Ote'a Vahine
2008 - Director : Louvat, Marc E.
Choreographer(s) : Foster Delcuvellerie, Makau (France)
Present in collection(s): Numeridanse.tv , Danses Polynésiennes
Video producer : Atelier Tahiti Docs
Ote'a Vahine
2008 - Director : Louvat, Marc E.
Choreographer(s) : Foster Delcuvellerie, Makau (France)
Present in collection(s): Numeridanse.tv , Danses Polynésiennes
Video producer : Atelier Tahiti Docs
Ote'a Vahine
The featured Ote'a Vahine is accompanied by percussions: to'ere, tahiri parau and pahu tupai.“Vahine” means woman. This choreography was made for hotel shows, fast and dynamic.
Source : Marc E. Louvat
Foster Delcuvellerie, Makau
Makau Foster Delcuvellerie spent the first years of her life on the atoll of Hao and was brought up, as customary in those days, by her grand parents. They were very simple folks who lived like their parents, and the parents of their parents before them, to the soothing rhythm of the islands, fishing and foraging. Then she had to go to Tahiti for school and to Hawai'i for a college education.
Whenever you start a conversation with her on that period of her life, she remembers the Paumotu (inhabitants of the Tuamotu islands) whom she says taught her everything and had been living in Hawai'i for the longest time, teaching young Hawaiians the traditions of the South Pacific Islands. Their classes were hard, very demanding for these youngsters who had been brought up according to the “American way of life”. She always seems to get a bit emotional when she talks about these moments. She remembers the pain of the long warm up training sessions when yours body does the talking and tells stories. She didn't learn in the books but from the oral tradition that allowed generations to preserve the knowledge of their ancestors.
« At the age of 16 I was already dancing on stage at the Polynesian Cultural Center in Hawai'i. For years I travelled the world extensively to dance and finally came back to Tahiti to keep on learning from Coco Hotahota, the famous choreographer and director of the “Temaeva” dance company. Then time came for me to start teaching “Ori Tahiti” (Tahitian dancing) and to create my own dance company Tamariki Poerani ».
Since then the company has created various productions: "Munanui" (1999), "Merehenua" (2001), "Te ariki Tuohea" (2003), "Mokorea" (2004) et "Mono'i" (2009).
Choreographies by Makau Foster Delcuvellerie have been recreated by different “Ori Tahiti” dance companies in Japan, Mexico and the USA.
Source : The company Tamariki Poerani 's website
More information
Louvat, Marc E.
Resident of French Polynesia since 1994, director Marc E. Louvat quickly developed some interest for “Ori Tahiti” (Tahitian dancing). Working for the Institute for Audiovisual Communication (ICA) he made numerous recordings of the Heiva i Tahiti annual singing and dancing competition. He also produced videos and CDs for different dance companies such as “O Tahiti E”, “Grands Ballets de Tahiti”, “Heikura Nui”, “Te Hau Nui” and “Tamariki Poerani” from 1997 till 2003. Since 2007 he has been helping “Tamariki Poerani”, directing and producing videos, acting as a webmaster and producing CDs and DVDs.
He is currently directing a documentary film entitled “Ori Tahiti by Makau” with choreographer Makau Foster Delcuvellerie.
Source: Marc E. Louvat
Ote'a Vahine
Choreography : Makau Foster Delcuvellerie
Interpretation : Tamariki Poerani
Technical direction : Atelier Tahiti Docs
Production / Coproduction of the choreographic work : Production Atelier Tahiti Docs
Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois
If the 19th century is that of romanticism, the entry into the new century is synonymous of modernity! It was a few decades later that it would be assigned, a posteriori, the name of “neo-classical”.
LATITUDES CONTEMPORAINES
Bagouet Collection
The committed artist
In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.
The BNP Paribas Foundation
CHRISTIAN & FRANÇOIS BEN AÏM – VITAL MOMENTUM
[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.
In the 1970s, artists’ drive towards a new classic had been ongoing for more than a half century and several generations had already formed since the Russian Ballets. As the years went by, everyone defended or defends classical dance as innovative, unique, connected to the other arts and the preoccupations of its time.
les ballets C de la B and the aesthetic of reality
Why do I dance ?
Artistic Collaborations
Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians
Dance and performance
Here is a sample of extracts illustrating burlesque figures in Performances.
Round dance
Presentation of the Round’s figure in choreography.
The Dance Biennale
Female / male
A walk between different conceptions and receptions of genres in different styles and eras of dance.
Dance and visual arts
Dance and visual arts have often been inspiring for each other and have influenced each other. This Parcours can not address all the forms of their relations; he only tries to show the importance of plastic creation in some choreographies.
Contemporary Italian Dance : the 2000s
Panorama of contemporary dance practices in Italy during the 2000s.
Hip hop / Influences
This Course introduce to what seems to be Hip Hop’s roots.
Contemporary techniques
This Parcours questions the idea that contemporary dance has multiples techniques. Different shows car reveal or give an idea about the different modes of contemporary dancer’s formations.