Eye of the Heaven
2000
Choreographer(s) : Mae-Ja, Kim (Mae-Ja, Kim)
Present in collection(s): Biennale de la danse , Biennale de la danse - 2000
Video producer : Biennale de la Danse
Eye of the Heaven
2000
Choreographer(s) : Mae-Ja, Kim (Mae-Ja, Kim)
Present in collection(s): Biennale de la danse , Biennale de la danse - 2000
Video producer : Biennale de la Danse
Eye of the Heaven
EYE OF THE HEAVEN / creation 2000
Choreography Kim Maeja, Kang Mee-Ree, Kim Sun-Mee, Choi Ji-Yeon
Performed by ChangMu Dance Company
Created to mark the new millenium, "Eye of the Heaven" is an optimistic story asserting that a single laugh can change the world and that life is sheer delight.
Source : Biennale de la Danse 2000 - programme
Credits
Chorégraphie Kim Maeja, Kang Mee-Ree, Kim Sun-Mee, Choi Ji-Yeon
Musique Byun Soung-Riung, SamulNori-KUng, Kim Jae-Chuel, Kim Soo-Bo, Son In-Koo, Yeom Gui-Kong, Lee Je-Eun, Kim Jin-Ae, Shonosuke Oruka
Decors, scénographie Chung Jin-Youn
Costumes Lim Young-Joo, Lee Young-Hee
Lumières Masayaki Aikawa, Yi Kwang-Seong
Updating: March 2012
Mae-Ja, Kim
Born in 1943 in the province of Gangwon-do, Kim Mae-ja was initiated in traditional Korean dance at the Women’s University of Ewha, where she would hold a chair from 1970 to 1991. She created the ChangMu dance company in 1976 and caused a sensation by showing bare feet, a first in Korea, and is today in the avant-garde of the globalisation of dance with her highly-creative choreographies. After opening the Changmuchumteo in 1985, in 1992 she founded the Changmu artistic institute, a uniquely multi-faceted centre in Korea, as it offers a specific choreographic space approved by the artistic and cultural committee, publishes "the Momm" (the body) Monthly Review, manages the ChangMu dance company and programmes shows throughout the season.
Become the flag-bearer for creative Korean choreography after seeking to revive traditional dance while being inquisitive, Kim Mae-ja systematises the traditional foundations of the discipline with an eye to their progressive globalisation. Her choreographies elicit praise through the experimental dimension that they bring to Korean dance in order to adapt it to new realities, while never ceasing to reference tradition. Capable of representing the most banal situation through corporal expression and more than ever aware of the universal potential of the Korean aesthetic, she has taken the role of innovator by orienting her creation internationally, also ensuring the promotion of national choreography abroad through conferences and by establishing a university programme in the area: actions that have broadly contributed to greater awareness of the specific identity of Korea around the world.
Source : CCN Roubaix
[1930-1960]: Neoclassicism in Europe and the United States, entirely in tune with the times
The Ballets Russes paved the way for what would become known as: neo-classical. Back then, the term “modern ballet” was frequently used to define this renewal of aesthetics: a savvy blend of tradition and innovation, which each choreographer defined in their own way.
Bagouet Collection
The committed artist
In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.
CHRISTIAN & FRANÇOIS BEN AÏM – VITAL MOMENTUM
Indian dances
Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!
[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.
In the 1970s, artists’ drive towards a new classic had been ongoing for more than a half century and several generations had already formed since the Russian Ballets. As the years went by, everyone defended or defends classical dance as innovative, unique, connected to the other arts and the preoccupations of its time.
les ballets C de la B and the aesthetic of reality
DANCE AND DIGITAL ARTS
Black Dance
Why do I dance ?
Artistic Collaborations
Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians
Meeting with literature
Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.
Female / male
A walk between different conceptions and receptions of genres in different styles and eras of dance.
Hip hop / Influences
This Course introduce to what seems to be Hip Hop’s roots.
40 years of dance and music
The “Nouvelle Danse Française” of the 1980s
In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out their unique take on the world.
Roots of Diversity in Contemporary Dance
Modern Dance and Its American Roots [1900-1930] From Free Dance to Modern Dance
At the dawn of the 20th century, in a rapidly changing West, a new dance appeared: Modern Dance. In the United States as in Europe, modern trends emerge simultaneously and intertwine in thier development. Let's dive into the beginnings of American modern dance!