Skip to main content
Back to search
  • Add to playlist

Bienvenue

Maison de la Danse de Lyon 2019 - Director : Plasson, Fabien

Choreographer(s) : Rebetez, Eugénie (Switzerland)

Present in collection(s): Maison de la Danse de Lyon , Saisons 2010 > 2019

en fr

Bienvenue

Maison de la Danse de Lyon 2019 - Director : Plasson, Fabien

Choreographer(s) : Rebetez, Eugénie (Switzerland)

Present in collection(s): Maison de la Danse de Lyon , Saisons 2010 > 2019

en fr

Bienvenue

For her third show, Eugénie Rebetez transforms herself into a cleaning lady, the antithesis of the divas whose finery she borrowed before. “This time,” she explains, “the sequins were properly hoovered to leave room for what remains when the lights are switched off (...).  Cleaning is touching and taking care of something else, and, for some people, to cleanis to earn a living.”  Here, the body and the setting are one, exterior surroundings merge with inside space. From her body-home, her shell, the dancer creates sensory and musical links with the outside.  Alternating intensity and levity, poetry and laughter, the everyday and the surreal, Eugénie Rebetez works with director Martin Zimmermann to create a comic household where chaos and order reign. After Gina and Encore, the performer revamps her stagecraft in a solo where the self can become someone else.

Source : Maison de la Danse de Lyon

Rebetez, Eugénie

Eugénie Rebetez (*1984) grew up in the swiss countryside. She first  studied dance and choreography in the class of dance studies at the  Lycée Martin V in Louvain-la-Neuve, Belgium, then at the ArtEZ Institute  of Arts in Arnhem, Holland. Following her studies, she worked notably  with the Venezuelan choreographer David Zambrano, and also with the  Swiss director Martin Zimmermann. She has created and performed three  solo shows, Gina (2010), Encore (2013) and Bienvenue (2017)  as well as several performances for art galleries and museums. Her work  has been presented throughout Switzerland, as well as elsewhere in  Europe. The body is at the heart of her artistic approach, expressing  itself completely while revealing the complexity and ambivalence of  being oneself. Eugénie Rebetez lives in Zurich. She is currently Artist  in Residence at Théâtre La Grange de Dorigny - UNIL Lausanne where she  will be creating her new piece in Automn 2019.

"Eugénie Rebetez'  body is a theatre. It has its moods, its asides, its outbursts. It is  tempted a hundred times to be different, but takes pride in returning to  itself: voluptuous, overflowing, untamed." Le Temps


Source: Eugénie Rebetez's website

En savoir plus : http://eugenierebetez.com/en/

Plasson, Fabien

Born in 1977, Fabien Plasson is a video director specialized in the field of performing arts (dance , music, etc).

During his studies at the Ecole Nationale des Beaux-Arts de Lyon (joined in 1995) Fabien discovered video art. He was trained by various video artists (Joel Bartoloméo Pascal Nottoli , Eric Duyckaerts , etc) .
He first experimented with the creation of installations and cinematic objects.

From 2001 to 2011, he was in charge of Ginger & Fred video Bar’s programming at La Maison de la Danse in Lyon. He discovered the choreographic field and the importance of this medium in the dissemination, mediation and pedagogical approach to dance alongside Charles Picq, who was a brilliant video director and the director of the video department at that time.

Today, Fabien Plasson is the video director at La Maison de la Danse and in charge of the video section of Numeridanse.tv, an online international  video library, and continues his creative activities, making videos of concerts, performances and also creating video sets for live performances.


Sources: Maison de la Danse ; Fabien Plasson website

More information: fabione.fr

Bienvenue

Choreography : Eugénie Rebetez

Interpretation : Eugénie Rebetez

Artistic consultancy / Dramaturgy : Tanya Beyeler

Stage direction : Martin Zimmermann

Set design : Simeon Meier en collaboration avec Martin Zimmermann

Text : Eugénie Rebetez

Original music : Eugénie Rebetez, Andy Neresheimer

Additionnal music : Lesley Barber, Heinrich Ignaz Franz Biber, Gloria Gaynor, Mica Levi, Rihanna, Stars of The Lid, Tambouren Infanterie-Rekrutenschule 206

Lights : Tina Bleuler

Costumes : Eugénie Rebetez, Martin Zimmermann, Tina Bleuler

Sound : Andy Neresheimer

Production / Coproduction of the choreographic work : Production Verein Eugénie Rebetez. Coproduction Zürcher Theater Spektakel - Suisse, Tanzhaus Zürich, ROXY Birsfelden - Suisse, Theater Chur - Suisse, ADC Genève, Théâtre La Grange de Dorigny – UNIL Lausanne. Soutiens Stadt Zürich Kultur, Pro Helvetia - Suisse, République et Canton du Jura, Fachstelle Kultur Kanton Zürich, Fachausschuss Tanz & Theater BS/BL - Suisse, Ernst Göhner Stiftung - Suisse, Fondation Corymbo - Suisse, Fondation GGKZ - Suisse, Pourcent Culturel Migros - Suisse. En coopération avec le Fonds des Programmateurs de RESO – Réseau Danse Suisse

Production / Coproduction of the video work : Maison de la Danse de Lyon - Fabien Plasson, 2019

Our videos suggestions
02:56

Ligne de crête

Marin, Maguy (France)

  • Add to playlist
02:58

Deux-mille-dix-sept

Marin, Maguy (France)

  • Add to playlist
03:01

Hard to Be Soft

Doherty, Oona (France)

  • Add to playlist
03:01

Peekaboo

Goecke, Marco (France)

  • Add to playlist
03:42

Seeds (retour à la terre)

Carlson, Carolyn (France)

  • Add to playlist
31:26

Montpellier, le saut de l'ange

Bagouet, Dominique (France)

  • Add to playlist
02:42

Têtes à têtes

Villa-Lobos, Maria Clara (Belgium)

  • Add to playlist
03:31

Panorama

Decouflé, Philippe (France)

  • Add to playlist
03:05

Panorama

Decouflé, Philippe (France)

  • Add to playlist
07:51

Lied Ballet - Creation to the Maison de la Danse

Lebrun, Thomas (France)

  • Add to playlist
03:14

The Vile Parody of Address

Forsythe, William (France)

  • Add to playlist
03:15

Sketches From Chronicle

Graham, Martha (France)

  • Add to playlist
03:13

Rose - variation

Monnier, Mathilde (France)

  • Add to playlist
50:55

Mammame : Les enfants qui toussent (acte II)

Gallotta, Jean-Claude (France)

  • Add to playlist
05:16

Bruit de couloir

Dazin, Clément (France)

  • Add to playlist
08:54

Répète

Chaillé, Fanny de (France)

  • Add to playlist
07:42

Coupé décalé [1ère partie] - Robyn Orlin

Orlin, Robyn (France)

  • Add to playlist
08:17

Impair

Brabant, Jérôme (France)

  • Add to playlist
06:20

Flat/grand délit

Lheureux, Yann (France)

  • Add to playlist
02:38

Vue sur les marches - Marc Lainé

  • Add to playlist
Our themas suggestions

Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois

If the 19th century is that of romanticism, the entry into the new century is synonymous of modernity! It was a few decades later that it would be assigned, a posteriori, the name of “neo-classical”. 

Parcours

fr/en/

LATITUDES CONTEMPORAINES

Exposition virtuelle

fr/en/

James Carlès

Exposition virtuelle

fr/en/

The committed artist

In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.

Parcours

fr/en/pl/

The BNP Paribas Foundation

Exposition virtuelle

fr/en/

La part des femmes, une traversée numérique

Exposition virtuelle

fr/en/

Qudus Onikeku - Reclaim a forgotten memory

Exposition virtuelle

fr/en/

CHRISTIAN & FRANÇOIS BEN AÏM – VITAL MOMENTUM

Exposition virtuelle

fr/en/

Indian dances

Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!

Parcours

fr/en/

les ballets C de la B and the aesthetic of reality

Exposition virtuelle

fr/en/

DANCE AND DIGITAL ARTS

Exposition virtuelle

fr/en/

Black Dance

James Carlès, dancer and choreographer and specialist of Afro-American dance, evokes the origin of current-day urban dances. From Africa to the United States via Europe, he emphasizes their hybrid style and puts their social and political dimension into perspective. A myriad of videos, photos, illustrations and additional resources complement this interview.

Webdoc

fr/en/

Why do I dance ?

Social dances, anti-establishment, protest dances, rhythms or identities, rituals or pleasures... There are a myriad of reasons for dancing and a myriad of points of view. A webdoc to discover, enhanced with extracts from performances and accounts from amateurs... all the right reasons for dancing!

Webdoc

fr/en/

Strange works

 Unconventional contemporary dance shows which reinvent the rapport to the stage.  

Parcours

fr/en/

Artistic Collaborations

Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians

Parcours

fr/en/

Meeting with literature

Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.

Parcours

fr/en/

Dance and performance

 Here is a sample of extracts illustrating burlesque figures in Performances.

Parcours

fr/en/

Round dance

 Presentation of the Round’s figure in choreography.

Parcours

fr/en/

The Dance Biennale

Exposition virtuelle

fr/en/

Exposition virtuelle

fr/en/
By accessing the website, you acknowledge and accept the use of cookies to assist you in your browsing.
You can block these cookies by modifying the security parameters of your browser or by clicking onthis link.
I accept Learn more