Tremor and more
2017 - Director : Centre national de la danse, Réalisation
Choreographer(s) : Diephuis, Herman (Netherlands)
Present in collection(s): Centre national de la danse , CN D - Spectacles et performances
Video producer : Centre national de la danse
Integral video available at CND de Pantin
Tremor and more
2017 - Director : Centre national de la danse, Réalisation
Choreographer(s) : Diephuis, Herman (Netherlands)
Present in collection(s): Centre national de la danse , CN D - Spectacles et performances
Video producer : Centre national de la danse
Integral video available at CND de Pantin
Tremor and more
In October 2016, Herman Diephuis meets Jorge Ferreira, a young Brazilian dancer, during a workshop in Brasilia. For this solo, Herman Diephuis wants to explore Jorge’s capacity of transformation, of metamorphism. He defines Tremor and more as a theatrical abstraction. Using shaking and trembling as a movement principle, repetition and time span as a condition, the piece searches to unable different presences and states to arise, to approach moments of stillness like zooms or close-ups. These moments only appear to erase again as if absorbed by the rhythm and the energy of this dance ritual close to trance.
Source : http://www.rencontreschoregraphiques.com
Diephuis, Herman
Herman Diephuis was born in 1962 in Amsterdam and lives in Paris.
He has worked as a performer for several years with numerous choreographers: Régine Chopinot, Mathilde Monnier, Jean-François Duroure, Philippe Decouflé, François Verret, Jérôme Bel, Xavier Le Roy and Alain Buffard.
In 2002, he choreographed “La C et la F de la F" as part of the project, Les Fables à la Fontaine.
He created his company, the non-profit organisation ONNO, in 2004, in order to produce his own creations and projects. In 2017 he co-created a trio choreography "Goin’down" with Naomi Fall.
At the same time, he develops creative projects with amateurs (whether or not they have an artistic background), such as "Brainstorming (2012), “La Liberté Guidant Romain Rolland" (2011), "Hors Pair" (2008) and “La Cène manquante" (2006), and site-specific projects, including in museums, such as "Vue sur Parc" in September 2014 and "Impressions" in May 2013.
He has also turned his attention as an artistic assistant or collaborator to different artists, including Mathilde Monnier, Raphaëlle Delaunay, Maud le Pladec, Romual Kabore, Teilo Troncy and the Norwegian director Théa Stabell.
He was dance expert at the DRAC in Île-de-France from 2010 to 2012.
With ONNO, he is in residence and associated artist in several cultural structures: at Le Manège, national dance theatre in Reims (2007-2010), in Woodside, California (USA) – Djerassi Resident Artists Program (2011), at the Théâtre Louis Aragon, the subsidised dance theatre in Tremblay-en-France (2010, 2012, 2015 and 2016).
Source : Herman Diephuis 's website
More information : hermandiephuis.com
Centre national de la danse, Réalisation
Since 2001, the National Center for Dance (CND) has been making recordings of its shows and educational programming and has created resources from these filmed performances (interviews, danced conferences, meetings with artists, demonstrations, major lessons, symposia specialized, thematic arrangements, etc.).
Tremor and more
Artistic direction / Conception : Herman Diephuis
Choreography : Herman Diephuis
Choreography assistance : Jorge Ferreira
Interpretation : Jorge Ferreira
Sound : Herman Diephuis
Production / Coproduction of the choreographic work : Spectacle présenté avec et dans le cadre des Rencontres chorégraphiques internationales de Seine-Saint-Denis, festival du 12 mai au 17 juin 2017.
Duration : 33 minutes
James Carlès
The committed artist
In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.
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In the 1970s, artists’ drive towards a new classic had been ongoing for more than a half century and several generations had already formed since the Russian Ballets. As the years went by, everyone defended or defends classical dance as innovative, unique, connected to the other arts and the preoccupations of its time.
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Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians
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Presentation of the Round’s figure in choreography.
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This parcours presents different video extracts in which hands are the center of the mouvement.
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