Chantier poétique [Le groupe]
2008 - Director : Centre national de la danse, Réalisation
Choreographer(s) : Rodrigues, Lia (Brazil)
Present in collection(s): Centre national de la danse , CN D - Spectacles et performances
Video producer : Centre national de la danse
Integral video available at CND de Pantin
Chantier poétique [Le groupe]
2008 - Director : Centre national de la danse, Réalisation
Choreographer(s) : Rodrigues, Lia (Brazil)
Present in collection(s): Centre national de la danse , CN D - Spectacles et performances
Video producer : Centre national de la danse
Integral video available at CND de Pantin
Chantier poétique
“To create a new piece, first you have to simultaneously occupy a space, create a territory and produce the conditions necessary to survive there."
When the Lia Rodrigues Companhia de Danças decided to go into the Favela da Maré, a vast area of the city of Rio, little visited by contemporary artists, the company was putting itself into an unstable situation. Their activities over the course of four years were a work of resistance. The community of Nova Holanda, an area of the Favela da Maré inhabited by 20,000 people, is the company's new home.
"Adapting, moving, developing strategies, demolition, repair, restoration. Consolidating the ground so that artwork can exist. Getting a construction site off the ground.”
Lia Rodrigues
Updating: December 2010
Rodrigues, Lia
Born in Brazil, Lia Rodrigues, after training as a classical ballet dancer in São Paulo, founded the Groupo Andança in 1977. Between 1980 and 1982 she resided in France where she joined the Maguy Marin company. On her return to Brazil, she founded her own company, the Lia Rodrigues Companhia de Danças.
In addition to producing all her shows, in 1992 Lia Rodrigues created the contemporary dance Festival, Panorama da Dança, which she directed until 2005. Since 2004 she has developed artistic and didactic actions in the Maré favela, where she created, in partnership with Redes da Maré, the Centro de Artes da Maré in 2009, and in 2012 the Escola livre de Danças da Maré.
She was awarded by the French government the medal of Chevalier de l’Ordre des Arts et des Lettres. In 2014, she was awarded the Prize of the Prince Claus Fund followed, in 2016, by the SACD choreographic prize / France.
Her recent creations include Pororoca (2009), Piracema (2011), Pindorama (2013) and Para que o céu não caia (To prevent the sky from falling) (2016).
Centre national de la danse, Réalisation
Since 2001, the National Center for Dance (CND) has been making recordings of its shows and educational programming and has created resources from these filmed performances (interviews, danced conferences, meetings with artists, demonstrations, major lessons, symposia specialized, thematic arrangements, etc.).
LATITUDES CONTEMPORAINES
James Carlès
The American origins of modern dance: [1930-1950] from the expressive to the abstract
Indian dances
Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!
[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.
In the 1970s, artists’ drive towards a new classic had been ongoing for more than a half century and several generations had already formed since the Russian Ballets. As the years went by, everyone defended or defends classical dance as innovative, unique, connected to the other arts and the preoccupations of its time.
Why do I dance ?
Strange works
Unconventional contemporary dance shows which reinvent the rapport to the stage.
Meeting with literature
Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.
Dance and performance
Here is a sample of extracts illustrating burlesque figures in Performances.
The Dance Biennale
Contemporary techniques
This Parcours questions the idea that contemporary dance has multiples techniques. Different shows car reveal or give an idea about the different modes of contemporary dancer’s formations.
Les Rencontres chorégraphiques internationales de Seine-Saint-Denis
Vlovajobpru company
Body and conflicts
A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.
The national choreographic centres
Roots of Diversity in Contemporary Dance
Butoh
On 24th May 1959, Tatsumi Hijikata portrayed the character of the "Man" in the first presentation of a play called Kinjiki (Forbidden Colours).
The Ankoku Butoh was born,
Do you mean Folklores?
Presentation of how choreographers are revisiting Folklore in contemporary creations.
States of the body
Explanation of the term « State of the body » when it’s about dance.