Skip to main content
Back to search
  • Add to playlist

Allegoria Stanza

”Allegoria Stanza unfolds like an image, a poetic phrase, a wave which endlessly renews itself.

From the awakening of the senses to the state of contemplation which harmony achieves between humans and nature, passing through the breaker of stormy anger, Abou Lagraa attemps to give body to a nuanced plenitude, which images, between sea and sky.

We first encounter the sea: our senses awaken. The sky becomes heavy, a storm lifts, the rain arrives linking sea and sky.

The sky gradually calms; it gives body to plenitude, to the opening, to the horizon and to hope. It acquires the state of reflection, of a mirror that leaves man facing himself. And man's anger, symbolically linked to that of the elements, becomes contemplation, open-mindedness.”


“In this piece, two different worlds will meet contemporary dancers and hip-hop dancers; I will reflect upon the search for self and on communication within these two worlds, in order to bring them to a true meeting point through the quality of movement, its energy, its fluidity, while respecting each dancer's own expression”

Source : La Baraka


More information : www.aboulagraa.fr

Lagraa, Abou

Born in Annonay, Abou Lagraa began dancing at the age of 16 before entering the Conservatoire National Supérieur de Musique et de Danse, Lyon. He began his career as a dancer at the S.O.A.P. Dance Theatre, Frankfurt with Rui Horta and became his assistant on a project at the Calouste Gulbenkian Centre, Lisbon. He was soon noticed and went on to work with Robert Poole, Denis Plassard and Lionel Hoche. His qualities as a performer have been rewarded twice:  in 1998 by the 2nd Prize for performance at the Paris International Dance Competition, then in 2009 by the prize for Best Male Dancer, awarded by the International Movimentos Dance Prize. In 1997 he founded his own company, La Baraka.


Once again, recognition came quickly; numerous French venues programmed the young choreographer and he received proposals for collaboration. As a result, after 4 years as an associated artist at Bonlieu Scène Nationale in Annecy, since 2009 Abou Lagraa and his company have been hosted in production residency at Gémeaux Scène Nationale, Sceaux. The fame of the company spread rapidly beyond France's borders and tours followed one after the other, throughout Europe and also in the United States, Algeria, Tunisia and Indonesia… Alongside his work with the company, Abou Lagraa is regularly in demand by large organisations.

In 2001 he devised Fly, Fly for the CCN Ballet de Lorraine. This piece later was subsequently added to the repertoire of the ABC Dance Company of St Pölten in Austria.


In 2003 he devised a work for the second-year students of the Centre National de Danse Contemporaine, Angers, then in 2007 for the pupils of the Frankfurt Hochschule and the pupils of the Centre Méditerranéen de Danse Contemporaine, Tunis.

In 2006 his work entered the repertoire of the Paris Opéra Ballet with Le Souffle du Temps, a piece for 21 dancers, including 3 étoiles (Marie-Agnès Gillot, Manuel Legris, Wilfried Romoli). Then, in 2008, he composed Everyone's One at the invitation of Ballet Memphis (USA).


Since 2009, in association with the Algerian Ministry of Culture and th Algerian Agency for the Cultural Brilliance, he works, with Nawal Aït Benalla-Lagraa, in the elaboration of a “Mediterranean Cultural Bridge", the project of French-Algerian cooperation for the development of the dance and the artistic exchanges which will contain a program of Training and creation. In this frame, he sees confiding for July, 2009, the choreography of Closing ceremony of the 2nd Pan-African Festival of Algiers. In 2010, he creates the Ballet Contemporain d'Alger, under the Nawal Aït Benalla-Lagraa's educational responsibility, with a first piece NYA. The success of which ends in several national and international tours.


This piece was to be distinguished in 2011 when it was awarded the Grand Prix de la Critique as “Best Choreography of the Year”.

In 2016, he becomes the « Dream up » ambassador, an international arts-based education programme set up by the BNP Paribas foundation. This programme will help some 30,000 underprivileged or disabled children and teenagers to develop and find fulfilment by practising an artistic or creative activity. 


In 2016, he becomes “Chevalier des arts et des lettres” nominated by the French ministry of culture. 


Source : Cie La Baraka


More information : https://www.aboulagraa.fr/ 

Picq, Charles

Author, filmmaker and video artist Charles Picq (1952-2012) entered working life in the 70s through theatre and photography. A- fter resuming his studies (Maîtrise de Linguistique - Lyon ii, Maîtrise des sciences et Techniques de la Communication - grenoble iii), he then focused on video, first in the field of fine arts at the espace Lyonnais d'art Contemporain (ELAC) and with the group « Frigo », and then in dance.
   On creation of the Maison de la Danse in Lyon in 1980, he was asked to undertake a video documentation project that he has continued ever since. During the ‘80s, a decade marked in France by the explosion of contemporary dance and the development of video, he met numerous artists such as andy Degroat, Dominique Bagouet, Carolyn Carlson, régine Chopinot, susanne Linke, Joëlle Bouvier and regis Obadia, Michel Kelemenis. He worked in the creative field with installations and on-stage video, as well as in television with recorded shows, entertainment and documentaries.

His work with Dominique Bagouet (80-90) was a unique encounter. He documents his creativity, assisting with Le Crawl de Lucien and co-directing with his films Tant Mieux, Tant Mieux and 10 anges. in the 90s he became director of video development for the Maison de la Danse and worked, with the support of guy Darmet and his team, in the growing space of theatre video through several initiatives:
       - He founded a video library of dance films with free public access. This was a first for France. Continuing the video documentation of theatre performances, he organised their management and storage.
       - He promoted the creation of a video-bar and projection room, both dedicated to welcoming school pupils.
       - He started «présentations de saisons» in pictures.
       - He oversaw the DVD publication of Le tour du monde en 80 danses, a pocket video library produced by the Maison de la Danse for the educational sector.

       - He launched the series “scènes d'écran” for television and online. He undertook the video library's digital conversion and created Numeridanse.


His main documentaries are: enchaînement, Planète Bagouet, Montpellier le saut de l'ange, Carolyn Carlson, a woman of many faces, grand ecart, Mama africa, C'est pas facile, Lyon, le pas de deux d'une ville, Le Défilé, Un rêve de cirque.

He has also produced theatre films: Song, Vu d'ici (Carolyn Carlson), Tant Mieux, Tant Mieux, 10 anges, Necesito and So schnell, (Dominique Bagouet), Im bade wannen, Flut and Wandelung (Susanne Linke), Le Cabaret Latin (Karine Saporta), La danse du temps (Régine Chopinot), Nuit Blanche (Abou Lagraa), Le Témoin (Claude Brumachon), Corps est graphique (Käfig), Seule et WMD (Françoise et Dominique Dupuy), La Veillée des abysses (James Thiérrée), Agwa (Mourad Merzouki), Fuenteovejuna (Antonio Gades), Blue Lady revistied (Carolyn Carlson).


Source: Maison de la Danse de Lyon

Allegoria Stanza

Choreography : Abou Lagraa

Interpretation : Séverine Allarousse, Frédéric Boisset, Farid Boukhouch, Saül Dovin, David Drouard, Sandrine Maisonneuve, Marion Mangin, Leïla Pasquier, Aurélia Picot, Bernard Wayack Pambe

Original music : Eric Aldéa, Fayrouz

Video conception : Charles Picq, images d'éclair Alex Hermant

Lights : Franck Besson

Costumes : Philippe Combeau

Sound : Béranger Mank

Production / Coproduction of the choreographic work : Compagnie La Baraka, le Théâtre Jean Vilar de Suresnes, le Toboggan de Décines, le CND de Valence, la Rampe à Echirolles

Our videos suggestions
02:42

Têtes à têtes

Villa-Lobos, Maria Clara (Belgium)

  • Add to playlist
07:58

Coupé décalé [2e partie] - James Carlès

Carlès, James (France)

  • Add to playlist
07:42

Coupé décalé [1ère partie] - Robyn Orlin

Orlin, Robyn (France)

  • Add to playlist
08:55

Final/ment/seule

Proust, Cécile (France)

  • Add to playlist
07:23

l'Espace d'un Instant

Dubois, Kitsou (France)

  • Add to playlist
05:45

4D

Cherkaoui, Sidi Larbi (Belgium)

  • Add to playlist
03:03

Daral Shaga

  • Add to playlist
03:41

Men's Dance

Maillot, Jean-Christophe (Monaco)

  • Add to playlist
44:32

Des mots sur des gestes

Bagouet, Dominique (France)

  • Add to playlist
03:07

Oeil pour Oeil

Maillot, Jean-Christophe (Monaco)

  • Add to playlist
09:04

Uncles and Angels

Xaba, Nelisiwe (South Africa)

  • Add to playlist
12:57

Deep Night

Sabbagha, PJ (South Africa)

  • Add to playlist
26:46

Wu Wei

Bourgeois, Yoann (France)

  • Add to playlist
01:01:33

Somewhere, out there, life was screaming

Languet, Éric (Reunion)

  • Add to playlist
05:04

Boomerang - Résidence au Musée des Confluences

Tchouda, Bouba Landrille (France)

  • Add to playlist
38:20

The dancer/camera pas de deux

  • Add to playlist
28:47

Close-ups and movement continuity in dances for the camera

  • Add to playlist
40:05

Expanded Choreography: reading animated GIFs as choreography

  • Add to playlist
43:30

Analysis of ground types in Screendance

  • Add to playlist
03:47

Event

Meklin, Heli (Finland)

  • Add to playlist
Our themas suggestions

Bagouet Collection

Exposition virtuelle

fr/en/

DANCE AND DIGITAL ARTS

Exposition virtuelle

fr/en/

Black Dance

James Carlès, dancer and choreographer and specialist of Afro-American dance, evokes the origin of current-day urban dances. From Africa to the United States via Europe, he emphasizes their hybrid style and puts their social and political dimension into perspective. A myriad of videos, photos, illustrations and additional resources complement this interview.

Webdoc

fr/en/

Why do I dance ?

Social dances, anti-establishment, protest dances, rhythms or identities, rituals or pleasures... There are a myriad of reasons for dancing and a myriad of points of view. A webdoc to discover, enhanced with extracts from performances and accounts from amateurs... all the right reasons for dancing!

Webdoc

fr/en/

Artistic Collaborations

Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians

Parcours

fr/en/

Meeting with literature

Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.

Parcours

fr/en/

Exposition virtuelle

fr/en/

Arts of motion

Generally associated with circus arts, here is a Journey that will take you on a stroll through different artists from this world.

Parcours

fr/en/

Charles Picq, dance director

Exposition virtuelle

fr/en/

When reality breaks in

How does choreographic works are testimonies of the world? Does the contemporary artist is the product of an era, of its environment, of a culture?

Parcours

fr/en/

Do you mean Folklores?

Presentation of how choreographers are revisiting Folklore in contemporary creations.

Parcours

fr/en/

Outdoor dances

Stage theater and studio are not the only places of work or performance of a choreographic piece. Sometimes dancers and choreographers dance outside.

Parcours

fr/en/es/de/pl/pt-pt/

Dance at the crossroad of the arts

Some shows are the meeting place of different trades. Here is a preview of some shows where the arts intersect on the stage of a choreographic piece.

Parcours

fr/en/es/de/pl/pt-pt/

The contemporary Belgian dance

This Parcours presents different Belgian choreographers who have marked history and participated in the creation of a "Belgian" style.

Parcours

fr/en/es/de/pl/pt-pt/

Strange works

 Unconventional contemporary dance shows which reinvent the rapport to the stage.  

Parcours

fr/en/
By accessing the website, you acknowledge and accept the use of cookies to assist you in your browsing.
You can block these cookies by modifying the security parameters of your browser or by clicking onthis link.
I accept Learn more