Josef Nadj was born in 1957 in Kanjiza, a province of Vojvodina in the former Yugoslavia, in what is today Serbia. Beginning in childhood, he drew, practiced wrestling, accordeon, soccer and chess, intending a career in painting. Between the ages of 15 and 18, he studied at the fine arts high school of Novi Sad (the capital of Vojvodina), followed by 15 months of military service in Bosnia-Herzegovina.

Afterwards, he left to study art history and music at the Academy of Fine Arts and at the University of Budapest, where he also began studying physical expression and acting.

In 1980, he left for Paris to continue his training with Marcel Marceau, Etienne Ducroux. Simultaneously he discovered modern dance, at the time in a period of swift expansion in France. He followed the teachings of Larri Leong (who combined dance, kimomichi and aidido) and Yves Cassati, also taking classes in tai-chi, butoh and contact improvisation (with Mark Tompkins), began himself to teach the movement arts in 1983 (in France and Hungary), and participated as a performer in works by Sidonie Rochon (Papier froissé, 1984), Mark Tompkins (Trahison Men, 1985), Catherine Diverrès (l’Arbitre des élégances, 1988) and François Verret (Illusion comique and La, commissioned by the GRCOP, 1986).

In 1986 he founded his company, Théâtre JEL – “jel” meaning “sign” in Hungarian – and created his first work, Canard Pékinois, presented in 1987 at the Théâtre de la Bastille and remounted the following year at the Théâtre de la Ville in Paris.

Up to now, he is the author of about thirty performances.

In 1982, Josef Nadj completely abandoned drawing and painting to dedicate himself fully to dance, and would not begin showing his work again until fifteen years later. But in 1989 he began practicing photography, pursuing it without interruption to the present. Since 1996, his visual arts and graphic works, most often conceived in cycles or series – sculpture-installations, drawings, photos – have been regularly exhibited in galleries and theatres.

In 2006, Josef Nadj was Associated Artist for the 60th Festival of Avignon, presenting Asobu as the festival's opening performance in the Court of Honour of the Palais des Papes, as well as Paso doble, a performance created in collaboration with the painter Miquel Barcelo at the Celestins Church. In July 2010, he returned to present Les Corbeaux, a duet with Akosh zelevényi.

To mark the 150th anniversary of the birth of Anton Chekhov, Valery Shadrin, director of the Chekhov International Theatre Festival and Artistic Director of the Year 2010 France-Russia, invited Josef Nadj for the creation of a show dedicated to the playwright, which was performed in Moscow and St. Petersburg.

Josef Nadj was present at the Prague Quadrennial of 16 to 26 June 2011. TheQuadrennial held in Prague since 1967, is the most famous event in the world for performing arts. More than sixty countries attended this year. Josef Nadj was selected to participate in the project "Intersection" based on intimacy and performance. An ephemeral village was created, which consisted of boxes (“white cubes / black boxes") that stood for thirty world-renowned artists, each one represented by a different box. Since 1995, Josef Nadj has been the director of the Centre Chorégraphique National d’Orléans.

Source : Josef Nadj

En savoir plus : http://josefnadj.com/

Jérôme Bel lives in Paris and works worldwide. "nom donné par l'auteur" (1994) is a choreography of objects. Jérôme Bel (1995) is based on the total nudity of the performers. "Shirtology" (1997) presents an actor wearing many T-shirts. The last performance (1998) quotes a solo by the choreographer Susanne Linke, as well as Hamlet and André Agassi. "Xavier Le Roy" (2000) was claimed by Jérôme Bel as his own, but was actually choreographed by Xavier Le Roy. "The show must go on" (2001) brings toghether twenty performers, nineteen pop songs and one DJ. Véronique Doisneau (2004) is a solo on the work of the dancer Véronique Doisneau, from the Paris Opera. "Isabel Torres" (2005), for the ballet of the Teatro Municipal of Rio de Janeiro, is its Brazilian version. "Pichet Klunchun and myself" (2005) was created in Bangkok with the Thai traditional dancer Pichet Klunchun. Follows "Cédric Andrieux" (2009), dancer of Merce Cunningham. "3Abschied" (2010) is a collaboration between Anne Teresa De Keersmaeker and Jérôme Bel based on "The Song of the Earth" by Gustav Malher. "Disabled Theater" (2012) is a piece with a Zurich-based company, Theater Hora, consisting of professional actors with learning disabilities. "Cour d'honneur" (2013) stages fourteen spectators of the Cour d'honneur of the Palais des Papes in Avignon. In "Gala" (2015), the choreographer stages together professional people from the dance field and amateurs coming from different backgrounds. In "Tombe" (2016), performance created at the invitation of Opéra National de Paris, Jérôme Bel proposed to some dancers of the ballet to invite, for a duet, the person with who they would never share the stage. 

Source : Jérôme Bel 's website

More information : jeromebel.fr

Christian Rizzo was born in 1965 in Cannes. His artistic career began in Toulouse, where he started a rock band and designed a line of clothing, after which he studied fine arts at the Villa d'Arson in Nice, then unexpectedly branched out into dance.

In the 90s he performed with a number of contemporary choreographers including mathilde monnier, herve robbe, mark tompkins and georges appaix, and sometimes created soundtracks and costumes for them as well.

He also worked with choreographers with a different artistic approach, such as vera mantero, catherine contour, emmanuelle huynh and rachid ouramdane.

In 1996 he founded l'association fragile and began presenting events, dancing objects, solos and group pieces, as well as various projects and commissioned work in fashion and the visual arts.

Since then, over thirty projects have borne fruit, not counting his pedagogical activities. Christian rizzo teaches on a regular basis in art schools in France and abroad, as well as in establishments devoted to contemporary dance.

On January 1st, 2015, Christian Rizzo takes the lead of the National Choreographic Center of Montpellier. Now called ICI (International Choreographic Institute), the CCN offers a transversal vision of creation, training, artistic education and openness to the public.

Source : Website of ICI, CCN of Montpellier

More information :

http://ici-ccn.com/

http://www.lassociationfragile.com/