Skip to main content
Back to search
  • Add to playlist

Globe Trot

Centre de Vidéo Danse de Bourgogne 2013 - Director : Mitchell, Rose

Choreographer(s) : Miller, Bebe (United States)

Present in collection(s): Centre de Vidéo Danse de Bourgogne

Video producer : Mitchell Rose

en fr

Globe Trot

Centre de Vidéo Danse de Bourgogne 2013 - Director : Mitchell, Rose

Choreographer(s) : Miller, Bebe (United States)

Present in collection(s): Centre de Vidéo Danse de Bourgogne

Video producer : Mitchell Rose

en fr

Globe Trot

Réalisation : Mitchell Rose

Direction: Mitchell Rose

 

Chorégraphie : Bebe Miller

Choreography: Bebe Miller

 

Interprètes : voir générique

Dancers: see credits

Miller, Bebe

Mitchell, Rose

Globe Trot

Artistic direction / Conception : Réalisation : Mitchell Rose

Choreography : Bebe Miller

Interpretation : Voir générique

Le duo en danse

In memory of Wilfride Piollet

 

Dance is a shared art form. Most often we dance with someone, for someone, or with something, as part of a couple or a group. The celebrated pas de deux of classical ballet is emblematic of the traditional duo, but diverse other forms of partnership exist, including those between an object and a dancer (from Charlie Chaplin's cane to Jan Fabre's dance with olive oil), and the landscape in a work of site-specific performance, among others. As for screendance, it is by nature an intimate partnership betweeen image making and dance. This selection proposes to examine the role of the "duo" in contemporary screendance through a choice of international short films.

 

Forgotten Space (United-Kingdom, 2013) - direction & choreography: Wren Ball & Angharad Harrop. A film that demonstrates a partnership between two dancers, but also between the landscape and architecture, exploring the notion of absence/presence. --> film

 

Staff (Spain, 2013) - direction: Damian Munoz, Virginia Garcia & Pol Turrents / choreography: Damian Munoz & Virginia Garcia. The directors of this film write: "the need to be recognized for our acts makes us rely on someone as a witness. The witness becomes our weakness, from which comes the strength to defend and protect it... it is impossible to live without knowing others because it is impossible to live without knowing that we are essential to someone". --> film

 

Globe Trot (USA, 2013) - direction: Mitchell Rose / choreography: Bebe Miller. 54 international screendance artists contributed two seconds of dance, choreographed by Bebe Miller and performed by non-dancers, to this collective film, a dance duo with the world. --> film

 

Showtime at Ouagadougou (France, 2009) - direction & choreography by company Phillipe Ménard. Philippe Ménard and partner Burkinabe dancer Boukson Sere investigate a contruction site in Ouagadougou, Burkina Fasso and invite us to question the notion of "showtime". The film investigates the shiny veneer that hides another reality, that of a society attempting to construt itself and exist on the "world stage" --> film

 

Snöplog (United-Kingdom, 2013) - direction: Chien-Ming & Katy Pendlebury. In this film, two hands work together. The director's choice to feature one hand from each performer, instead of both, is significant in the resulting vulnerability that makes their collaboration essential, each an equal partner in this tabletop duo for hands that navigates and constructs shifting forms. --> film

 

Sequential (USA, 2013) - direction: Amanda Kapp / choreography & dance: Cynthia Ahlers & Olivia Beckley. Emphasizing the passage of time and the changing of the seasons, this film features two dancers, one visibly older than the other, to explore questions of lineage, which, from a choreographic point of view, alternates movement motifs executed in sequence, simultaneously, alone, and as a duo. --> film

 

To My Dear Cinematographer (USA, 2012) - direction: Zaoli Zhong. In Screendance, the relationship between dance on screen and that of the camera is essential. This film creates a tangible link to their pas de deux via a long panel of cloth that connects camera person and dancer in their ongoing interaction. --> film 

 

Espaços Anônimos (Brazil, 2012) - direction: Tatiana Guimaraes. Inspired by Marc Augé's concept of the "non-place", this film establishes a series of partnerships in collaboration with two pairs of dancers moving in a cycle of foreground/background, as well as with colors, the ground, etc. --> film

Our videos suggestions
03:01

Hard to Be Soft

Doherty, Oona (France)

  • Add to playlist
03:01

Peekaboo

Goecke, Marco (France)

  • Add to playlist
03:31

Panorama

Decouflé, Philippe (France)

  • Add to playlist
03:05

Panorama

Decouflé, Philippe (France)

  • Add to playlist
26:10

Flânerie

Fattoumi, Héla (France)

  • Add to playlist
03:15

Sketches From Chronicle

Graham, Martha (France)

  • Add to playlist
03:13

Rose - variation

Monnier, Mathilde (France)

  • Add to playlist
05:16

Bruit de couloir

Dazin, Clément (France)

  • Add to playlist
07:42

Coupé décalé [1ère partie] - Robyn Orlin

Orlin, Robyn (France)

  • Add to playlist
08:17

Impair

Brabant, Jérôme (France)

  • Add to playlist
06:20

Flat/grand délit

Lheureux, Yann (France)

  • Add to playlist
03:13

Debout !

Delaunay, Raphaëlle (France)

  • Add to playlist
02:59

Japan

Tanguy, Simon (France)

  • Add to playlist
03:42

Lucinda Childs

Childs, Lucinda (United States)

  • Add to playlist
03:27

Mirage

Kunes, Vaclav (Czech Republic)

  • Add to playlist
03:29

Plexus

Bory, Aurélien (France)

  • Add to playlist
05:45

4D

Cherkaoui, Sidi Larbi (Belgium)

  • Add to playlist
06:24

Un son étrange

Dobbels, Daniel (France)

  • Add to playlist
05:50

La fille qui danse

Dobbels, Daniel (France)

  • Add to playlist
03:32

Mamela Nyamza et les Soweto Kids

Nyamza, Mamela (South Africa)

  • Add to playlist
Our themas suggestions

James Carlès

Exposition virtuelle

fr/en/

The committed artist

In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.

Parcours

fr/en/pl/

La part des femmes, une traversée numérique

Exposition virtuelle

fr/en/

Qudus Onikeku - Reclaim a forgotten memory

Exposition virtuelle

fr/en/

CHRISTIAN & FRANÇOIS BEN AÏM – VITAL MOMENTUM

Exposition virtuelle

fr/en/

Indian dances

Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!

Parcours

fr/en/

DANCE AND DIGITAL ARTS

Exposition virtuelle

fr/en/

Black Dance

James Carlès, dancer and choreographer and specialist of Afro-American dance, evokes the origin of current-day urban dances. From Africa to the United States via Europe, he emphasizes their hybrid style and puts their social and political dimension into perspective. A myriad of videos, photos, illustrations and additional resources complement this interview.

Webdoc

fr/en/

Why do I dance ?

Social dances, anti-establishment, protest dances, rhythms or identities, rituals or pleasures... There are a myriad of reasons for dancing and a myriad of points of view. A webdoc to discover, enhanced with extracts from performances and accounts from amateurs... all the right reasons for dancing!

Webdoc

fr/en/

Artistic Collaborations

Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians

Parcours

fr/en/

Meeting with literature

Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.

Parcours

fr/en/

Dance and performance

 Here is a sample of extracts illustrating burlesque figures in Performances.

Parcours

fr/en/

Round dance

 Presentation of the Round’s figure in choreography.

Parcours

fr/en/

The Dance Biennale

Exposition virtuelle

fr/en/

Exposition virtuelle

fr/en/

Female / male

A walk between different conceptions and receptions of genres in different styles and eras of dance.

Parcours

fr/en/es/de/pl/pt-pt/

Dance and visual arts

Dance and visual arts have often been inspiring for each other and have influenced each other. This Parcours can not address all the forms of their relations; he only tries to show the importance of plastic creation in some choreographies.

Parcours

fr/en/es/de/pl/pt-pt/

Arts of motion

Generally associated with circus arts, here is a Journey that will take you on a stroll through different artists from this world.

Parcours

fr/en/

Contemporary techniques

This Parcours questions the idea that contemporary dance has multiples techniques. Different shows car reveal or give an idea about the different modes of contemporary dancer’s formations.

Parcours

fr/en/

Les Rencontres chorégraphiques internationales de Seine-Saint-Denis

Exposition virtuelle

fr/en/
By accessing the website, you acknowledge and accept the use of cookies to assist you in your browsing.
You can block these cookies by modifying the security parameters of your browser or by clicking onthis link.
I accept Learn more