Skip to main content
Back to search
  • Add to playlist

Panorama

A new staging rather than a restaging, Panorama recounts, and yet weaves anew, the history of Compagnie DCA. With some sequences from previous shows (Codex, Petites pièces montées, Shazam !...) as well as a number of pieces from the early days (Vague café, Jump), getting their very first restaging with a number of changes:: female dancers in roles initially held by male dancers; a quintet of performers instead of a quartet; small dancers in roles originally conceived for full-size dancers.

Decouflé, Philippe

Dancer, choreographer, director and art director


As a child, I dreamt of becoming a comic book artist. Drawing is usually the start of my creative process. I just throw out ideas and sketch out pictures that pass through my head. My culture is comics, musicals, nightclub dancing, and also Oskar Schlemmer, the Bauhaus choreographer. Discovering photos of characters from his Triadisches Ballett was a revelation for me. I had always wanted to work with simple geometric shapes like cubes and triangles. I liked seeing how these lines and volumes behaved with each other. Alwin Nikolaïs taught me the importance of light and costume, and the confidence you need to mix everything together. Technically, it was Merce Cunningham who taught me the most about dance. I was taking video courses he was giving in New York. It was fascinating. That’s where I learned how to solve problems of distance and geometry, and the basic principles of optics and movement. Tex Avery inspired me a lot in thinking up gestures that are almost impossible to do. I’ve always kept something of that desire to create something strange, extreme or crazy in my movements. I’m looking for a dance style that’s off-balance, always on the verge of toppling over. With influences like the Marx Brothers, for example, and in particular Groucho Marx, I’ve developed a taste for naughty risk-taking, and comic repetition of mistakes.


Source : Philippe Découflé


More information : cie-dca.com

Plasson, Fabien

Born in 1977, Fabien Plasson is a video director specialized in the field of performing arts (dance , music, etc).

During his studies at the Ecole Nationale des Beaux-Arts de Lyon (joined in 1995) Fabien discovered video art. He was trained by various video artists (Joel Bartoloméo Pascal Nottoli , Eric Duyckaerts , etc) .
He first experimented with the creation of installations and cinematic objects.

From 2001 to 2011, he was in charge of Ginger & Fred video Bar’s programming at La Maison de la Danse in Lyon. He discovered the choreographic field and the importance of this medium in the dissemination, mediation and pedagogical approach to dance alongside Charles Picq, who was a brilliant video director and the director of the video department at that time.

Today, Fabien Plasson is the video director at La Maison de la Danse and in charge of the video section of Numeridanse.tv, an online international  video library, and continues his creative activities, making videos of concerts, performances and also creating video sets for live performances.


Sources: Maison de la Danse ; Fabien Plasson website

More information: fabione.fr

Panorama

Choreography : Philippe Decouflé

Interpretation : Meritxell Checa Esteban, Julien Ferranti, Rémy-Charles Marchant, Ioannis Michos, Matthieu Penchinat, Lisa Robert, Violette Wanty

Stage direction : Philippe Decouflé

Original music : Karl Biscuit, Hugues de Courson, Claire Diterzi, Sébastien Libolt & la Trabant, Nosfell et Pierre Le Bourgeois, Parazite Système Sonore (Marc Caro, Joëlle Colombeau, Spot Phélizon), Joseph Racaille

Video conception : Philippe Decouflé, Dominique Willoughby

Lights : Begoña Garcia Navas (Régie générale et lumières)

Costumes : Philippe Guillotel, Peggy Housset (régie)

Technical direction : Lahlou Benamirouche

Sound : Claire Thiebault (régie)

Other collaborations : Eric Martin (Coordination chorégraphie, costumes et décor), Léon Bony et Chloé Bouju (régie plateau)

Production / Coproduction of the choreographic work : Production Cie DCA, Estelle Le Goasduff (Administration), Raphaëlle Gogny et Juliette Médevielle (Production), Frank Piquard (directeur délégué)

Production / Coproduction of the video work : Maison de la Danse

Our videos suggestions
02:58

Deux-mille-dix-sept

Marin, Maguy (France)

  • Add to playlist
03:01

Hard to Be Soft

Doherty, Oona (France)

  • Add to playlist
03:01

Peekaboo

Goecke, Marco (France)

  • Add to playlist
03:42

Seeds (retour à la terre)

Carlson, Carolyn (France)

  • Add to playlist
02:48

Questcequetudeviens ?

Bory, Aurélien (France)

  • Add to playlist
02:42

Têtes à têtes

Villa-Lobos, Maria Clara (Belgium)

  • Add to playlist
03:31

Panorama

Decouflé, Philippe (France)

  • Add to playlist
03:14

The Vile Parody of Address

Forsythe, William (France)

  • Add to playlist
03:15

Sketches From Chronicle

Graham, Martha (France)

  • Add to playlist
03:13

Rose - variation

Monnier, Mathilde (France)

  • Add to playlist
05:16

Bruit de couloir

Dazin, Clément (France)

  • Add to playlist
08:54

Répète

Chaillé, Fanny de (France)

  • Add to playlist
07:42

Coupé décalé [1ère partie] - Robyn Orlin

Orlin, Robyn (France)

  • Add to playlist
08:17

Impair

Brabant, Jérôme (France)

  • Add to playlist
06:20

Flat/grand délit

Lheureux, Yann (France)

  • Add to playlist
02:38

Vue sur les marches - Marc Lainé

  • Add to playlist
01:09:29

LEX

Fontaine, Geisha (France)

  • Add to playlist
05:00

Slogans

Robbe, Hervé (France)

  • Add to playlist
03:13

Debout !

Delaunay, Raphaëlle (France)

  • Add to playlist
Our themas suggestions

James Carlès

Exposition virtuelle

fr/en/

Bagouet Collection

Exposition virtuelle

fr/en/

The committed artist

In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.

Parcours

fr/en/pl/

Exposition virtuelle

fr/en/

La part des femmes, une traversée numérique

Exposition virtuelle

fr/en/

Qudus Onikeku - Reclaim a forgotten memory

Exposition virtuelle

fr/en/

CHRISTIAN & FRANÇOIS BEN AÏM – VITAL MOMENTUM

Exposition virtuelle

fr/en/

Indian dances

Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!

Parcours

fr/en/

les ballets C de la B and the aesthetic of reality

Exposition virtuelle

fr/en/

DANCE AND DIGITAL ARTS

Exposition virtuelle

fr/en/

Black Dance

James Carlès, dancer and choreographer and specialist of Afro-American dance, evokes the origin of current-day urban dances. From Africa to the United States via Europe, he emphasizes their hybrid style and puts their social and political dimension into perspective. A myriad of videos, photos, illustrations and additional resources complement this interview.

Webdoc

fr/en/

Why do I dance ?

Social dances, anti-establishment, protest dances, rhythms or identities, rituals or pleasures... There are a myriad of reasons for dancing and a myriad of points of view. A webdoc to discover, enhanced with extracts from performances and accounts from amateurs... all the right reasons for dancing!

Webdoc

fr/en/

Strange works

 Unconventional contemporary dance shows which reinvent the rapport to the stage.  

Parcours

fr/en/

Artistic Collaborations

Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians

Parcours

fr/en/

Meeting with literature

Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.

Parcours

fr/en/

Dance and performance

 Here is a sample of extracts illustrating burlesque figures in Performances.

Parcours

fr/en/

Round dance

 Presentation of the Round’s figure in choreography.

Parcours

fr/en/

The Dance Biennale

Exposition virtuelle

fr/en/

Exposition virtuelle

fr/en/

Female / male

A walk between different conceptions and receptions of genres in different styles and eras of dance.

Parcours

fr/en/es/de/pl/pt-pt/
By accessing the website, you acknowledge and accept the use of cookies to assist you in your browsing.
You can block these cookies by modifying the security parameters of your browser or by clicking onthis link.
I accept Learn more