Skip to main content
Back to search
  • Add to playlist

Les étudiants du CNDC d'Angers en répétition avec Michèle-Anne De Mey

CNDC - Angers 1989

Choreographer(s) : De Mey, Michèle Anne (Belgium)

Present in collection(s): CNDC - Angers

Video producer : CNDC Angers

en fr

Les étudiants du CNDC d'Angers en répétition avec Michèle-Anne De Mey

CNDC - Angers 1989

Choreographer(s) : De Mey, Michèle Anne (Belgium)

Present in collection(s): CNDC - Angers

Video producer : CNDC Angers

en fr

Les étudiants du CNDC en répétition avec Michèle-Anne De Mey (1989)

De Mey, Michèle Anne

This has been a fantastic year for her. Kiss & Cry, an original stage object summoning up object theatre, music, words and nanochoreographies for four hands and dealing with the memory of feelings of love, has won unanimous international acclaim. People have emerged from the show overwhelmed and talking about their own emotional stories. She and Jaco Van Dormael have created it with a group of artists, making it a very personal experience since feelings of love, this thread running through her work, are in a way sublimated here: the film-maker is none other than her partner. Powerful music, telling of the affair from its fickle beginnings to the final split, is another constant in her work and woven into her choreographic universe: Beethoven’s 3rd Symphony in Sinfonia Eroica, the 7th in Neige and the Lamento d’Arianna in her latest piece, a solo she is creating specially for one of her faithful performers. All in all another declaration of love.

Michèle Anne De Mey is currently working on a solo for the dancer Gabriella Iacono based on Monteverdi’s Lamento d’Arianna.

CNDC - Angers

The National Center for Contemporary Dance - CNDC - was created in 1978 at the initiative of the Ministry of Culture and the City of Angers. It followed the B.T.C. Ballet contemporary theater directed by Françoise Adret and Jacques-Albert Cartier, transferred to Nancy. Designed as a school of choreographers and the headquarters of a permanent company, it is run by Alwin Nikolais for three years.

When Viola Farber succeeded him in 1981, the school specialized in the training of dancers. Viola Farber forms a new company and inaugurates a teacher training program.

In April 1984, the management of the CNDC was entrusted to Michel Reilhac. The center still trains dancers and teachers. It no longer has a permanent company but serves as a production platform through residences. Large companies of international renown (in residence for two to three months) and younger companies (in the context of the "Summer Quarters") are then present. This is how Merce Cunningham and his company inaugurate the large Bodinier studio and that successive personalities such as Régine Chopinot, Maguy Marin, Odile Duboc, Dominique Bagouet, Mathilde Monnier and Jean-François Duroure, Edward Lock, Hervé Robbe, Philippe Decouflé, Catherine Diverrès and Bernardo Montet, Daniel Larrieu, Trisha Brown, Wim Vandekeybus ...

In April 1988 the new director, Nadia Croquet, continues to develop a policy to support creation, with a more specific openness to Europe. In January 1993, Joëlle Bouvier and Régis Obadia were named artistic directors of the CNDC, then labeled CNDC l'Esquisse.

The CNDC, which became a national choreographic center (CCN) in the 1990s, reinforces its mission as a choreographic center through the production of shows and its role as artistic advisor while continuing the training. At the same time, from 1986 to 2006, he worked with the New Theater of Angers, a national drama center, to offer a program of choreographic performances, thus increasing the audience and the readability of the dance to the public by multiplying the glances on the creation contemporary.

In February 2004, the CNDC is under the direction of the choreographer Emmanuelle Huynh, it intends to perpetuate the tradition of experimental contemporary dance and offer a school in connection with the dynamics of contemporary creation. From 2011, the CNDC School has two major courses, one leads to the National Diploma of Professional Dancer (DNSPD) and the license, the second prepares for a master.

Robert Swinston, who was appointed artistic director of the CNDC in 2012 by the Board of Directors, takes office in January 2013. Create and encourage creativity, develop the legacy of Merce Cunningham, program shows in various aesthetics, train artists autonomous, versatile and of a high level as well as fostering the emergence of new talents, this is the purpose of his project for the CNDC. Communicating to the public the foundations of a creative approach, raising awareness among young people and making the CNDC shine at the local, national and international levels are Robert Swinston's objectives for the CNDC.

The directors of the CNDC since its creation:

Alwin Nikolais (from September 1978 to July 1981)
Viola Farber (from September 1981 to July 1983)
Michel Reilhac (from March 1984 to December 1987)
Nadia Croquet (March 1988 to December 1991)
Joëlle Bouvier and Régis Obadia (from January 1993 to June 2003)
Emmanuelle Huynh (from February 2004 to December 2012)
Robert Swinston since January 2013

Les étudiants du CNDC d'Angers en répétition avec Michèle-Anne De Mey (1989)

Choreography : Michèle-Anne De Mey

Interpretation : étudiants du CNDC, promotion 1988-1989, deuxième année) Solange Albert, Alfred Alerte, Marion Ballester, Séverine Bost, Christine Charles, Olga de Soto, Gilles Grillo, Régis Huvier, Marion Levy, Marito Olsson Forsberg, Marie-Cécile Polya Somogyi, Dominique Porte, Isabelle Rodiac, Mathieu Schuller

Additionnal music : Johannes Brahms

Production / Coproduction of the choreographic work : CNDC Angers

Our videos suggestions
02:56

Ligne de crête

Marin, Maguy (France)

  • Add to playlist
03:01

Hard to Be Soft

Doherty, Oona (France)

  • Add to playlist
02:58

Another look at memory

Lebrun, Thomas (France)

  • Add to playlist
31:26

Montpellier, le saut de l'ange

Bagouet, Dominique (France)

  • Add to playlist
07:51

Lied Ballet - Creation to the Maison de la Danse

Lebrun, Thomas (France)

  • Add to playlist
03:14

The Vile Parody of Address

Forsythe, William (France)

  • Add to playlist
55:18

Odile Duboc, une conversation chorégraphique (with french subtitles)

Duboc, Odile (France)

  • Add to playlist
07:13

Bonhomme de vent

Charmatz, Boris (France)

  • Add to playlist
05:00

Slogans

Robbe, Hervé (France)

  • Add to playlist
03:13

Debout !

Delaunay, Raphaëlle (France)

  • Add to playlist
04:39

Next Days

Robbe, Hervé (France)

  • Add to playlist
12:50

Extraits de répertoire

Preljocaj, Angelin (France)

  • Add to playlist
06:27

Le vertige du papillon

Traore, Fatou (Belgium)

  • Add to playlist
10:37

Chambre (La)

Obadia, Régis (France)

  • Add to playlist
53:07

Dominique Bagouet et l'aventure constante

Bagouet, Dominique (France)

  • Add to playlist
35:18

Les Carnets Bagouet, université d'été

Bagouet, Dominique (France)

  • Add to playlist
12:30

Quelques mots sur "Le Saut de l'Ange"

Bagouet, Dominique (France)

  • Add to playlist
44:32

Des mots sur des gestes

Bagouet, Dominique (France)

  • Add to playlist
13:52

Service compris

Bagouet, Dominique (France)

  • Add to playlist
27:33

Demain la veille, spécial Dominique Bagouet

Bagouet, Dominique (France)

  • Add to playlist
Our themas suggestions

Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois

If the 19th century is that of romanticism, the entry into the new century is synonymous of modernity! It was a few decades later that it would be assigned, a posteriori, the name of “neo-classical”. 

Parcours

fr/en/

LATITUDES CONTEMPORAINES

Exposition virtuelle

fr/en/

James Carlès

Exposition virtuelle

fr/en/

Bagouet Collection

Exposition virtuelle

fr/en/

The committed artist

In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.

Parcours

fr/en/pl/

The Dance Biennial Défilé

Exposition virtuelle

fr/en/

Indian dances

Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!

Parcours

fr/en/

les ballets C de la B and the aesthetic of reality

Exposition virtuelle

fr/en/

Black Dance

James Carlès, dancer and choreographer and specialist of Afro-American dance, evokes the origin of current-day urban dances. From Africa to the United States via Europe, he emphasizes their hybrid style and puts their social and political dimension into perspective. A myriad of videos, photos, illustrations and additional resources complement this interview.

Webdoc

fr/en/

Why do I dance ?

Social dances, anti-establishment, protest dances, rhythms or identities, rituals or pleasures... There are a myriad of reasons for dancing and a myriad of points of view. A webdoc to discover, enhanced with extracts from performances and accounts from amateurs... all the right reasons for dancing!

Webdoc

fr/en/

Artistic Collaborations

Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians

Parcours

fr/en/

Meeting with literature

Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.

Parcours

fr/en/

The Dance Biennale

Exposition virtuelle

fr/en/

Exposition virtuelle

fr/en/

Female / male

A walk between different conceptions and receptions of genres in different styles and eras of dance.

Parcours

fr/en/es/de/pl/pt-pt/

Contemporary Italian Dance : the 2000s

Panorama of contemporary dance practices in Italy during the 2000s.

Parcours

fr/en/

Vlovajobpru company

Exposition virtuelle

fr/en/

40 years of dance and music

Exposition virtuelle

fr/en/

The “Nouvelle Danse Française” of the 1980s

In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out  their unique take on the world. 

Parcours

fr/en/

Body and conflicts

A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.

Parcours

fr/en/
By accessing the website, you acknowledge and accept the use of cookies to assist you in your browsing.
You can block these cookies by modifying the security parameters of your browser or by clicking onthis link.
I accept Learn more