La pédagogie
2002 - Director : Centre national de la danse, Réalisation
Choreographer(s) : Dupuy, Françoise (France)
Present in collection(s): Centre national de la danse
Video producer : Centre national de la danse
Integral video available at CND de Pantin
La pédagogie
2002 - Director : Centre national de la danse, Réalisation
Choreographer(s) : Dupuy, Françoise (France)
Present in collection(s): Centre national de la danse
Video producer : Centre national de la danse
Integral video available at CND de Pantin
Interview Françoise Dupuy
Teaching
Interview with Françoise Dupuy [extract #2] / 2002
As Dance Inspector for the French Ministry of Culture from 1987 to 1991, Françoise Dupuy was instrumental in establishing the state diploma for dance teaching. In this extract she recalls the intentions and benefits of this measure, while emphasizing the importance of a personal approach to teaching.
Updating: November 2010
Dupuy, Françoise
This dancer and choreographer founded the Ballets modernes de Paris (1954-1979) with Dominique Dupuy (whom she met while working for Jean Weidt), and the International Contemporary Dance Encounters (1969). Appointed as Dance Inspector at the French Ministry of Culture in 1987, Françoise Dupuy worked to set up the State Diploma and initiate dance in schools. In 1990 she became director of the IFEDEM Danse, which in 1996 became the Paris teaching department of the APCND (Preliminary Association for the National Dance Centre). In 1997 she created and ran, with Dominique Dupuy, the Mas de la Danse, a study and research centre for contemporary dance which operated until 2008. Since then, they have concentrated on arranging their archives, while continuing with stage appearances and teaching.
Active on all fronts – as choreographer, animateur, director of a company, researcher and teacher – Françoise Dupuy has also performed, among others, Jean Weidt's “La Cellule” (1949), Deryk Mendel's “Epithalame” (1958), Dominique Dupuy's “La Femme et Son Ombre” (1968) and Jerome Andrews' “Capture Ephémère”. She has been an associated artist at the Ballet Atlantique Régine Chopinot and choreographed “Paso”, “Visage de Terre”, “Antigone”, “Ana non” and “Eclats”. Her dancing and teaching are marked by Hellerau-Luxembourg, her “choreographic cradle”.
Updated: November 2010
Centre national de la danse, Réalisation
Since 2001, the National Center for Dance (CND) has been making recordings of its shows and educational programming and has created resources from these filmed performances (interviews, danced conferences, meetings with artists, demonstrations, major lessons, symposia specialized, thematic arrangements, etc.).
Entretien Françoise Dupuy
Other collaborations : Entretien conduit par Claire Rousier
Duration : 60 minutes
Bagouet Collection
Contemporary techniques
This Parcours questions the idea that contemporary dance has multiples techniques. Different shows car reveal or give an idea about the different modes of contemporary dancer’s formations.
Genesis of work
A dance show is created in multiples steps between the enunciation of an initial desire which launch the project and the first representation. This parcours presents diff
Improvisation
Discovery of improvisation’s specificities in dance.