disperse
2005 - Director : Simon, Nicolas
Choreographer(s) : Richard, Alban (France)
Present in collection(s): CCN de Caen en Normandie , Maison de la Danse de Lyon
Video producer : centre chorégraphique national de Caen en Normandie
disperse
2005 - Director : Simon, Nicolas
Choreographer(s) : Richard, Alban (France)
Present in collection(s): CCN de Caen en Normandie , Maison de la Danse de Lyon
Video producer : centre chorégraphique national de Caen en Normandie
disperse
“Unlike his previous show, “Downfall”, that dealt with implosion, Alban Richard created “disperse”, a piece "expanding universe that emerges through falls and exchanges". The theme that is developed in variations throughout the show enables the troop to contract and distends the space onstage, thereby endowing space with has temporal dimension.
Henri Michaux referred to "drawing time passing by". How does time affect space? wonders Alban Richard. In his show, it is an abstract structure that generates black holes and time zones which pace and density vary greatly in a long and continuous depiction. Energy runs from q body to another, with no purpose, q fluid energy that does nothing goal flow, like atoms caught in particle accelerator. The bodies skins pass each other without ever touching each other, always one the road of falling and bursting.”
Source : CCN Caen, Normandy
Richard, Alban
Alban Richard discovered contemporary dance while he was pursuing literary and musical studies. From the late 1990s, he worked for various choreographers such as Odile Duboc, Olga de Soto and Rosalind Crisp.
In 2000, Alban Richard founded Ensemble l'Abrupt for which he created about thirty very different pieces, always in close interaction with a musical work whose writing and formal structure he questioned. Consequently, each creation opens up new research and a new performance style, setting itself apart from the previous one. The way he develops his shows, using restricted improvisations to devise the work directly on stage, encourages the performers to become creators of their own dance.
Alban Richard has collaborated with the Alla francesca ensemble, Les Talens Lyriques, Les Percussions de Strasbourg, the Ensemble intercontemporain, IRCAM and the Cairn, Instant Donné and Alternance ensembles, as well as with composers Arnaud Rebotini, Sebastian Rivas, Erwan Keravec, Jérôme Combier, Laurent Perrier, Raphaël Cendo, Robin Leduc, Paul Clift, Wen Liu and Matthew Barnson.
A prolific choreographer, Alban Richard is regularly invited by ballets and companies, both internationally (Canada, Lithuania, Norway) and in France, to create commissioned works.
Since 2015 he has been artistic director of the centre chorégraphique national de Caen en Normandie, with a project based on both his practice as an author and on connecting with the territory and its inhabitants.
More information : https://ccncn.eu/english/
Simon, Nicolas
Initiated to music and cinema by his two older brothers Nicolas Simon quickly becomes a cinephile and begins to direct short films as a teenager.
After a training in audiovisual professions at ESRA Bretagne, where he directed two short films in 16 millimeters, he met Emmanuelle Vo-Dinh in 2004 and discovered contemporary dance. In 2008, he directed « Making Rainbow », which traces the five months of creation of the first edition of the show "Rainbow" in Rennes.
He then co-directed «Le Grand Éléphant - l’Aventure des Constructeurs» an incursion of nearly two years in the premises of the association "The Machine" to follow with its builders the birth of the Grand Elephant Island of Nantes .
While continuing to work regularly with many choreographers like Alban Richard or Daniel Dobbels, he has since made several documentaries, commercials or video clips as well as three seasons of the series « La Tête de l’Emploi » for France 3.
centre chorégraphique national de Caen en Normandie
A place for dance open to everyone, where people come to see, dance and talk.
The centre chorégraphique national de Caen en Normandie is a space of shared projects that questions the world in which we live, a receptive place where dance is at the heart of an artistic, political and civic-minded vision. It is a centre for the creation, hosting, production and dissemination of choreographic works, a hub that acts as a resource for training and research. It is a place shared with artists, residents, associations and cultural institutions, a place open to artistic creation and the contemporary repertoire.
Awakening curiosity, stimulating the desire for knowledge, opening up to differences, sharing real artistic, intellectual and human experiences – these are the challenges identified by Alban Richard for the centre chorégraphique national de Caen en Normandie.
disperse
Artistic direction / Conception : Alban Richard
Choreography assistance : Daphné Mauger
Interpretation : Cyril Accorsi, Céline Angibaud, Mélanie Cholet, Max Fossati, Laurie Giordano, David Lerat, Laëtitia Passard et Agathe Pfauwadel
Original music : Laurent Perrier
Lights : Valérie Sigward
Costumes : Thibaud Mauger
Production / Coproduction of the choreographic work : Production ensemble l’Abrupt Coproduction Rencontres Chorégraphiques Internationales de Seine Saint-Denis, Arcadi Ile-de-France, CCN de Franche-Comté à Belfort dans le cadre de l’accueil-studio Avec l’aide du Ministère de la culture-DRAC Ile-de-France/ aide au projet Résidence de recherche : projet micadanse / Ville de Paris Avec l’aide de Brigitte Hyon / RIDC, La Ménagerie de Verre / Paris, Théâtre de la Ville / Paris, Centre National de la Danse / Pantin.
disperse
https://ccncn.eu/evenement/disperse/
James Carlès
The American origins of modern dance: [1930-1950] from the expressive to the abstract
[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.
In the 1970s, artists’ drive towards a new classic had been ongoing for more than a half century and several generations had already formed since the Russian Ballets. As the years went by, everyone defended or defends classical dance as innovative, unique, connected to the other arts and the preoccupations of its time.
Why do I dance ?
The Dance Biennale
Arts of motion
Generally associated with circus arts, here is a Journey that will take you on a stroll through different artists from this world.
Contemporary techniques
This Parcours questions the idea that contemporary dance has multiples techniques. Different shows car reveal or give an idea about the different modes of contemporary dancer’s formations.
Les Rencontres chorégraphiques internationales de Seine-Saint-Denis
Vlovajobpru company
40 years of dance and music
Body and conflicts
A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.
The national choreographic centres
Roots of Diversity in Contemporary Dance
Do you mean Folklores?
Presentation of how choreographers are revisiting Folklore in contemporary creations.
Dance in Quebec: Collectivities in motion
This Parcours introduces several extracts of works by contemporary Quebecois choreographers, situating them in an anthropological perspective.
Dancing bodies
Focus on the variety of bodies offered by contemporary dance and how to show these bodies: from complete nudity to the body completely hidden or covered.
Outdoor dances
Stage theater and studio are not the only places of work or performance of a choreographic piece. Sometimes dancers and choreographers dance outside.
Scenic space
A dance performance takes place in a defined spatial area ... or not. This course helps to understand the occupation of the stage space in dance.