as far as
2007 - Director : Simon, Nicolas
Choreographer(s) : Richard, Alban (France)
Present in collection(s): CCN de Caen en Normandie , Maison de la Danse de Lyon
Video producer : centre chorégraphique national de Caen en Normandie
as far as
2007 - Director : Simon, Nicolas
Choreographer(s) : Richard, Alban (France)
Present in collection(s): CCN de Caen en Normandie , Maison de la Danse de Lyon
Video producer : centre chorégraphique national de Caen en Normandie
as far as
The structure of the piece will be the repetition of one same scene/sequence incessantly mutated at each reiteration. Bodies hobbled, always reacting, in search of corporeal organization. A work on adaptation … A piece to endure…
The scene/sequence is sabotaged by both a selection of successive little modifications and by sudden massive alteration or by environmental disturbance. Degradations, hazards, unpredictable variations, abrupt mutations are staged. A normed, sexed, predictable sabotage of the bodies …
To show worn out bodies always having to reorganise themselves.
Obedient to an implacable structure of transformations, the performers can’t rest as at every come back of the scene/sequence, the adaptations lead to a new version.
Bodies are both trying to emancipate but above all they are in an unceasing evolution, as they still need to organise in order to face and endure the metamorphosis… How to persevere, how to resist ?
Source : CCN Caen, Normandy
Richard, Alban
Alban Richard discovered contemporary dance while he was pursuing literary and musical studies. From the late 1990s, he worked for various choreographers such as Odile Duboc, Olga de Soto and Rosalind Crisp.
In 2000, Alban Richard founded Ensemble l'Abrupt for which he created about thirty very different pieces, always in close interaction with a musical work whose writing and formal structure he questioned. Consequently, each creation opens up new research and a new performance style, setting itself apart from the previous one. The way he develops his shows, using restricted improvisations to devise the work directly on stage, encourages the performers to become creators of their own dance.
Alban Richard has collaborated with the Alla francesca ensemble, Les Talens Lyriques, Les Percussions de Strasbourg, the Ensemble intercontemporain, IRCAM and the Cairn, Instant Donné and Alternance ensembles, as well as with composers Arnaud Rebotini, Sebastian Rivas, Erwan Keravec, Jérôme Combier, Laurent Perrier, Raphaël Cendo, Robin Leduc, Paul Clift, Wen Liu and Matthew Barnson.
A prolific choreographer, Alban Richard is regularly invited by ballets and companies, both internationally (Canada, Lithuania, Norway) and in France, to create commissioned works.
Since 2015 he has been artistic director of the centre chorégraphique national de Caen en Normandie, with a project based on both his practice as an author and on connecting with the territory and its inhabitants.
More information : https://ccncn.eu/english/
Simon, Nicolas
Initiated to music and cinema by his two older brothers Nicolas Simon quickly becomes a cinephile and begins to direct short films as a teenager.
After a training in audiovisual professions at ESRA Bretagne, where he directed two short films in 16 millimeters, he met Emmanuelle Vo-Dinh in 2004 and discovered contemporary dance. In 2008, he directed « Making Rainbow », which traces the five months of creation of the first edition of the show "Rainbow" in Rennes.
He then co-directed «Le Grand Éléphant - l’Aventure des Constructeurs» an incursion of nearly two years in the premises of the association "The Machine" to follow with its builders the birth of the Grand Elephant Island of Nantes .
While continuing to work regularly with many choreographers like Alban Richard or Daniel Dobbels, he has since made several documentaries, commercials or video clips as well as three seasons of the series « La Tête de l’Emploi » for France 3.
centre chorégraphique national de Caen en Normandie
A place for dance open to everyone, where people come to see, dance and talk.
The centre chorégraphique national de Caen en Normandie is a space of shared projects that questions the world in which we live, a receptive place where dance is at the heart of an artistic, political and civic-minded vision. It is a centre for the creation, hosting, production and dissemination of choreographic works, a hub that acts as a resource for training and research. It is a place shared with artists, residents, associations and cultural institutions, a place open to artistic creation and the contemporary repertoire.
Awakening curiosity, stimulating the desire for knowledge, opening up to differences, sharing real artistic, intellectual and human experiences – these are the challenges identified by Alban Richard for the centre chorégraphique national de Caen en Normandie.
as far as
Artistic direction / Conception : Alban Richard
Choreography assistance : Daphné Mauger
Interpretation : Cyril Accorsi, Mélanie Cholet, Max Fossati, Laurie Giordano, Laëtitia Passard
Original music : Laurent Perrier
Lights : Valérie Sigward
Costumes : Corinne Petitpierre
Production / Coproduction of the choreographic work : Production ensemble l’Abrupt Coproduction Rencontres Chorégraphiques Internationales de Seine-Saint-Denis, Arcadi Ile-de-France, Centre national de la Danse, Pantin (création en résidence). Avec le soutien du Centre Chorégraphique National de Franche-Comté à Belfort, de la Drac Ile-de-France / ministère de la Culture et de la Communication pour l’Aide aux compagnies, et de l’Association Beaumarchais.
as far as
https://ccncn.eu/evenement/as-far-as/
James Carlès
The American origins of modern dance: [1930-1950] from the expressive to the abstract
[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.
In the 1970s, artists’ drive towards a new classic had been ongoing for more than a half century and several generations had already formed since the Russian Ballets. As the years went by, everyone defended or defends classical dance as innovative, unique, connected to the other arts and the preoccupations of its time.
Why do I dance ?
The Dance Biennale
Les Rencontres chorégraphiques internationales de Seine-Saint-Denis
Vlovajobpru company
Body and conflicts
A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.
The national choreographic centres
Roots of Diversity in Contemporary Dance
Do you mean Folklores?
Presentation of how choreographers are revisiting Folklore in contemporary creations.
Dancing bodies
Focus on the variety of bodies offered by contemporary dance and how to show these bodies: from complete nudity to the body completely hidden or covered.