:33

Somewhere, out there, life was screaming

Languet, Éric (Reunion)

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06:25

FF>>

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38:20

The dancer/camera pas de deux

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28:47

Close-ups and movement continuity in dances for the camera

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40:05

Expanded Choreography: reading animated GIFs as choreography

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43:30

Analysis of ground types in Screendance

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Our themas suggestions

Bagouet Collection

Exposition virtuelle

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DANCE AND DIGITAL ARTS

Exposition virtuelle

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Black Dance

James Carlès, dancer and choreographer and specialist of Afro-American dance, evokes the origin of current-day urban dances. From Africa to the United States via Europe, he emphasizes their hybrid style and puts their social and political dimension into perspective. A myriad of videos, photos, illustrations and additional resources complement this interview.

Webdoc

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Why do I dance ?

Social dances, anti-establishment, protest dances, rhythms or identities, rituals or pleasures... There are a myriad of reasons for dancing and a myriad of points of view. A webdoc to discover, enhanced with extracts from performances and accounts from amateurs... all the right reasons for dancing!

Webdoc

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Artistic Collaborations

Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians

Parcours

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Meeting with literature

Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.

Parcours

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Exposition virtuelle

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Arts of motion

Generally associated with circus arts, here is a Journey that will take you on a stroll through different artists from this world.

Parcours

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The national choreographic centres

Exposition virtuelle

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Charles Picq, dance director

Exposition virtuelle

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Käfig, portrait of a company

Webdoc

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When reality breaks in

How does choreographic works are testimonies of the world? Does the contemporary artist is the product of an era, of its environment, of a culture?

Parcours

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Do you mean Folklores?

Presentation of how choreographers are revisiting Folklore in contemporary creations.

Parcours

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Dance and music

The relationship between music and choreographic works varies throught dance history.

Parcours

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Outdoor dances

Stage theater and studio are not the only places of work or performance of a choreographic piece. Sometimes dancers and choreographers dance outside.

Parcours

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Dance at the crossroad of the arts

Some shows are the meeting place of different trades. Here is a preview of some shows where the arts intersect on the stage of a choreographic piece.

Parcours

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The contemporary Belgian dance

This Parcours presents different Belgian choreographers who have marked history and participated in the creation of a "Belgian" style.

Parcours

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Strange works

 Unconventional contemporary dance shows which reinvent the rapport to the stage.  

Parcours

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