Entrée d’Apollon
1988
Choreographer(s) : Pécour, Louis-Guillaume (France)
Present in collection(s): Maison de la Danse de Lyon , Saisons 1980 > 1989 , Saisons 1990 > 1999
Video producer : Maison de la Danse
Integral video available at Maison de la danse de Lyon
Entrée d’Apollon
1988
Choreographer(s) : Pécour, Louis-Guillaume (France)
Present in collection(s): Maison de la Danse de Lyon , Saisons 1980 > 1989 , Saisons 1990 > 1999
Video producer : Maison de la Danse
Integral video available at Maison de la danse de Lyon
Entrée d'Apollon
Pécour, Louis-Guillaume
Dancer, choreographer and educator. - Disciple of Beauchamps. - Member of the Académie Royale de Danse. - Debuted at the Court in 1673 in "Psyché", participated in most of Lully’s operas. - Soloist from 1680, he stopped appearing on stage around 1702. - Along with Lestang, appointed ballet composer for the Opéra in 1687, he participated in the Court masquerades and parties held by the Duchess of Maine. - He worked for the Collège de Louis le Grand de la Compagnie de Jésus, as soloist and apparently as choreographer in collaboration with his Master, Pierre Beauchamps, from 1691 at least. He succeeded his Master from 1697 to 1709.
Source : Data.bnf
More information
James Carlès
The committed artist
In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.
La part des femmes, une traversée numérique
Qudus Onikeku - Reclaim a forgotten memory
CHRISTIAN & FRANÇOIS BEN AÏM – VITAL MOMENTUM
Indian dances
Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!
DANCE AND DIGITAL ARTS
Black Dance
Why do I dance ?
Artistic Collaborations
Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians
Meeting with literature
Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.
Dance and performance
Here is a sample of extracts illustrating burlesque figures in Performances.
Round dance
Presentation of the Round’s figure in choreography.
The Dance Biennale
Female / male
A walk between different conceptions and receptions of genres in different styles and eras of dance.
Dance and visual arts
Dance and visual arts have often been inspiring for each other and have influenced each other. This Parcours can not address all the forms of their relations; he only tries to show the importance of plastic creation in some choreographies.
Arts of motion
Generally associated with circus arts, here is a Journey that will take you on a stroll through different artists from this world.
Contemporary techniques
This Parcours questions the idea that contemporary dance has multiples techniques. Different shows car reveal or give an idea about the different modes of contemporary dancer’s formations.