Skip to main content
Back to search
  • Add to playlist

Swan Lake

Numeridanse.tv 1995

Choreographer(s) : Bourne, Matthew (United Kingdom)

Present in collection(s): Numeridanse.tv

Video producer : New adventures

en fr

Swan Lake

Numeridanse.tv 1995

Choreographer(s) : Bourne, Matthew (United Kingdom)

Present in collection(s): Numeridanse.tv

Video producer : New adventures

en fr

Swan Lake

Thrilling, audacious and totally original, Matthew Bourne's legendary production transforms one of ballet's best -loved stories into a stylish, witty, poignant, contemporary tale with extravagant, award-winning designs by Lez Brotherston.

Perhaps best-known for replacing the traditional female corps de ballet with a menacing male ensemble, Matthew Bourne blends dance, style, humour, spectacle, character comedy and mime to create a provocative and powerful Swan Lake for our times.

Collecting over thirty international theatre awards including three Tonys, Swan Lake has been acclaimed as a landmark achievement on the international stage.

Since its 9th November 1995 world premiere at Sadler's Wells, Matthew Bourne's breathtaking and sexy version of Swan Lake has become the longest running ballet in the London's West End and on Broadway. It has enjoyed four successful tours in the UK and has continued to thrill audiences throughout the world.


Source : www.new-adventures.net


More information : 

www.new-adventures.net

www.swanlaketour.com

Bourne, Matthew

Matthew started his dance training at the comparatively late age of 22. He studied Dance Theatre and Choreography at The Laban Centre (now Trinity Laban) graduating in 1985 and spending a further year with the college’s performance company Transitions. Matthew danced professionally for 14 years creating many roles in his own work. 

As Artistic Director of his first company, Adventures in Motion Pictures from 1987 until 2002 Matthew created many award-winning works for the Company including "Spitfire" (1988), "The Infernal Galop" (1989), "Town and Country" (1991), "Deadly Serious" (1992), "Nutcracker!" (1992), "Highland Fling" (1994), "Swan Lake" (1995), "Cinderella" (1997) and "The Car Man" (2000). The most iconic productions have been revived for New Adventures, which was launched by Matthew and his Co-Director Robert Noble in 2002. Ground-breaking new productions were added to the repertoire including "Play Without Words" (2002 – a co-production with the National Theatre), "Edward Scissorhands" (2005), "Dorian Gray" (2008), "Lord Of The Flies" (2011 – Director Only), "Early Adventures" (2012 – a compilation of his early work) and "Sleeping Beauty" (2012). New Adventures is now the most successful and busiest dance company in the UK and a major exporter of British dance across the world.

In 2016, New Adventures presented the World Premiere of Matthew Bourne’s latest work, "The Red Shoes", based on the classic Powell & Pressburger film with music by Bernard Herrmann.


Source : The company New Adventure 's website


More information : new-adventures.net

Swan Lake

Choreography : Matthew Bourne

Interpretation : Richard Winsor (le Cygne/l'étranger), Dominic North (le Prince), New adventures company

Original music : Pyotr Ilyich Tachaikovsky (interprétation : The New London Orchestra direction David lloyd Jones)

Lights : Rick Fisher

Costumes : Lez Brotherston

Settings : Lez Brotherston

Production / Coproduction of the video work : RéalisationTV Ross Macgibbon, Producteurs exécutifs Fiona Morris et Todd Austin, Production Leopard films courtesy of Sky

Our videos suggestions
03:04

Lobby

Zebiri, Moncef (France)

  • Add to playlist
03:42

Seeds (retour à la terre)

Carlson, Carolyn (France)

  • Add to playlist
04:39

Next Days

Robbe, Hervé (France)

  • Add to playlist
03:04

The Rite of Spring

Nijinsky, Vaslav (Monaco)

  • Add to playlist
06:04

Adieu et merci

Laâbissi, Latifa (France)

  • Add to playlist
12:50

Extraits de répertoire

Preljocaj, Angelin (France)

  • Add to playlist
06:14

Terpsichore

Massin, Béatrice (France)

  • Add to playlist
06:19

Fantaisies

Massin, Béatrice (France)

  • Add to playlist
04:39

Hans was Heiri

Zimmermann, Martin (Switzerland)

  • Add to playlist
05:33

Marché noir

Preljocaj, Angelin (France)

  • Add to playlist
01:14:54

El Djoudour, the roots

Lagraa, Abou (France)

  • Add to playlist
53:00

Reamker, danse avec les dieux

  • Add to playlist
03:00

Le Songe

Maillot, Jean-Christophe (Monaco)

  • Add to playlist
02:55

Cendrillon

Maillot, Jean-Christophe (Monaco)

  • Add to playlist
26:23

La dernière fuite

Verret, François (France)

  • Add to playlist
07:03

Caramba

Decouflé, Philippe (France)

  • Add to playlist
01:34:39

Unetsu, des œufs debout par curiosité

Amagatsu, Ushio (Japan)

  • Add to playlist
24:26

Triton

Decouflé, Philippe (France)

  • Add to playlist
08:11

Peau (La)

Bourigault, Christian (France)

  • Add to playlist
23:04

Assaï

Bagouet, Dominique (France)

  • Add to playlist
Our themas suggestions

Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois

If the 19th century is that of romanticism, the entry into the new century is synonymous of modernity! It was a few decades later that it would be assigned, a posteriori, the name of “neo-classical”. 

Parcours

fr/en/

Bagouet Collection

Exposition virtuelle

fr/en/

The BNP Paribas Foundation

Exposition virtuelle

fr/en/

[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.

In the 1970s, artists’ drive towards a new classic had been ongoing for more than a half century and several generations had already formed since the Russian Ballets. As the years went by, everyone defended or defends classical dance as innovative, unique, connected to the other arts and the preoccupations of its time.

Parcours

fr/en/

Why do I dance ?

Social dances, anti-establishment, protest dances, rhythms or identities, rituals or pleasures... There are a myriad of reasons for dancing and a myriad of points of view. A webdoc to discover, enhanced with extracts from performances and accounts from amateurs... all the right reasons for dancing!

Webdoc

fr/en/

Artistic Collaborations

Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians

Parcours

fr/en/

Dance and performance

 Here is a sample of extracts illustrating burlesque figures in Performances.

Parcours

fr/en/

Round dance

 Presentation of the Round’s figure in choreography.

Parcours

fr/en/

The Dance Biennale

Exposition virtuelle

fr/en/

Female / male

A walk between different conceptions and receptions of genres in different styles and eras of dance.

Parcours

fr/en/es/de/pl/pt-pt/

Dance and visual arts

Dance and visual arts have often been inspiring for each other and have influenced each other. This Parcours can not address all the forms of their relations; he only tries to show the importance of plastic creation in some choreographies.

Parcours

fr/en/es/de/pl/pt-pt/

Hip hop / Influences

This Course introduce to what seems to be Hip Hop’s roots.

Parcours

fr/en/es/de/pl/pt-pt/

Contemporary techniques

This Parcours questions the idea that contemporary dance has multiples techniques. Different shows car reveal or give an idea about the different modes of contemporary dancer’s formations.

Parcours

fr/en/

Vlovajobpru company

Exposition virtuelle

fr/en/

VAISON DANSES

Exposition virtuelle

fr/en/

40 years of dance and music

Exposition virtuelle

fr/en/

The “Nouvelle Danse Française” of the 1980s

In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out  their unique take on the world. 

Parcours

fr/en/

The national choreographic centres

Exposition virtuelle

fr/en/

Modern Dance and Its American Roots [1900-1930] From Free Dance to Modern Dance

At the dawn of the 20th century, in a rapidly changing West, a new dance appeared: Modern Dance. In the United States as in Europe, modern trends emerge simultaneously and intertwine in thier development. Let's dive into the beginnings of American modern dance!  

Parcours

fr/en/

A Numeridanse Story

Exposition virtuelle

fr/en/
By accessing the website, you acknowledge and accept the use of cookies to assist you in your browsing.
You can block these cookies by modifying the security parameters of your browser or by clicking onthis link.
I accept Learn more