Les métiers de Chaillot - Responsable du bureau d'études
2021 - Director : Rollo, Thomas
Present in collection(s): Chaillot-Théâtre National de la Danse , Les métiers de Chaillot
Les métiers de Chaillot - Responsable du bureau d'études
2021 - Director : Rollo, Thomas
Present in collection(s): Chaillot-Théâtre National de la Danse , Les métiers de Chaillot
Les métiers de Chaillot
The webserie wich talk about the works behind the scene
Source: Chaillot - Théâtre national de la Danse
More information: theatre-chaillot.fr/fr/metiers-chaillot
Rollo, Thomas
Audiovisual manager responsible for audiovisual productions at Chaillot - National Theater of Dance.
Chaillot-Théâtre national de la Danse
The Théâtre National de Chaillot is one of the five French national theatres (public institutions whose missions are defined by the State) and the only one to have a project built around and based on dance. Under the double supervision of the Ministry of Culture and Communication and the Ministry of Budget, it has been directed since 2011 by the choreographer and dancer Didier Deschamps.
The legend of Chaillot
Installed at the heart of the Palais de Chaillot, the Théâtre National de Chaillot, that became in 2016 Chaillot – National Theatre of Dance, is one of the most prestigious cultural institutions of Paris, not only for the unique place it has in the history of performing arts – namely with the great adventure of the National Popular Theatre founded by Firmin Gémier, then carried and developed by the mythical personality of Jean Vilar – but also in that of France and the world as it is in the big theatre room that the Universal Declaration of Human Rights was signed on the 10th of December 1948. An exceptional venue in the capital, the theatre can welcome each night more than 1 600 spectators, in its three rooms (Salle Jean Vilar of 1 200 seats, Salle Firmin Gémier of 390 seats, Studio Maurice Béjart of 100 seats). Its Grand Foyer facing the Trocadéro Fountain, the Eiffel Tower and the Champ-de-Mars, permanently offers one of the most famous views in the world. The public spaces of the theatre are also host to an important collection of sculptures, paintings, frescoes and pastels signed by the greatest artists of their time: Paul Belmondo, Louis Billotey, Pierre Bonnard, Maurice Brianchon, Roger Chapelain-Midy, Maurice Denis, Othon Friesz, Henri Laurens, Aristide Maillol as well as Édouard Vuillard.
Source: Chaillot-Théâtre National de la Danse
En savoir plus: www.theatre-chaillot.fr/en
Les métiers de Chaillot - Responsable du bureau d'études
Interpretation : Samson Picard
Production / Coproduction of the video work : Chaillot - Théâtre national de la danse, 2021
Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois
If the 19th century is that of romanticism, the entry into the new century is synonymous of modernity! It was a few decades later that it would be assigned, a posteriori, the name of “neo-classical”.
The committed artist
In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.
Indian dances
Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!
les ballets C de la B and the aesthetic of reality
Why do I dance ?
Artistic Collaborations
Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians
Meeting with literature
Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.
The Dance Biennale
Contemporary Italian Dance : the 2000s
Panorama of contemporary dance practices in Italy during the 2000s.
Vlovajobpru company
40 years of dance and music
The “Nouvelle Danse Française” of the 1980s
In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out their unique take on the world.
Body and conflicts
A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.
The national choreographic centres
Roots of Diversity in Contemporary Dance
Noé Soulier Rethinking our movements
Carolyn Carlson, a woman of many faces
How to become a dance spectactor ?
Genesis of work
A dance show is created in multiples steps between the enunciation of an initial desire which launch the project and the first representation. This parcours presents diff