Choreography Sidi Larbi Cherkaoui
Dance performance Les ballets C de la B
“A monstrous mechanism anchored in the most banal of our daily actions or our most intimate memories, Time is the central preoccupation here. Insignificant as it appears, this universal theme unifies the visions of each of the characters involved in this reflection. Whimsical, zany, poetic or political: all these approaches are rendered graceful by the music of Najib Cherradi. Song takes on many colours, delightful and improbable mixtures born of the meeting of different periods and cultures. Freed from its terrestrial weight, the body transcends itself and leaves the ground to meet the sky. An ascension which is as symbolic as it is magical to watch.”
Cherkaoui, Sidi Larbi
Sidi Larbi Cherkaoui’s debut as a choreographer was in 1999 with Andrew Wale’s contemporary musical Anonymous Society. Since then, he has made more than 20 fully-fledged choreographic pieces and picked up a slew of prestigious awards.
In 2008, Sadler’s Wells named him as an Associate Artist, and since 2010 he has been artistic director of the Festival Equilibrio in Rome. He also has been appointed as the new artistic director of the Royal Ballet Flanders and will take up the post on 1 September 2015.
While Cherkaoui’s initial pieces ("Rien de Rien", "Foi", "Tempus Fugit") were made as a core member of the Belgian collective les ballets C de la B, he also made work that both expanded and consolidated his artist vision: "Ook" (2000) with Nienke Reehorst and the mentally disabled actors of Theater Stap, "D’avant" (2002) with Damien Jalet and dancer-singers of the Sasha Waltz & Guests company and zero degrees (2005) with Akram Khan. Between 2006-2009, during his stint as associate artist at Het Toneelhuis in Antwerp, he extended his exploration of the equations between self and otherness through "Sutra" (2008), his dialogue with the warrior monks of the Shaolin Temple and "Dunas" (2009) alongside flamenco bailaora, Maria Pagés, and "Play" (2010) with kutchipudi danseuse Shantala Shivalingappa.
In 2010, with the founding of his company Eastman (in residence at deSingel International Artcampus) in Antwerp, Cherkaoui began a new phase in his trajectory, marked by the multiple-award-winning Babel, co-choreographed with Damien Jalet and designed by Antony Gormley. "TeZukA" (2011) – his homage to Osamu Tezuka, the founding father of modern manga – and "Puz/zle" (2012) followed. 2013 saw the premiere of 4D and "生长genesis" (Eastman), "Boléro" (co-created with Damien Jalet and Marina Abramovic, for the Ballet of the Opera of Paris) and "M¡longa" (for Sadler’s Wells).
He continues to work with a variety of theatres, opera houses and ballet companies from the world (Dutch National Ballet, Paris Opera Ballet, GöteborgsOperan Danskompani, Bunkamura Theatre Cocoon in Tokyo, Stuttgart Ballet. Los Angeles Dance Company). Cherkaoui also received much international acclaim for his choreography in Joe Wright’s feature film Anna Karenina (2012). Cherkaoui directed and choreographed Shell Shock (2014), an opera for La Monnaie (Brussels) with music by Nicholas Lens and text by Nick Cave.
In 2015, Cherkaoui directed his first full-length theatre production Pluto based on the award-winning manga series by Naoki Urasawa and Takashi Nagasaki at Bunkamura in Tokyo, bringing
the beloved manga character Astro Boy to life on stage, and was movement director for Lyndsey Turner's Hamlet starring Benedict Cumberbatch at the Barbican Centre in London. He also made a trio Harbor Me, and choreographed a new Firebird for Stuttgart Ballet. In the same year, Cherkaoui created a new production Fractus V for his company Eastman, in which he also performs, and made his first work for the Royal Ballet of Flanders Fall.
Cherkaoui assumed the role of artistic director at the Royal Ballet of Flanders in 2015. He is also associate artist at Sadler’s Wells, London, guest artistic director of the National Youth Dance Company, as well as dance director of Festival Equilibrio in Rome.
Source: Eastman⎜Sidi Larbi Cherkaoui
More information : east-man.be
Author, filmmaker and video artist Charles Picq (1952-2012) entered working life in the 70s through theatre and photography. A- fter resuming his studies (Maîtrise de Linguistique - Lyon ii, Maîtrise des sciences et Techniques de la Communication - grenoble iii), he then focused on video, first in the field of fine arts at the espace Lyonnais d'art Contemporain (ELAC) and with the group « Frigo », and then in dance.
On creation of the Maison de la Danse in Lyon in 1980, he was asked to undertake a video documentation project that he has continued ever since. During the ‘80s, a decade marked in France by the explosion of contemporary dance and the development of video, he met numerous artists such as andy Degroat, Dominique Bagouet, Carolyn Carlson, régine Chopinot, susanne Linke, Joëlle Bouvier and regis Obadia, Michel Kelemenis. He worked in the creative field with installations and on-stage video, as well as in television with recorded shows, entertainment and documentaries.
His work with Dominique Bagouet (80-90) was a unique encounter. He documents his creativity, assisting with Le Crawl de Lucien and co-directing with his films Tant Mieux, Tant Mieux and 10 anges. in the 90s he became director of video development for the Maison de la Danse and worked, with the support of guy Darmet and his team, in the growing space of theatre video through several initiatives:
- He founded a video library of dance films with free public access. This was a first for France. Continuing the video documentation of theatre performances, he organised their management and storage.
- He promoted the creation of a video-bar and projection room, both dedicated to welcoming school pupils.
- He started «présentations de saisons» in pictures.
- He oversaw the DVD publication of Le tour du monde en 80 danses, a pocket video library produced by the Maison de la Danse for the educational sector.
- He launched the series “scènes d'écran” for television and online. He undertook the video library's digital conversion and created Numeridanse.
His main documentaries are: enchaînement, Planète Bagouet, Montpellier le saut de l'ange, Carolyn Carlson, a woman of many faces, grand ecart, Mama africa, C'est pas facile, Lyon, le pas de deux d'une ville, Le Défilé, Un rêve de cirque.
He has also produced theatre films: Song, Vu d'ici (Carolyn Carlson), Tant Mieux, Tant Mieux, 10 anges, Necesito and So schnell, (Dominique Bagouet), Im bade wannen, Flut and Wandelung (Susanne Linke), Le Cabaret Latin (Karine Saporta), La danse du temps (Régine Chopinot), Nuit Blanche (Abou Lagraa), Le Témoin (Claude Brumachon), Corps est graphique (Käfig), Seule et WMD (Françoise et Dominique Dupuy), La Veillée des abysses (James Thiérrée), Agwa (Mourad Merzouki), Fuenteovejuna (Antonio Gades), Blue Lady revistied (Carolyn Carlson).
Source: Maison de la Danse de Lyon
Les Ballets C de la B
Artistic Direction: Alain Platel
Les Ballets C de la B (Belgian Contemporary Ballet), formed by Alain Platel in 1984, is a company now regularly acclaimed in Begium and elsewhere. Over time it has adopted a working-platform structure which brings together several choreographers. Christine De Smedt and Koen Augustijnen figure alongside Alain Platel; Hans Van den Broeck and Sidi Larbi Cherkaoui have also taken part. Since its inception, Les Ballets C de la B has been committed to involving talented young artists, active in different disciplines and from varied backgrounds, in the dynamic creative process. The company is currently host to two guest choreographers, Lisi Estaràs and Ted Stoffer. The unique mix of diverse artistic visions, which feed each other, makes it impossible to define the Ballets precisely. Nevertheless, a kind of “house style” is emerging. It is popular, anarchic, eclectic and engaged, under the motto “This dance is part of the world and the world belongs to everyone.”
Source: Les ballets C de la B 's website
More information : lesballetscdela.be
Artistic direction / Conception : Sidi Larbi Cherkaoui
Choreography : Sidi Larbi Cherkaoui
Choreography assistance : Damien Jalet
Interpretation : Ali Ben Lotfi Thabet, Christine Leboutte, Damien Jalet, Isnelle da Silveira, Lisi Estaràs, Marc Wagemans, Nam Jin Kim, Nicolas Vladyslav, Serge Aimé Coulibaly, Sidi Larbi Cherkaoui
Artistic consultancy / Dramaturgy : Darryl E. Woods
Stage direction : Sidi Larbi Cherkaoui
Set design : Wim Van de Cappelle, Sidi Larbi Cherkaoui
Live music : Groupe Weshm Najib Cherradi // composition, chant, arrangements, objets sonores Floris Dercksen violoncelle Osama Abdulrasol qanun, Coordt Linke percussion supervision musicale des danseurs Christine Leboutte, Isnelle da Silveira
Video conception : Anaïs et Olivier Spiro
Lights : Carlo Bourguignon, Krispijn Schuyesmans régie lumière Bart De Coensel
Costumes : Isabelle Lhoas, Frédéric Denis assistance costumes Lorraine Frennet
Settings : Construction décor De Muur, Nordic, Patine, Herman Sorgeloos, Koen Mortier, Peter De Blieck, Kjell Deneve, Alan Gevaert, Necati Koÿlü
Technical direction : Jan Mergaert, Serge Vandenhove
Sound : Caroline Wagner régie son Manu Corazzini
Other collaborations : Remerciements à Nando Acquaviva et Nicole Casalonga, Theater Stap, toute l'équipe des ballets C de la B, Athea Shawky, Abderrahim Shawky
Production / Coproduction of the choreographic work : Production Les ballets C de la B coproduction Festival d'Avignon, Tanztheater Wuppertal-Pina Bausch (Wuppertal), Théâtre de la Ville (Paris), Kunstencentrum Vooruit (Gand) avec le soutien du Programme Culture 2000 de l'Union européenne en collaboration avec STUK Kunstencentrum Leuven, CNDC Châteauvallon diffusion et promotion Frans Brood productions avec l'aide de Wasserij Schepens, la compagnie Les ballets C de la B est soutenue par la Communauté flamande, la Province de Flandre Orientale et la ville de Gand.
Production / Coproduction of the video work : Maison de la Danse - Charles Picq, 2005
Duration : 100'
Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois
If the 19th century is that of romanticism, the entry into the new century is synonymous of modernity! It was a few decades later that it would be assigned, a posteriori, the name of “neo-classical”.
The committed artist
In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.
Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!
les ballets C de la B and the aesthetic of reality
Why do I dance ?
Unconventional contemporary dance shows which reinvent the rapport to the stage.
Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians
Meeting with literature
Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.
Dance and performance
Here is a sample of extracts illustrating burlesque figures in Performances.
The Dance Biennale
This parcours presents different video extracts in which hands are the center of the mouvement.
Contemporary Italian Dance : the 2000s
Panorama of contemporary dance practices in Italy during the 2000s.
40 years of dance and music
The “Nouvelle Danse Française” of the 1980s
In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out their unique take on the world.
Body and conflicts
A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.