Our Animal Kingdom
2020 - Director : Dos, Maxime
Choreographer(s) : Khan, Akram (United Kingdom)
Present in collection(s): Numeridanse.tv
Video producer : Maison de la Danse de Lyon ; Akram Khan Company
Our Animal Kingdom
2020 - Director : Dos, Maxime
Choreographer(s) : Khan, Akram (United Kingdom)
Present in collection(s): Numeridanse.tv
Video producer : Maison de la Danse de Lyon ; Akram Khan Company
Our Animal Kingdom
Our Animal Kingdom is the result of a collective work, following the participatory project Animal Kingdom, and the reflection of fundamental themes: the relationship of man to nature, the individual within the collective, the connection between human beings, the relationship between humans and animals and their animals ...
Launched in February 2020, Animal Kingdom invited each of us to explore the links between man and nature. In a world where individuals are more and more connected, it has become essential and stimulating for us to collectively invent and invest a new space.
Amateur and professional dancers with no age limit were invited to create a choreography and film themselves wondering: what are the animals within me?
172 videos were sent, 31 countries are represented. Our Animal Kingdom is the end result.
For a year, Numeridanse worked in close collaboration with Akram Khan Company to develop this project, make it known to as many people as possible and share its values. Dance enthusiasts from all over the world have gone through this experience and shared their animal kingdom with us. Thank you very much to the participants for their generosity and their participation in the Animal Kingdom project.
Animal Kingdom is a Numeridanse and Akram Khan Company project, supported by the BNP Paribas Foundation.
Khan, Akram
Akram Khan is one of the most celebrated and respected dance artists of today. In just over 19 years he has created a body of work that has contributed significantly to the arts in the UK and abroad. His reputation has been built on the success of imaginative, highly accessible and relevant productions such as XENOS, Until the Lions, Kaash, iTMOi (in the mind of igor), DESH, Vertical Road, Gnosis and zero degrees.
As an instinctive and natural collaborator, Khan has been a magnet to world-class artists from other cultures and disciplines. His previous collaborators include the National Ballet of China, actress Juliette Binoche, ballerina Sylvie Guillem, choreographers/dancers Sidi Larbi Cherkaoui and Israel Galván, singer Kylie Minogue, indie rock band Florence and the Machine, visual artists Anish Kapoor, Antony Gormley and Tim Yip, writer Hanif Kureishi and composers Steve Reich, Nitin Sawhney, Jocelyn Pook and Ben Frost.
Khan’s work is recognised as being profoundly moving, in which his intelligently crafted storytelling is effortlessly intimate and epic. Described by the Financial Times as an artist “who speaks tremendously of tremendous things”, a highlight of his career was the creation of a section of the London 2012 Olympic Games Opening Ceremony that was received with unanimous acclaim.
As a choreographer, Khan has developed a close collaboration with English National Ballet and its Artistic Director Tamara Rojo. He created the short piece Dust, part of the Lest We Forget programme, which led to an invitation to create his own critically acclaimed version of the iconic romantic ballet Giselle.
Khan has been the recipient of numerous awards throughout his career including the Laurence Olivier Award, the Bessie Award (New York Dance and Performance Award), the prestigious ISPA (International Society for the Performing Arts) Distinguished Artist Award, the Fred and Adele Astaire Award, the Herald Archangel Award at the Edinburgh International Festival, the South Bank Sky Arts Award and eight Critics’ Circle National Dance Awards. Khan was awarded an MBE for services to dance in 2005. He is also an Honorary Graduate of University of London as well as Roehampton and De Montfort Universities, and an Honorary Fellow of Trinity Laban.
Khan is an Associate Artist of Sadler’s Wells and Mountview Academy of Theatre Arts, London and Curve, Leicester.
Source: Akram Khan Company
More information: akramkhancompany.net
Dos, Maxime
A graduate of the 2005 promotion from the Institute of Audiovisual Communication Trades (IMCA) in Avignon, Maxime Dos lives and works in Grenoble as a director, cameraman, editor and graphic designer.
Since 2010, he has been responsible for audiovisual communication for the contemporary company of Akram Khan (London): trailer, documentary, recording, webdoc, and develops a universe specific to each creation, in particular thanks to his skills in dressing and motion design.
He also works with the contemporary dance company Jean-Claude Gallotta for whom he has made numerous recordings of dance performances, as well as teasers and concepts of video scenograph.
Source: https://cinedia.fr/maxime-dos/
Akram Khan Company
In July 1999 in the foyer of the Queen Elizabeth Hall in London, an animated and curiosity-filled conversation took place between the young gifted dancer/choreographer Akram Khan and an ambitious former dancer and just recently graduated arts manager Farooq Chaudhry. That conversation laid the foundation stone for a dynamic collaboration, culminating in the creation of Akram Khan Company one year later.
Inspired by Akram Khan’s early training in the Indian classical dance form Kathak, and the hybrid language that organically emerged when Akram’s kathak training encountered contemporary dance in his teens, a vision began to form, fuelled by a desire to learn and create through collaboration with the very best people across all the disciplines in the arts.
The rules were simple: take risks, think big and daring, explore the unfamiliar, avoid compromise and tell stories through dance that are compelling and relevant, with artistic integrity.
In just over twenty years Akram Khan Company is now undisputedly one of the foremost innovative dance companies in the world. The programmes range from kathak and modern solos to artist-to-artist collaborations and ensemble productions. The company has a major international presence and enjoys busy tours that reach out to many cultures and peoples across the globe. Akram Khan has been the recipient of numerous international dance awards, the most notable being an Olivier Award for his solo production DESH in 2012. A milestone in the company’s journey was the creation of a section of the London Olympic Games Opening Ceremony in 2012. Akram Khan Company is an associate artist at Sadler’s Wells Theatre and Mountview Academy of Theatre Arts in London and Curve Theatre in Leicester.
Mission
Akram Khan Company produces thoughtful, provocative and ambitious dance productions for the international stage. Akram Khan takes human themes and works with others to take them to new and unexpected places – embracing and collaborating with other cultures and disciplines. The dance language in each production is rooted in Akram Khan’s classical Kathak and modern dance training and his fascination with storytelling. The work continually evolves to communicate ideas that are intelligent, courageous and new, bringing with it international acclaim and recognition as well as artistic and commercial success.
Source: Akram Khan Company
More information: akramkhancompany.net
Our Animal Kingdom
Our Animal Kingdom
Artistic direction / Conception : Akram Khan
Original music : Vincenzo Lamagna
Video conception : Maxime Dos
Production / Coproduction of the video work : Numeridanse, Akram Khan Company
Bagouet Collection
The Dance Biennial Défilé
The American origins of modern dance: [1930-1950] from the expressive to the abstract
Indian dances
Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!
Why do I dance ?
Meeting with literature
Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.
Contemporary techniques
This Parcours questions the idea that contemporary dance has multiples techniques. Different shows car reveal or give an idea about the different modes of contemporary dancer’s formations.