Skip to main content
Back to search
  • Add to playlist

Fragments

CNDC - Angers 2000

Choreographer(s) : Bouvier, Joëlle (France) Obadia, Régis (France)

Present in collection(s): CNDC - Angers

Video producer : CNDC Angers

en fr

Fragments

CNDC - Angers 2000

Choreographer(s) : Bouvier, Joëlle (France) Obadia, Régis (France)

Present in collection(s): CNDC - Angers

Video producer : CNDC Angers

en fr

Fragments

Bouvier, Joëlle

In 1980 Joëlle Bouvier created the company L'Esquisse with Régis Obadia. Together, they have produced 15 choreographic works performed around the world and co-produced 4 short films, recipients of awards in numerous festivals and produced several videos, including "Casser la Voix", by Patrick Bruel. She was co-director at the CCN in Le Havre from 1986 to 1992, and at the CNDC in Angers from 1993 to 2003.

2004, she created the Cie Joëlle Bouvier and set up a creative workshop at the Scène Nationale des Gémeaux, in Sceaux, from 2004 to 2008.  

2015 she returned to ballet at the Grand Théâtre in Geneva for the creation of Tristan & Isolde - Salue Pour Moi Le Monde, with the music of Richard Wagner.
At the same time as she was actively creating, Joëlle Bouvier was invited to produce events, such as a display activity at the Printemps department store in Paris in March 2002, and June 2007. In August, 2006, she performed for the launch of a new Chinese cosmetic product at the Palais des Congrès in Paris, then in China. Since 2012, she has worked with Maison Hermès on a show about shoes, presented in Hermès subsidiaries around the world.

Source: The Company Joëlle Bouvier 's website


More information : joellebouvier.com

Obadia, Régis

Régis Obadia was born in 1958 in Oran, Algeria. He studied dance from 1976 to 1979 at the Institut des Arts et du Mouvement, run by Françoise et Dominique Dupuy, and was initiated into theatre by Jacques Lecoq. In 1980 he formed the l'Esquisse company with Joëlle Bouvier. Their earliest pieces thrust the pair into the national and international limelight.
Directors of the Centre National de la Danse Contemporaine, Le Havre from 1986 to 1992, they were appointed artistic directors of the CNDC, Angers in 1993, renamed CNDC l'Esquisse, which they directed until 2003.    
Since 1998, Régis Obadia has pursued a solo creative career.    
An important figure in modern dance since the early 1980s, Régis Obadia has marked the memories of those who have seen him with the feverish sensuality and powerful gestures of his pieces. With the founding of his own company in 2003, he asserted his distinctive style and his open-mindedness by working just as happily in the field of theatre as that of pure dance. His regular collaborations with Russia, in partnership with Lisa Wiergasova, have won him prestigious prizes, including a Golden Mask in 2004 for his choreography of “The Rite of Spring”, and a Seagull in 2004 for his direction of “The Idiot” at the Moscow  
Chaika Festival. After “The Rite of Spring” to Stravinsky's music, he composed “Réversibilité” (2005), inspired by Baudelaire's “Les Fleurs du Mal” and “Trois” (2006), set to Schubert's “Death and the Maiden”, performed at the Théâtre Sylvia Montfort, Paris. During this time he also produced the Dominique Mercy documentary “Danse Pina Bausch” (2003), in homage to the iconic German choreographer.    

Source : the company Régis Obadia's website

More information

regisobadia.com

 

CNDC - Angers

The National Center for Contemporary Dance - CNDC - was created in 1978 at the initiative of the Ministry of Culture and the City of Angers. It followed the B.T.C. Ballet contemporary theater directed by Françoise Adret and Jacques-Albert Cartier, transferred to Nancy. Designed as a school of choreographers and the headquarters of a permanent company, it is run by Alwin Nikolais for three years.

When Viola Farber succeeded him in 1981, the school specialized in the training of dancers. Viola Farber forms a new company and inaugurates a teacher training program.

In April 1984, the management of the CNDC was entrusted to Michel Reilhac. The center still trains dancers and teachers. It no longer has a permanent company but serves as a production platform through residences. Large companies of international renown (in residence for two to three months) and younger companies (in the context of the "Summer Quarters") are then present. This is how Merce Cunningham and his company inaugurate the large Bodinier studio and that successive personalities such as Régine Chopinot, Maguy Marin, Odile Duboc, Dominique Bagouet, Mathilde Monnier and Jean-François Duroure, Edward Lock, Hervé Robbe, Philippe Decouflé, Catherine Diverrès and Bernardo Montet, Daniel Larrieu, Trisha Brown, Wim Vandekeybus ...

In April 1988 the new director, Nadia Croquet, continues to develop a policy to support creation, with a more specific openness to Europe. In January 1993, Joëlle Bouvier and Régis Obadia were named artistic directors of the CNDC, then labeled CNDC l'Esquisse.

The CNDC, which became a national choreographic center (CCN) in the 1990s, reinforces its mission as a choreographic center through the production of shows and its role as artistic advisor while continuing the training. At the same time, from 1986 to 2006, he worked with the New Theater of Angers, a national drama center, to offer a program of choreographic performances, thus increasing the audience and the readability of the dance to the public by multiplying the glances on the creation contemporary.

In February 2004, the CNDC is under the direction of the choreographer Emmanuelle Huynh, it intends to perpetuate the tradition of experimental contemporary dance and offer a school in connection with the dynamics of contemporary creation. From 2011, the CNDC School has two major courses, one leads to the National Diploma of Professional Dancer (DNSPD) and the license, the second prepares for a master.

Robert Swinston, who was appointed artistic director of the CNDC in 2012 by the Board of Directors, takes office in January 2013. Create and encourage creativity, develop the legacy of Merce Cunningham, program shows in various aesthetics, train artists autonomous, versatile and of a high level as well as fostering the emergence of new talents, this is the purpose of his project for the CNDC. Communicating to the public the foundations of a creative approach, raising awareness among young people and making the CNDC shine at the local, national and international levels are Robert Swinston's objectives for the CNDC.

The directors of the CNDC since its creation:

Alwin Nikolais (from September 1978 to July 1981)
Viola Farber (from September 1981 to July 1983)
Michel Reilhac (from March 1984 to December 1987)
Nadia Croquet (March 1988 to December 1991)
Joëlle Bouvier and Régis Obadia (from January 1993 to June 2003)
Emmanuelle Huynh (from February 2004 to December 2012)
Robert Swinston since January 2013

Fragments

Choreography : Joëlle Bouvier, Régis Obadia

Choreography assistance : Rafael Pardillo, Emilio Urbina

Interpretation : Étudiants de deuxième année de l'école supérieure du CNDC (promotion 1998-2000) : Bérangère Bodin Cédric Calvaire Ana Chon Hannes Donabauer Emmanuel Eggermont Pierre Lacroix Lorena O'Neill Rosalia Ortega Vicky Perez Miranda Juliette Roudet Nadia Sifer Grégory Sonigo Kamoun

Lights : Etienne Milin, Harrys Picot

Costumes : Lucie Guilpin Maira Garcia Gonzalez Michelle Amet

Sound : Alain Cherouvrier

Other collaborations : François Le Maguer (régie générale)

Production / Coproduction of the choreographic work : CNDC Angers

Our videos suggestions
02:56

Ligne de crête

Marin, Maguy (France)

  • Add to playlist
03:01

Hard to Be Soft

Doherty, Oona (France)

  • Add to playlist
02:58

Another look at memory

Lebrun, Thomas (France)

  • Add to playlist
03:01

Peekaboo

Goecke, Marco (France)

  • Add to playlist
31:26

Montpellier, le saut de l'ange

Bagouet, Dominique (France)

  • Add to playlist
03:31

Panorama

Decouflé, Philippe (France)

  • Add to playlist
07:51

Lied Ballet - Creation to the Maison de la Danse

Lebrun, Thomas (France)

  • Add to playlist
03:14

The Vile Parody of Address

Forsythe, William (France)

  • Add to playlist
02:31

The Spectator's moment (2021): Mourad Merzouki

Merzouki, Mourad (France)

  • Add to playlist
03:12

Gravel Works

Gravel, Frédérick (France)

  • Add to playlist
03:02

Mekech Mouchkin

Merzouki, Mourad (France)

  • Add to playlist
55:18

Odile Duboc, une conversation chorégraphique (with french subtitles)

Duboc, Odile (France)

  • Add to playlist
07:13

Bonhomme de vent

Charmatz, Boris (France)

  • Add to playlist
05:00

Slogans

Robbe, Hervé (France)

  • Add to playlist
03:13

Debout !

Delaunay, Raphaëlle (France)

  • Add to playlist
04:39

Next Days

Robbe, Hervé (France)

  • Add to playlist
12:50

Extraits de répertoire

Preljocaj, Angelin (France)

  • Add to playlist
05:01

Un voyage d'hiver

Massin, Béatrice (France)

  • Add to playlist
04:15

PUZ/ZLE

Cherkaoui, Sidi Larbi (Belgium)

  • Add to playlist
06:27

Le vertige du papillon

Traore, Fatou (Belgium)

  • Add to playlist
Our themas suggestions

Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois

If the 19th century is that of romanticism, the entry into the new century is synonymous of modernity! It was a few decades later that it would be assigned, a posteriori, the name of “neo-classical”. 

Parcours

fr/en/

LATITUDES CONTEMPORAINES

Exposition virtuelle

fr/en/

The committed artist

In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.

Parcours

fr/en/pl/

CHRISTIAN & FRANÇOIS BEN AÏM – VITAL MOMENTUM

Exposition virtuelle

fr/en/

Indian dances

Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!

Parcours

fr/en/

[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.

In the 1970s, artists’ drive towards a new classic had been ongoing for more than a half century and several generations had already formed since the Russian Ballets. As the years went by, everyone defended or defends classical dance as innovative, unique, connected to the other arts and the preoccupations of its time.

Parcours

fr/en/

les ballets C de la B and the aesthetic of reality

Exposition virtuelle

fr/en/

Why do I dance ?

Social dances, anti-establishment, protest dances, rhythms or identities, rituals or pleasures... There are a myriad of reasons for dancing and a myriad of points of view. A webdoc to discover, enhanced with extracts from performances and accounts from amateurs... all the right reasons for dancing!

Webdoc

fr/en/

Artistic Collaborations

Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians

Parcours

fr/en/

Meeting with literature

Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.

Parcours

fr/en/

Round dance

 Presentation of the Round’s figure in choreography.

Parcours

fr/en/

The Dance Biennale

Exposition virtuelle

fr/en/

Exposition virtuelle

fr/en/

Contemporary Italian Dance : the 2000s

Panorama of contemporary dance practices in Italy during the 2000s.

Parcours

fr/en/

Contemporary techniques

This Parcours questions the idea that contemporary dance has multiples techniques. Different shows car reveal or give an idea about the different modes of contemporary dancer’s formations.

Parcours

fr/en/

Les Rencontres chorégraphiques internationales de Seine-Saint-Denis

Exposition virtuelle

fr/en/

Vlovajobpru company

Exposition virtuelle

fr/en/

40 years of dance and music

Exposition virtuelle

fr/en/

The “Nouvelle Danse Française” of the 1980s

In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out  their unique take on the world. 

Parcours

fr/en/

Body and conflicts

A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.

Parcours

fr/en/
By accessing the website, you acknowledge and accept the use of cookies to assist you in your browsing.
You can block these cookies by modifying the security parameters of your browser or by clicking onthis link.
I accept Learn more