Resin
2011
Choreographer(s) : King, Alonzo (United States)
Present in collection(s): Fondation BNP Paribas
Resin
2011
Choreographer(s) : King, Alonzo (United States)
Present in collection(s): Fondation BNP Paribas
Resin
Resin is a work created on musics hailing from the rich Sephardic tradition. Emerging from a spirited and tangled intercultural history that crosses centuries, continents and beliefs, Sephardic music is a living testimony of the varying encounters between Judaism and the communities where the Sephardic diaspora settled. A dancer compresses his body against the walls of a cone of light; the luminous circle rises, the lament of a shofar rings out, Resin can begin.
Just as the work moves from intimate duets to the dazzling, almost imperceptible, footwork of a quartet of dancers, Alonzo King explores the possibilities offered by the vast panorama of traditional Sephardic music. In this “Diaspora in the Diaspora” as the curator and ethnomusicologist Francesco Spagnolo wrote, “the music of the Sephardic Jewish community came into contact with the music coming from Europe, particularly from Italy and the Balkans, but above all with the Arabic and Turkish musical heritage”. Precious archive recordings are interwoven with Judaeo-Spanish musics.
King, Alonzo
Combining a classical technique with personal intervention, Alonzo King projects his performers in a nonstop dance translating into a staggering articulation of bodies. After a dancer's career at Alvin Ailey company and American Ballet Theatre, Alonzo King moved to San Francisco and in 1982 founded LINES Ballet which today is one of the most prestigious and exciting companies in North America. Highly recognized in the United States, he has worked regularly with opera, television and cinema. At the same time he is invited to work with the largest companies around the world. William Forsythe stated that "Alonzo King is one of the few, true Ballet Masters of our times." Admirer of Balanchine, he creates bridges between tradition and modernity and developes an inventive, sensual and vibrant dance with impeccable classically trained dancers. Through his collaborations with artists from different disciplines and cultures, he proposes a work that is always new and fed by cultural diversity. As a visionary choreographer, Alonzo King is renowned for his incredible ability to grip the audience with a real humanity and a deep sense of freedom. The company 's repertoire includes 13 pieces, especially Meyer (2013), Biophony (2015), Sand et Art Song (2016) et Figures of speech (2017).
Source : Le Trait d'Union
More information : linesballet.org
Alonzo King Lines Ballet
Artistic Direction: Alonzo King
Creation: 1982
Alonzo King LINES Ballet is a celebrated contemporary ballet company that has been guided since 1982 by the unique artistic vision of Alonzo King. Collaborating with noted composers, musicians, and visual artists from around the world, Alonzo King creates works that draw on a diverse set of deeply rooted cultural traditions, imbuing classical ballet with new expressive potential. Alonzo King understands ballet as a science – founded on universal, geometric principles of energy and evolution – and continues to develop a new language of movement from its classical forms and techniques. Alonzo King’s visionary choreography, brought to life by the extraordinary LINES Ballet dancers, is renowned for connecting audiences to a profound sense of shared humanity.
"The term LINES alludes to all that is visible in the phenomenal world. There is nothing that is made or formed without a line. Straight and Circle encompass all that we see. Whatever can be seen is formed by a line. In mathematics it is a straight or curved continuous extent of length without breadth. Lines are in our fingerprints, the shapes of our bodies, constellations, geometry. It implies genealogical connection, progeny and spoken word. It marks the starting point and finish. It addresses direction, communication, and design. A line of thought. A boundary or eternity. A melodic line. The equator. From vibration or dot to dot it is the visible organization of what we see." Alonzo King
Source: Alonzo King LINES Ballet 's website
More information : linesballet.org
Resin
Original music : Musiques traditionnelles séfarades
Lights : Axel Morgenthaler
Costumes : Robert Rosenwasser
Production / Coproduction of the choreographic work : Productions Alonzo King LINES Ballet PRODUCTION DE TOURNÉE Le Trait d’Union Avec le soutien de la Fondation BNP Paribas pour le développement des projets de la compagnie
[1930-1960]: Neoclassicism in Europe and the United States, entirely in tune with the times
The Ballets Russes paved the way for what would become known as: neo-classical. Back then, the term “modern ballet” was frequently used to define this renewal of aesthetics: a savvy blend of tradition and innovation, which each choreographer defined in their own way.
Amala Dianor: dance to let people see
The BNP Paribas Foundation
Indian dances
Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!
Why do I dance ?
Female / male
A walk between different conceptions and receptions of genres in different styles and eras of dance.
Hip hop / Influences
This Course introduce to what seems to be Hip Hop’s roots.
VAISON DANSES
The “Nouvelle Danse Française” of the 1980s
In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out their unique take on the world.
Body and conflicts
A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.
Käfig, portrait of a company
Genesis of work
A dance show is created in multiples steps between the enunciation of an initial desire which launch the project and the first representation. This parcours presents diff
Ballet pushed to the edge
Ballet’s evolution from its romantic form until néo-classicism.
Dance in Quebec: Collectivities in motion
This Parcours introduces several extracts of works by contemporary Quebecois choreographers, situating them in an anthropological perspective.
Dance in Quebec: Untamed Bodies
First part of the Parcours about dance in Quebec, these extracts present how bodies are being used in a very physical way.
Dance and music
The relationship between music and choreographic works varies throught dance history.
Dance and percussion
Découvrez de quelles manières ont collaboré chorégraphes et éléments percussifs.
Scenic space
A dance performance takes place in a defined spatial area ... or not. This course helps to understand the occupation of the stage space in dance.
Reinterpreting works: Swan Lake, Giselle
Some great shows are revisited through the centuries. Here are two examples of pieces reinterpreted by different choreographers.
Genres and styles
Dance is a rather vast term, which covers a myriad of specificities. These depend on the culture of a country, on a period, on a place. This Journey proposes a visit through dance genres and styles.