Skip to main content
Back to search
  • Add to playlist

Bugger

Reportage à Chaillot - Théâtre National de la Danse

CCN de Rillieux-la-Pape - Direction Yuval Pick 2022 - Director : Grenier, Henriette

Choreographer(s) : Pick, Yuval (France)

Present in collection(s): CCNR/Yuval Pick

en fr

Bugger

Reportage à Chaillot - Théâtre National de la Danse

CCN de Rillieux-la-Pape - Direction Yuval Pick 2022 - Director : Grenier, Henriette

Choreographer(s) : Pick, Yuval (France)

Present in collection(s): CCNR/Yuval Pick

en fr

Bugger

Commissioned by the Conservatoire National Supérieur de Musique et de Danse (CNSMD) in Paris 

Craation 2021.


The students of the Conservatoire National Supérieur Musique et Danse de Paris take the floor to share their experience and feelings about the piece Bugger, created for them by Yuval Pick at Chaillot-Théâtre national de danse.




Bugger

Bugger is a response to our primary, indeed primitive, need to interact and connect with others. As social mammals, we instinctively seek contact with others; a direct connection, without intermediary. Acting as a conduit, Yuval Pick aims to help the students of CNSMD Paris – and through them, a whole new generation of dancers – become spokepersons for all. Together, they construct dance as a shared space that is heterogenous, complex, fertile and moving.

Created using choreographic material from his piece Flowers Crack Concrete, Bugger invites us to head into the unknown, come out of ourselves to find others, and cross the borders that separate us; because dance is, first and foremost, an encounter.

More info here.

Pick, Yuval

Appointed director of the Centre Chorégraphique de Rillieux-la-Pape in August 2011, Yuval Pick has had a long career as a choreographer, a dancer and a teacher.
He first trained at the Bat-Dor Dance School in Tel Aviv, then joined the Batsheva Dance Company in 1991. Four years later he left to begin working as an international guest artist with, among others, Tero Saarinen, Carolyn Carlson and Russel Maliphant.

In 1999 he joined the Opera Ballet of Lyon, and founded his own company, The Guests, in 2002.
Since then he has created a strong repertory of works marked by their elaborated, layered movement vocabulary, accompanied by commissioned scores by ranking composers.

In his work the relationships between individuals and group(s) are often highlighted and challenged.


He created Popular Music (2005), Strand Behind (2006) for the Agora Festival (IRCAM) and the National Conservatory of music and dance (CNSMD) in Lyon, /Paon/ (2008) for the Junior Ballet in Genève and 17 drops. In 2010, he created Score and then The Him for the Junior Ballet of the National Conservatory music and dance (CNSMD) in Paris and the trio PlayBach at the invitation of Carolyn Carlson.


In 2012, No play hero, with the music of David Lang and Folks for the Biennale of Danse in Lyon. Then, two creations in 2014, the duet loom with the music of Nico Muhly and Ply piece for five dancers with the american composer Ashley Fure.In 2015, he creates Apnée (corps vocal) for four dancers and six singers and then Are friends electric? for six dancers around the music of Kraftwerk.


In 2016, Yuval Pick was commissioned to create a work in a national historical building: Hydre in the the Royal Monastery of Brou.

 

KNOW MORE
www.ccnr.fr

FOLLOW CCNR ON FACEBOOK
here

Grenier, Henriette


CCNR - Centre chorégraphique national de Rillieux-la-Pape

Upon his arrival to the National Choreographic Center Yuval Pick founded a new dance company and developed a rich repertory of works marked by their elaborated movement vocabulary, accompanied by worldly named composers.  In 2012, No play hero, with the music of David Lang and Folks for the Biennale of Dance in Lyon. Then, two creations in 2014, the duet loom with the music of Nico Muhly and Ply piece for five dancers with the American composer Ashley Fure. In 2015, he creates Eddies for four dancers with a dialogue between medieval and electronic music and then Are friends electric? for six dancers inspired by the music of Kraftwerk.In 2016, Yuval Pick was commissioned to create a site-specific project for the Centre des Monuments Nationaux, In France. This project, Hydra, is presented since all over the world in museums, historical monuments and festivals.In January 2018, he creates Acta est fabula in Chaillot – Théâtre National de la Danse, and a year later, he creates a new version for young audience: Lil’Acta. In January 2020, he will present his new creation, In D minor for nine dancers, in St-Nazaire’s national theater, and will create a piece for the Lyon’s Opera ballet in April 2020.

“My choreographic research is guided by the idea that each human-being has innate knowledge that dance has the power to unveil.” Yuval Pick  


Source: www.ccnr.fr/p/en

Chaillot-Théâtre national de la Danse

The Théâtre National de Chaillot is  one of the five French national theatres (public institutions whose  missions are defined by the State) and the only one to have a project  built around and based on dance. Under the double supervision of the  Ministry of Culture and Communication and the Ministry of Budget, it has  been directed since 2011 by the choreographer and dancer Didier  Deschamps.


The legend of Chaillot

Installed at the heart of the Palais de Chaillot, the Théâtre  National de Chaillot, that became in 2016 Chaillot – National Theatre of  Dance, is one of the most prestigious cultural institutions of Paris,  not only for the unique place it has in the history of performing arts –  namely with the great adventure of the National Popular Theatre founded  by Firmin Gémier, then carried and developed by the mythical  personality of Jean Vilar – but also in that of France and the world as  it is in the big theatre room that the Universal Declaration of Human  Rights was signed on the 10th of December 1948. An  exceptional venue in the capital, the theatre can welcome each night  more than 1 600 spectators, in its three rooms (Salle Jean Vilar of 1  200 seats, Salle Firmin Gémier of 390 seats, Studio Maurice Béjart of  100 seats). Its Grand Foyer facing the Trocadéro Fountain, the Eiffel  Tower and the Champ-de-Mars, permanently offers one of the most famous  views in the world. The public spaces of the theatre are also host to an  important collection of sculptures, paintings, frescoes and pastels  signed by the greatest artists of their time: Paul Belmondo, Louis  Billotey, Pierre Bonnard, Maurice Brianchon, Roger Chapelain-Midy,  Maurice Denis, Othon Friesz, Henri Laurens, Aristide Maillol as well as  Édouard Vuillard.


Source: Chaillot-Théâtre National de la Danse

En savoir plus: www.theatre-chaillot.fr/en

Bugger

Choreography : Yuval Pick

Choreography assistance : Sharon Eskenazi, Thibault Desaules

Interpretation : 40 élèves du CNSMD de Paris

Original music : Wilfrid Haberey

Costumes : Gabrielle Marty

Sound : Wilfrid Haberey

Production / Coproduction of the choreographic work : Danser Sans Frontière

Duration : 20 minutes

Our videos suggestions
03:01

Hard to Be Soft

Doherty, Oona (France)

  • Add to playlist
31:26

Montpellier, le saut de l'ange

Bagouet, Dominique (France)

  • Add to playlist
02:57

BiT

Marin, Maguy (France)

  • Add to playlist
07:51

Lied Ballet - Creation to the Maison de la Danse

Lebrun, Thomas (France)

  • Add to playlist
03:14

The Vile Parody of Address

Forsythe, William (France)

  • Add to playlist
03:15

Sketches From Chronicle

Graham, Martha (France)

  • Add to playlist
02:52

Weaving Chaos

Carvalho, Tânia (Portugal)

  • Add to playlist
55:18

Odile Duboc, une conversation chorégraphique (with french subtitles)

Duboc, Odile (France)

  • Add to playlist
07:13

Bonhomme de vent

Charmatz, Boris (France)

  • Add to playlist
05:00

Slogans

Robbe, Hervé (France)

  • Add to playlist
03:13

Debout !

Delaunay, Raphaëlle (France)

  • Add to playlist
04:39

Next Days

Robbe, Hervé (France)

  • Add to playlist
03:27

Mirage

Kunes, Vaclav (Czech Republic)

  • Add to playlist
07:56

D'indicibles violences

Brumachon, Claude (France)

  • Add to playlist
02:53

Parades & changes, replays

Halprin, Anna (United States)

  • Add to playlist
03:00

Les arpenteurs

Noiret, Michèle (Belgium)

  • Add to playlist
27:00

What about Ida

Tompkins, Mark (France)

  • Add to playlist
45:25

Questa pazzia e fantastica - Paysages fabriens

Fabre, Jan (Belgium)

  • Add to playlist
05:15

Poetry Event

Poetry Event (France)

  • Add to playlist
27:10

Foudres

St-Pierre, Dave (Canada)

  • Add to playlist
Our themas suggestions

Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois

If the 19th century is that of romanticism, the entry into the new century is synonymous of modernity! It was a few decades later that it would be assigned, a posteriori, the name of “neo-classical”. 

Parcours

fr/en/

James Carlès

Exposition virtuelle

fr/en/

The committed artist

In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.

Parcours

fr/en/pl/

The American origins of modern dance: [1930-1950] from the expressive to the abstract

Parcours

fr/en/pl/

Indian dances

Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!

Parcours

fr/en/

[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.

In the 1970s, artists’ drive towards a new classic had been ongoing for more than a half century and several generations had already formed since the Russian Ballets. As the years went by, everyone defended or defends classical dance as innovative, unique, connected to the other arts and the preoccupations of its time.

Parcours

fr/en/

les ballets C de la B and the aesthetic of reality

Exposition virtuelle

fr/en/

Why do I dance ?

Social dances, anti-establishment, protest dances, rhythms or identities, rituals or pleasures... There are a myriad of reasons for dancing and a myriad of points of view. A webdoc to discover, enhanced with extracts from performances and accounts from amateurs... all the right reasons for dancing!

Webdoc

fr/en/

Artistic Collaborations

Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians

Parcours

fr/en/

Meeting with literature

Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.

Parcours

fr/en/

The Dance Biennale

Exposition virtuelle

fr/en/

Exposition virtuelle

fr/en/

Contemporary Italian Dance : the 2000s

Panorama of contemporary dance practices in Italy during the 2000s.

Parcours

fr/en/

Contemporary techniques

This Parcours questions the idea that contemporary dance has multiples techniques. Different shows car reveal or give an idea about the different modes of contemporary dancer’s formations.

Parcours

fr/en/

Les Rencontres chorégraphiques internationales de Seine-Saint-Denis

Exposition virtuelle

fr/en/

Vlovajobpru company

Exposition virtuelle

fr/en/

40 years of dance and music

Exposition virtuelle

fr/en/

The “Nouvelle Danse Française” of the 1980s

In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out  their unique take on the world. 

Parcours

fr/en/

Body and conflicts

A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.

Parcours

fr/en/

The national choreographic centres

Exposition virtuelle

fr/en/
By accessing the website, you acknowledge and accept the use of cookies to assist you in your browsing.
You can block these cookies by modifying the security parameters of your browser or by clicking onthis link.
I accept Learn more