Thesis in Bodinier
1993 - Director : Oudrhiri Idrissi, Toufik
Present in collection(s): CNDC - Angers
Video producer : CNDC Angers
Thesis in Bodinier
1993 - Director : Oudrhiri Idrissi, Toufik
Present in collection(s): CNDC - Angers
Video producer : CNDC Angers
Thesis in Bodinier
Oudrhiri Idrissi, Toufik
Mémoire dans Bodinier
Artistic direction / Conception : Toufïk Oudrhiri Idrissi
Interpretation : Raffaella Giordano, chorégraphe invitée au CNDC, Marie-France Delieuvin, directrice des études de l’École supérieure du CNDC, Agnès Dravet, professeur de danse contemporaine au CNDC,
Original music : Dominique Lofficial
Production / Coproduction of the video work : CNDC Angers
Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois
If the 19th century is that of romanticism, the entry into the new century is synonymous of modernity! It was a few decades later that it would be assigned, a posteriori, the name of “neo-classical”.
Bagouet Collection
The committed artist
In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.
The American origins of modern dance: [1930-1950] from the expressive to the abstract
Indian dances
Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!
les ballets C de la B and the aesthetic of reality
Why do I dance ?
Artistic Collaborations
Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians
Meeting with literature
Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.
The Dance Biennale
Contemporary Italian Dance : the 2000s
Panorama of contemporary dance practices in Italy during the 2000s.
Contemporary techniques
This Parcours questions the idea that contemporary dance has multiples techniques. Different shows car reveal or give an idea about the different modes of contemporary dancer’s formations.
Vlovajobpru company
40 years of dance and music
The “Nouvelle Danse Française” of the 1980s
In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out their unique take on the world.
Body and conflicts
A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.
The national choreographic centres
Noé Soulier Rethinking our movements
Carolyn Carlson, a woman of many faces
Genesis of work
A dance show is created in multiples steps between the enunciation of an initial desire which launch the project and the first representation. This parcours presents diff