L'oeil, la bouche et le reste
2017 - Director : Centre national de la danse, Réalisation
Choreographer(s) : Cordeiro, Volmir (Brazil)
Present in collection(s): Centre national de la danse , CN D - Spectacles et performances
Video producer : Centre national de la danse
Integral video available at CND de Pantin
L'oeil, la bouche et le reste
2017 - Director : Centre national de la danse, Réalisation
Choreographer(s) : Cordeiro, Volmir (Brazil)
Present in collection(s): Centre national de la danse , CN D - Spectacles et performances
Video producer : Centre national de la danse
Integral video available at CND de Pantin
Oeil (L'), la bouche et le reste
Look out, open your eyes! With this new work for four dancers, the Brazilian choreographer who sees everything invites you to see the question of ‘seeing’ differently. Starting from the eye and embracing all that is globular, like the sun, the egg, the moon or the arena, Volmir Cordeiro has created a dance that expresses the functions of the eye and then evokes its physicality and actions – crying, staring, winking, spying, etc. The eye is a tool for exploring interiority, latency, the pre-human, the tactile, the animal, the excitement of thought, and darkness and intensity. With this new work, Volmir Cordeiro is seeking to make ‘the eye that searches dance, the one that will look for the invisible, deep, hidden, mysterious mass of the world. That’s what I call the rest; the thing without a name, which cannot be looked at, subterranean, lost and unattainable; this matter capable of making us close our eyes and then cry out inside, and open our sight towards what we dare not look at. Dancing a dance that is embodied by the eye, dancing what the eye is unable to retain when it is in the process of looking, dancing what is left over in us, forgotten, rejected, set aside, dancing the obsessive fear of what one sees.’ Like Volmir Cordeiro’s previous works, L’œil la bouche et le reste is a flight into abstraction, life and the world, a dense, almost obsessive search during which nothing is ever left to chance.
Cordeiro, Volmir
Born in 1987, Volmir Cordeiro first studied theatre before working with Brazilian choreographers Alejandro Ahmed, Cristina Moura and Lia Rodrigues. He joined the “Essais” (Tests) course in 2011, at the National Centre for Contemporary Dance in Angers, under the direction of Emmanuelle Huynh. In November 2018, he defended his doctoral thesis on marginal figures in contemporary dance at Paris 8 University, which is to be published in 2019. He has performed in pieces by Xavier Le Roy, Emmanuelle Huynh, Vera Mantero and Latifa Laâbissi, etc.
In 2012, he choreographed and performed his first solo in France, Sky, then another, Inês in 2014 and in March 2015, the duo Epoch with Marcela Santander Corvalán. He completed his first cycle of works, composed of three solos including Sky and Inês, with Street, created in October 2015 at the Louvre Museum, in collaboration with the Paris International Contemporary Art Fair, FIAC. In February of 2017, he created a piece for four dancers, The Eye the Mouth and the Rest in Brest. In September of 2019, he created a piece for six performers, Trottoir, in Festival Actoral - Marseille.
He teaches regularly in choreography programmes, such as P.A.R.T.S. in Brussels, the Exerce Master (ICI-CCN Montpellier, France) and the Drama Master (Kask Conservatorium, Gand, Belgium). Volmir Cordeiro was an associated artist at the Ménagerie de Verre in 2015, and has been an associated artist at the National Dance Centre (CND) in Pantin since 2017. He is also a resident research artist at Ateliers Médicis, in Clichy-sous-bois.
Centre national de la danse, Réalisation
Since 2001, the National Center for Dance (CND) has been making recordings of its shows and educational programming and has created resources from these filmed performances (interviews, danced conferences, meetings with artists, demonstrations, major lessons, symposia specialized, thematic arrangements, etc.).
L'œil, la bouche et le reste
Choreography : Volmir Cordeiro
Interpretation : Volmir Cordeiro, Calixto Neto, Isabela Santana et Marcela Santander Corvalán
Lights : Abigail Fowler
Sound : Cristián Sotomayor
Other collaborations : Regard extérieur Carolina Mendonça et Ana Paula Kamozaki
Production / Coproduction of the choreographic work : Spectacle présenté dans le cadre du projet européen The Humane Body, cofinancé par le programme Europe créative de l'Union européenne.
Duration : 80 minutes
James Carlès
The American origins of modern dance: [1930-1950] from the expressive to the abstract
[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.
In the 1970s, artists’ drive towards a new classic had been ongoing for more than a half century and several generations had already formed since the Russian Ballets. As the years went by, everyone defended or defends classical dance as innovative, unique, connected to the other arts and the preoccupations of its time.
Black Dance
Why do I dance ?
The Dance Biennale
Les Rencontres chorégraphiques internationales de Seine-Saint-Denis
Vlovajobpru company
40 years of dance and music
Body and conflicts
A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.
The national choreographic centres
Roots of Diversity in Contemporary Dance
Noé Soulier Rethinking our movements
Charles Picq, dance director
Do you mean Folklores?
Presentation of how choreographers are revisiting Folklore in contemporary creations.
Dancing bodies
Focus on the variety of bodies offered by contemporary dance and how to show these bodies: from complete nudity to the body completely hidden or covered.