Un monde en soi
2014
Choreographer(s) : Lagraa, Abou (France)
Present in collection(s): Cie La Baraka / La Chapelle - Abou Lagraa & Nawal Aït Benalla
Video producer : Compagnie La Baraka;Maison de la Danse
Un monde en soi
2014
Choreographer(s) : Lagraa, Abou (France)
Present in collection(s): Cie La Baraka / La Chapelle - Abou Lagraa & Nawal Aït Benalla
Video producer : Compagnie La Baraka;Maison de la Danse
Un Monde en Soi
"In the beginning was emptiness. An abyssal emptiness, which Nature never abhorred, always adored. An absolute desert, which Nature shelters and cherishes since the beginning of times. A pure nothingness, from which Nature sprung out at the dawn of the world, and that it harboured in its bosom forever. From ' nothing ' comes everything. And in everything 'nothing' feels at home. From the tiniest atoms to the biggest star , the emptiness inhabits us. Haunts us. Founds us. Fool us. Enchants us. In the deepest part of ourselves lies a core of nothingness. At the heart of our intimacy widen some infinite abysses. At the center of the universe burns an insatiable black hole. We are built on an absence. What are we made of? Stardust, past lives, engulfed spaces... the fabric of our dreams. Each of us is an indefinitely spreading unverse, a secret melting pot in which, in a way, the history of the whole cosmos keeps occuring. Thus , through our dance , we stage the creation of a world, from the nakedness of the origins to the explosion of generations, from primitive chaos to the latest complexity. Within a space delimited by the vibrations of sixteen strings, seven deeply and beautifully moving bodies, which are like seven heavenly spheres and all filled with history, embrace a wide journey from the gift of birth to the awakeness of conscience, from self-taming to understanding of the others, from the building of identity to the creation of a community. The metamorphis of a being in constant evolution echoes proliferating kinds of relation: the miracle of meeting, the surprise of alterity, the shine of desire, the violence of conflicts, the dream of melting, the search for difference, the furor for overcoming, the bliss of recognition, the experience of loneliness... Diving into A World of Itself is like throwing oneself's heart, mind and soul into a journey to the heart of evolution and its different dimensions - cosmos, species , individual, society. With musics by John Cage and Anton Webern, this show gathers various forms of arts, the choreographer Abou Lagraa ' s impulsions and the Quatuor Debussy ' s vibrations, the seven dancers' bursting and the dramaturg Gérald Garutti's horizons.
Source : La Baraka
More information : www.aboulagraa.fr
Lagraa, Abou
Born in Annonay, Abou Lagraa began dancing at the age of 16 before entering the Conservatoire National Supérieur de Musique et de Danse, Lyon. He began his career as a dancer at the S.O.A.P. Dance Theatre, Frankfurt with Rui Horta and became his assistant on a project at the Calouste Gulbenkian Centre, Lisbon. He was soon noticed and went on to work with Robert Poole, Denis Plassard and Lionel Hoche. His qualities as a performer have been rewarded twice: in 1998 by the 2nd Prize for performance at the Paris International Dance Competition, then in 2009 by the prize for Best Male Dancer, awarded by the International Movimentos Dance Prize. In 1997 he founded his own company, La Baraka.
Once again, recognition came quickly; numerous French venues programmed the young choreographer and he received proposals for collaboration. As a result, after 4 years as an associated artist at Bonlieu Scène Nationale in Annecy, since 2009 Abou Lagraa and his company have been hosted in production residency at Gémeaux Scène Nationale, Sceaux. The fame of the company spread rapidly beyond France's borders and tours followed one after the other, throughout Europe and also in the United States, Algeria, Tunisia and Indonesia… Alongside his work with the company, Abou Lagraa is regularly in demand by large organisations.
In 2001 he devised Fly, Fly for the CCN Ballet de Lorraine. This piece later was subsequently added to the repertoire of the ABC Dance Company of St Pölten in Austria.
In 2003 he devised a work for the second-year students of the Centre National de Danse Contemporaine, Angers, then in 2007 for the pupils of the Frankfurt Hochschule and the pupils of the Centre Méditerranéen de Danse Contemporaine, Tunis.
In 2006 his work entered the repertoire of the Paris Opéra Ballet with Le Souffle du Temps, a piece for 21 dancers, including 3 étoiles (Marie-Agnès Gillot, Manuel Legris, Wilfried Romoli). Then, in 2008, he composed Everyone's One at the invitation of Ballet Memphis (USA).
Since 2009, in association with the Algerian Ministry of Culture and th Algerian Agency for the Cultural Brilliance, he works, with Nawal Aït Benalla-Lagraa, in the elaboration of a “Mediterranean Cultural Bridge", the project of French-Algerian cooperation for the development of the dance and the artistic exchanges which will contain a program of Training and creation. In this frame, he sees confiding for July, 2009, the choreography of Closing ceremony of the 2nd Pan-African Festival of Algiers. In 2010, he creates the Ballet Contemporain d'Alger, under the Nawal Aït Benalla-Lagraa's educational responsibility, with a first piece NYA. The success of which ends in several national and international tours.
This piece was to be distinguished in 2011 when it was awarded the Grand Prix de la Critique as “Best Choreography of the Year”.
In 2016, he becomes the « Dream up » ambassador, an international arts-based education programme set up by the BNP Paribas foundation. This programme will help some 30,000 underprivileged or disabled children and teenagers to develop and find fulfilment by practising an artistic or creative activity.
In 2016, he becomes “Chevalier des arts et des lettres” nominated by the French ministry of culture.
Source : Cie La Baraka
More information : https://www.aboulagraa.fr/
Un monde en soi
Choreography : Abou Lagraa
Interpretation : Nawal Lagraa, Aurélia Picot, Marion Renoux, Anthony Couroyer, Amala Dianor, Rolando Rocha, Oliver Tida Tida
Artistic consultancy / Dramaturgy : Gérald Garutti, Sophie Walon
Live music : John Cage, Anton Webern, Jean-Sébastien Bach par le Quatuor Debussy
Lights : Gérard Garchey
Technical direction : Antoine de Gantho
Sound : Christophe Germanique
Production / Coproduction of the choreographic work : Compagnie La Baraka ; coproductions Le Quatuor Debussy, Les Gémeaux / Sceaux / Scène Nationale, le Dôme-Théâtre – Albertville, Bonlieu Scène Nationale – Annecy, la Communauté de Communes du Bassin d'Annonay, La Rampe – Echirolles, la Maison de la Danse – Lyon, le Festival Oriente Occidente – Rovereto
[1930-1960]: Neoclassicism in Europe and the United States, entirely in tune with the times
The Ballets Russes paved the way for what would become known as: neo-classical. Back then, the term “modern ballet” was frequently used to define this renewal of aesthetics: a savvy blend of tradition and innovation, which each choreographer defined in their own way.
Bagouet Collection
The committed artist
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CHRISTIAN & FRANÇOIS BEN AÏM – VITAL MOMENTUM
[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.
In the 1970s, artists’ drive towards a new classic had been ongoing for more than a half century and several generations had already formed since the Russian Ballets. As the years went by, everyone defended or defends classical dance as innovative, unique, connected to the other arts and the preoccupations of its time.
Why do I dance ?
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Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians
Dance and performance
Here is a sample of extracts illustrating burlesque figures in Performances.
Female / male
A walk between different conceptions and receptions of genres in different styles and eras of dance.
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This Parcours questions the idea that contemporary dance has multiples techniques. Different shows car reveal or give an idea about the different modes of contemporary dancer’s formations.
The “Nouvelle Danse Française” of the 1980s
In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out their unique take on the world.
Modern Dance and Its American Roots [1900-1930] From Free Dance to Modern Dance
At the dawn of the 20th century, in a rapidly changing West, a new dance appeared: Modern Dance. In the United States as in Europe, modern trends emerge simultaneously and intertwine in thier development. Let's dive into the beginnings of American modern dance!
Carolyn Carlson, a woman of many faces
Charles Picq, dance director
A Rite of Passage
When reality breaks in
Butoh
On 24th May 1959, Tatsumi Hijikata portrayed the character of the "Man" in the first presentation of a play called Kinjiki (Forbidden Colours).
The Ankoku Butoh was born,
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Explanation of the term « State of the body » when it’s about dance.
Dance in Quebec: Untamed Bodies
First part of the Parcours about dance in Quebec, these extracts present how bodies are being used in a very physical way.