Clowns
2018 - Director : Shechter, Hofesh
Choreographer(s) : Shechter, Hofesh (Israel)
Present in collection(s): Numeridanse.tv
Clowns
2018 - Director : Shechter, Hofesh
Choreographer(s) : Shechter, Hofesh (Israel)
Present in collection(s): Numeridanse.tv
Hofesh Shechter’s Clowns
Hofesh Shechter’s Clowns is a dance film that plays out a macabre comedy of murder and desire, asking how far will we go in the name of entertainment. Directed, choreographed and composed by Hofesh Shechter, it combines bold, exhilarating and tribal movement by 10 dancers with a percussive, cinematic score.
Hofesh Shechter’s Clowns was commissioned by the BBC as part of the Performance Live strand – a partnership between BBC Arts, Arts Council England and Battersea Arts Centre, showcasing some of the most exciting artists working in performance today. Produced by Hofesh Shechter Company and Illuminations.
Shechter, Hofesh
Choreographer Hofesh Shechter OBE is recognised as one of the most exciting artists making stage work today, renowned for composing atmospheric musical scores to compliment the unique physicality of his movement. He is Artistic Director of the UK-based Hofesh Shechter Company, formed in 2008. The company are resident at Brighton Dome and Shechter is an Associate Artist of Sadler’s Wells.
Hofesh Shechter’s repertoire for the company includes Uprising (2006), In your rooms (2007), The Art of Not Looking Back (2009), Political Mother (2010), Political Mother: The Choreographer’s Cut (2011), Sun (2013), barbarians (2015), Grand Finale (2017), SHOW (2018) and POLITICAL MOTHER UNPLUGGED (2020). Grand Finale was nominated for an Olivier Award for Best New Dance Production.
Shechter has also staged and choreographed works on leading international dance companies including the Alvin Ailey American Dance Theater, Batsheva Ensemble, Candoco Dance Company, Cedar Lake Contemporary Ballet, Nederlands Dans Theater 1, Paris Opera Ballet, Royal Ballet and Royal Ballet Flanders.
He has choreographed for theatre, television and opera, notably at the Metropolitan Opera (New York) for Nico Mulhy’s Two Boys, the Royal Court on Motortown and The Arsonists, the National Theatre on Saint Joan and for the Channel 4 series Skins. As part of #HOFEST, a 4 week festival celebrating Shechter’s work across 4 iconic London venues, he co-directed Gluck’s Orphée et Eurydice with John Fulljames at the Royal Opera House. In 2016 he received a Tony Award nomination for his choreography for the Broadway revival of Fiddler on the Roof.
In 2018 Hofesh Shechter was awarded an honorary OBE for Services to Dance and the company's first dance film, Hofesh Shechter’s Clowns, was broadcast by the BBC in September to great acclaim.
In 2020, Hofesh Shechter Company was named the winner of the Fedora – VAN CLEEF & ARPELS Prize for Ballet for LIGHT: Bach Dances, in collaboration with Royal Danish Opera and co-directed by Hofesh Shechter and John Fulljames.
Hofesh Shechter’s new creation Double Murder will premiere in 2021.
More information: hofesh.co.uk
Shechter, Hofesh
Hofesh Shechter Company
Artistic direction: Hofesh Shechter
Creation: 2008
Hofesh Shechter Company is one of the world’s leading dance companies.
“We’re in the business of inspiring people. I want to change lives, like my life was changed.”
– Hofesh Shechter
We celebrate and inspire the freedom of the human spirit through dance. We travel the world with our extraordinary company of internationally diverse dancers, breaking boundaries and releasing the visceral power that lies beyond the conscious mind.
We believe that dance has the ability to prod and poke and tap into our deepest emotions; an instinctive, deep-rooted part of ourselves that we rarely access in modern life. We dance to know what it feels like, not just to live, but to be alive.
In all our work, we strive to move ourselves, and our audiences, beyond reason.
We are based in the UK and create our work here and in Europe. Our work can be seen in the UK, major European cities, Canada, USA and beyond.
“I want audiences to be awakened, to experience my work from the gut. Trusting the gut is to me like trusting nature, or God, or a sense of purpose; a source, a spark. Trusting a higher and better force than our limited oppressed cultured minds.”
– Hofesh Shechter
More information: hofesh.co.uk
Hofesh Shechter's Clowns
Artistic direction / Conception : Hofesh Shechter
Interpretation : Chien-Ming Chang, Frédéric Despierre, Rachel Fallon, Mickaël Frappat, Yeji Kim, Kim Kohlmann, Erion Kruja, Merel Lammers ,Attila Ronai, Diogo Sousa
Video conception : Directeur de la photographie : Sebastian Cort ; premiers assistants caméra : Kate Mollins, Alasdair Baines ; second assistants caméra : Rachael Hutchings, Edward Vijayavargiya ; prise de vue : Rogan Brown ; Steadicam : Doug Walshe
Lights : Ed Riley
Sound : Andy Rose, Paul Barton
Production / Coproduction of the video work : Hofesh Shechter Company, Illuminations, Arts Council England
Duration : 30'
Euroarts
EuroArts Music is one of the worldwide leading independent producers and rights owners of audio-visual classical music programs for TV and DVD.
EuroArts Music International was founded in 1979 by Bernd Hellthaler. Soon, the company became internationally renowned for the production and distribution of audio-visual classical music recordings, acclaimed documentaries, Opera and Ballet films, jazz as well as other music and art programs for TV and home video.
Today, the company sells the catalogues of EuroArts Music, Stingray, Montréal and London, Idéale Audience, Paris and Loft, Munich. EuroArts Music also distributes programs of various independent producers. It is active in TV licensing to more than 150 clients in 40 countries around the world, in DVD as well as in digital distribution on several platforms. The current TV broadcast catalogue contains about 1800 titles or more than 2500 hours of music material that includes all noteworthy artists in classical and contemporary music of the past five decades. The EuroArts label distributes its catalogue with more than 700 titles on Blu-ray Disc and DVD worldwide through distribution partners Warner Classics (worldwide exclusive Japan and South Korea), King Records, Japan and Aulos, Korea.
Our Berlin-based production team have – over a period of more than 30 years – built a reputation for meeting the highest artistic standards, as well as for a never ending innovative spirit. Multi-camera music events have been produced in countries all over the world, amongst them China, Japan, Russia, USA, Israel, Palestine, Turkey and Argentina. EuroArts Music was the first company to produce a live concert, which was broadcast in 50 cinemas all over Europe.
Since 1990, EuroArts Music has a close cooperation with the Berliner Philharmoniker on prestigious regular concert events, such as the annual Europakonzert, the famous open air concerts at the Waldbühne, Berlin and the annual New Year’s Eve concerts.
It has relations to prestigious festivals like the Verbier Festival, and to several opera houses like San Francisco Opera, Los Angeles Opera, Berliner Staatsoper, Teatro Real or Festspielhaus Baden-Baden.
Owing to long lasting relationships with artists and conductors like Sir Simon Rattle, Valery Gergiev, the late Claudio Abbado, Daniel Barenboim, Valery Gergiev, with renowned directors Bruno Monsaingeon and Peter Rosen and world-class performers such as Martha Argerich, Anne-Sophie Mutter, Grigory Sokolov and András Schiff or, from the younger generation, Lang Lang, Daniil Trifonov, Yuja Wang, Sol Gabetta, Gustavo Dudamel, Leonidas Kavakos and the ever young Menahem Pressler - the company has become one of the few big names in the classical music industry.
Innovation and quality characterize the company’s business. The achievements include numerous awards such as a Peabody Award and Grammy® Award Nomination (for “Blue Note – A Story of Modern Jazz”), Emmy Awards (for “Robbie Robertson" and “Knowledge is the Beginning”), the Grammy® Award (for “Kurt Weill’s Rise and Fall of the City of Mahagonny”), the National Education Award (USA), three German ECHOs, a Dance Screen Award (for “C(h)oeurs”) and the Grand Prix at the Golden Prague Festival 2015 for “Menahem Pressler - The life I love”.
EuroArts Music always strives to spearhead innovation: for instance with impressive 3D productions and new sound productions, such as the first HD Audio on Blu-ray Disc or the first-ever 4k opera release on Ultra HD Blu-ray.
More information: euroarts.com
Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois
If the 19th century is that of romanticism, the entry into the new century is synonymous of modernity! It was a few decades later that it would be assigned, a posteriori, the name of “neo-classical”.
LATITUDES CONTEMPORAINES
Bagouet Collection
The committed artist
In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.
The BNP Paribas Foundation
CHRISTIAN & FRANÇOIS BEN AÏM – VITAL MOMENTUM
[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.
In the 1970s, artists’ drive towards a new classic had been ongoing for more than a half century and several generations had already formed since the Russian Ballets. As the years went by, everyone defended or defends classical dance as innovative, unique, connected to the other arts and the preoccupations of its time.
les ballets C de la B and the aesthetic of reality
DANCE AND DIGITAL ARTS
Why do I dance ?
Strange works
Unconventional contemporary dance shows which reinvent the rapport to the stage.
Artistic Collaborations
Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians
Dance and performance
Here is a sample of extracts illustrating burlesque figures in Performances.
Round dance
Presentation of the Round’s figure in choreography.
The Dance Biennale
Female / male
A walk between different conceptions and receptions of genres in different styles and eras of dance.
Dance and visual arts
Dance and visual arts have often been inspiring for each other and have influenced each other. This Parcours can not address all the forms of their relations; he only tries to show the importance of plastic creation in some choreographies.
Hand dances
This parcours presents different video extracts in which hands are the center of the mouvement.
Hip hop / Influences
This Course introduce to what seems to be Hip Hop’s roots.