Djembefola
Djembefola
Djembefola
Born in Guinea in 1950, Mamady Keita, one of the three greatest malinké drummers, was a soloist for 22 years in the famous national ballet Djoliba, founded by Sékou Touré. Today he lives in Belgium. After 26 years’ absence, he returns to his village amidst general exultation, festivities and emotion. An extraordinary testimony of authenticity and intensity.
We are directly plunged into the heart of Africa, in Upper Guinea, the cradle of age-old traditions. Our “djembefola” (djembe drum player) knows most of the three hundred malinké rhythms and their meaning. He is one of the last to have been initiated by village practice, unlike the percussionists formed in ballets. Harry Belafonte was fascinated by the child (nicknamed “He who was born for that”), then aged 17, and recruited him for his film Africa Dance. Based on an idea by Pierre Marcault (a djembe specialist and a former percussionist for Jacques Higelin), this documentary was shot live on the spot. There is nothing artificial or exotic in this film in which each scene is spontaneous, including the crucial one where the djembe virtuoso is reunited with his family.
Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois
If the 19th century is that of romanticism, the entry into the new century is synonymous of modernity! It was a few decades later that it would be assigned, a posteriori, the name of “neo-classical”.
LATITUDES CONTEMPORAINES
The committed artist
In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.
The Dance Biennial Défilé
CHRISTIAN & FRANÇOIS BEN AÏM – VITAL MOMENTUM
[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.
In the 1970s, artists’ drive towards a new classic had been ongoing for more than a half century and several generations had already formed since the Russian Ballets. As the years went by, everyone defended or defends classical dance as innovative, unique, connected to the other arts and the preoccupations of its time.
les ballets C de la B and the aesthetic of reality
Why do I dance ?
Round dance
Presentation of the Round’s figure in choreography.
The Dance Biennale
Female / male
A walk between different conceptions and receptions of genres in different styles and eras of dance.
Hand dances
This parcours presents different video extracts in which hands are the center of the mouvement.
Contemporary Italian Dance : the 2000s
Panorama of contemporary dance practices in Italy during the 2000s.
Hip hop / Influences
This Course introduce to what seems to be Hip Hop’s roots.
Contemporary techniques
This Parcours questions the idea that contemporary dance has multiples techniques. Different shows car reveal or give an idea about the different modes of contemporary dancer’s formations.
Les Rencontres chorégraphiques internationales de Seine-Saint-Denis
VAISON DANSES
40 years of dance and music
The “Nouvelle Danse Française” of the 1980s
In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out their unique take on the world.