Boléro (1962)
1962 - Director : Landier, Jean-Marc
Choreographer(s) : Béjart, Maurice (France)
Present in collection(s): Numeridanse.tv
Boléro (1962)
1962 - Director : Landier, Jean-Marc
Choreographer(s) : Béjart, Maurice (France)
Present in collection(s): Numeridanse.tv
Boléro
The film Boléro is a beautiful association of three techniques: the musical work of Maurice Ravel, well known to the public, the choreography of Maurice Béjart, one of the most outstanding innovators in the art of contemporary ballet, the cinematographic report well led by Jean-Marc Landier.
These three techniques come together: musical crescendo, choreographic crescendo, cinematographic crescendo, form a strong and moving work.
The Bolero is performed by the Ballet du XXème Siècle.
At the center of the performance, the moving face of Duska Sifnios.
Film: 35 mm
Black and white
Length: 450 m
Duration: 17 minutes
Béjart, Maurice
Maurice Béjart created the Ballet du XXe Siècle in Brussels in 1960, an international company that he directed and with which he toured around the world with, as his repertoire of creations grew: “Boléro” (1961), “Messe pour le temps présent” (1967) and “L'Oiseau de feu” (1970). In 1987, the Ballet du XXe Siècle became the Béjart Ballet Lausanne. The great choreographer established himself in the Olympic capital. In 1992, he decided to limit the size of his company to around thirty dancers to "rediscover the essence of the performer” and, the same year, he founded the Rudra Béjart School-Workshop. Among the myriad of ballets created for this company, we can mention “Le Mandarin merveilleux”, “King Lear – Prospero”, “À propos de Shéhérazade”, “Le Presbytère...”, “MutationX”, “La Route de la soie”, “Le Manteau”, “Enfant-Roi” and “La Lumière des eaux et Lumière”. Director of theatre (“La Reine verte”, “Casta Diva”, “Cinq Nô modernes” and “A-6-Roc”) and opera (“Salomé”, “La Traviata” and “Don Giovanni”), filmmaker (“Bhakti”, “Paradoxe sur le comédien...”), Maurice Béjart also published several books (novels, memoirs, diaries, theatre plays). In 2007, just when he turned eighty, the choreographer created “La Vie du danseur racontée par Zig et Puce”. Maurice Béjart went on to create “Le Tour du monde en 80 minutes”, his last work, and passed away in Lausanne on 22 November 2007.
Source : Maison de la Danse show program
More information : bejart.ch
Landier, Jean-Marc
Boléro (1962)
Choreography : Maurice Béjart
Interpretation : Le ballet du XXème siècle & Duska Sifnios
Original music : Maurice Ravel
Live music : Orchestre du TRM, direction André Van Der Noot
Video conception : Montage : J.Bruyninckx
Production / Coproduction of the video work : Pierre Levie
Duration : 17'
Euroarts
EuroArts Music is one of the worldwide leading independent producers and rights owners of audio-visual classical music programs for TV and DVD.
EuroArts Music International was founded in 1979 by Bernd Hellthaler. Soon, the company became internationally renowned for the production and distribution of audio-visual classical music recordings, acclaimed documentaries, Opera and Ballet films, jazz as well as other music and art programs for TV and home video.
Today, the company sells the catalogues of EuroArts Music, Stingray, Montréal and London, Idéale Audience, Paris and Loft, Munich. EuroArts Music also distributes programs of various independent producers. It is active in TV licensing to more than 150 clients in 40 countries around the world, in DVD as well as in digital distribution on several platforms. The current TV broadcast catalogue contains about 1800 titles or more than 2500 hours of music material that includes all noteworthy artists in classical and contemporary music of the past five decades. The EuroArts label distributes its catalogue with more than 700 titles on Blu-ray Disc and DVD worldwide through distribution partners Warner Classics (worldwide exclusive Japan and South Korea), King Records, Japan and Aulos, Korea.
Our Berlin-based production team have – over a period of more than 30 years – built a reputation for meeting the highest artistic standards, as well as for a never ending innovative spirit. Multi-camera music events have been produced in countries all over the world, amongst them China, Japan, Russia, USA, Israel, Palestine, Turkey and Argentina. EuroArts Music was the first company to produce a live concert, which was broadcast in 50 cinemas all over Europe.
Since 1990, EuroArts Music has a close cooperation with the Berliner Philharmoniker on prestigious regular concert events, such as the annual Europakonzert, the famous open air concerts at the Waldbühne, Berlin and the annual New Year’s Eve concerts.
It has relations to prestigious festivals like the Verbier Festival, and to several opera houses like San Francisco Opera, Los Angeles Opera, Berliner Staatsoper, Teatro Real or Festspielhaus Baden-Baden.
Owing to long lasting relationships with artists and conductors like Sir Simon Rattle, Valery Gergiev, the late Claudio Abbado, Daniel Barenboim, Valery Gergiev, with renowned directors Bruno Monsaingeon and Peter Rosen and world-class performers such as Martha Argerich, Anne-Sophie Mutter, Grigory Sokolov and András Schiff or, from the younger generation, Lang Lang, Daniil Trifonov, Yuja Wang, Sol Gabetta, Gustavo Dudamel, Leonidas Kavakos and the ever young Menahem Pressler - the company has become one of the few big names in the classical music industry.
Innovation and quality characterize the company’s business. The achievements include numerous awards such as a Peabody Award and Grammy® Award Nomination (for “Blue Note – A Story of Modern Jazz”), Emmy Awards (for “Robbie Robertson" and “Knowledge is the Beginning”), the Grammy® Award (for “Kurt Weill’s Rise and Fall of the City of Mahagonny”), the National Education Award (USA), three German ECHOs, a Dance Screen Award (for “C(h)oeurs”) and the Grand Prix at the Golden Prague Festival 2015 for “Menahem Pressler - The life I love”.
EuroArts Music always strives to spearhead innovation: for instance with impressive 3D productions and new sound productions, such as the first HD Audio on Blu-ray Disc or the first-ever 4k opera release on Ultra HD Blu-ray.
More information: euroarts.com
Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois
If the 19th century is that of romanticism, the entry into the new century is synonymous of modernity! It was a few decades later that it would be assigned, a posteriori, the name of “neo-classical”.
LATITUDES CONTEMPORAINES
James Carlès
Bagouet Collection
The committed artist
In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.
The Dance Biennial Défilé
Qudus Onikeku - Reclaim a forgotten memory
[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.
In the 1970s, artists’ drive towards a new classic had been ongoing for more than a half century and several generations had already formed since the Russian Ballets. As the years went by, everyone defended or defends classical dance as innovative, unique, connected to the other arts and the preoccupations of its time.
les ballets C de la B and the aesthetic of reality
Black Dance
Why do I dance ?
Round dance
Presentation of the Round’s figure in choreography.
The Dance Biennale
Female / male
A walk between different conceptions and receptions of genres in different styles and eras of dance.
Hand dances
This parcours presents different video extracts in which hands are the center of the mouvement.
Contemporary Italian Dance : the 2000s
Panorama of contemporary dance practices in Italy during the 2000s.
Arts of motion
Generally associated with circus arts, here is a Journey that will take you on a stroll through different artists from this world.
Contemporary techniques
This Parcours questions the idea that contemporary dance has multiples techniques. Different shows car reveal or give an idea about the different modes of contemporary dancer’s formations.