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Gueule de loup [remontage 2016]

CN D - Centre national de la danse Danse en amateur et répertoire 2016 - Director : Zeriahen, Karim

Choreographer(s) : Bastin, Christine (France)

Video producer : Centre national de la danse

Integral video available at CND de Pantin

en fr

Gueule de loup [remontage 2016]

CN D - Centre national de la danse Danse en amateur et répertoire 2016 - Director : Zeriahen, Karim

Choreographer(s) : Bastin, Christine (France)

Video producer : Centre national de la danse

Integral video available at CND de Pantin

en fr

Gueule de loup [remontage 2016]

Extrait remonté par le groupe Aléa Citta (Parthenay), coordinatrice Ana Popovic, dans le cadre de Danse en amateur et répertoire (2015)

Le groupe

Créé  en 1991, à Parthenay (Deux-Sèvres), Aléa Citta, composé de huit  danseuses amateurs investies depuis plus de dix ans, est piloté par Ana  Popovic qui a participé à de nombreux stages avec Christine Bastin. Elle  met régulièrement en place des projets spécifiques pensés en fonction  de son groupe. En 2013, les danseuses ont travaillé sur des solos  intitulés « Amoureuses »sur  des chansons de Barbara. Un an après, elle a proposé une recherche  autour de la relation danse et musique en collaboration avec un  musicien.
Le groupe profite du studio de danse l’Archipel, outil  disponible pour différentes associations, équipé d’un plancher
 et d’un  tapis de danse. 

Le projet

Le  choix de Christine Bastin a été induit par les ateliers suivis par Ana  Popovic qui apprécie sa pédagogie et son œuvre, mêlant sensible, émotion  et dramaturgie forte entre mouvement et parole. Les thématiques de « Gueule de loup »,  créé à l’origine pour cinq interprètes, comme la vie et la mort, la  puissance féminine, la pulsion et la retenue, passionnent le groupe qui  s’interroge aussi sur la place aujourd’hui de la danse archaïque,  vitale, au sein du paysage chorégraphique. L’extrait choisi, intitulé « Femmes », est une recréation à partir de « Gueule de loup »(1992) mais aussi « Mariam »(2006).  
Il table essentiellement sur la singularité féminine et le nuancier  immense de leur énergie, de la plus subtile à la plus offensive. 

La chorégraphe

Figure  de la danse des années 1980
 en France, Christine Bastin, nourrie
 de  droit, de philosophie et de psychanalyse, plonge aux racines du vivant  pour en faire surgir un geste chargé, charnel, reflet
des conflits  psychiques qui secouent l’être humain. Entre danse, cirque et théâtre,
  elle a créé sa compagnie Folia en 1986. Elle s’appuie sur des scénarios  souvent tendus – « Gueule de loup » (1992)  est inspiré par l’œuvre de l’écrivain espagnol Camilo José Cela – pour  livrer un propos physiquement aiguisé soufflé par un besoin de déborder  les limites corporelles
et mentales. Passionnée par tous
 les espaces de  représentation, qu’ils soient intérieurs ou extérieurs, Christine  Bastin est également enseignante et transmet régulièrement son  répertoire. 

Bastin, Christine

La  danse de Christine Bastin est emblématique des riches tonalités de la  « nouvelle danse française » des années 1980. Elle compose alors des  pièces de haute intensité dramatique, très attentives à la constitution  de personnages engagés dans un investissement très fort au plateau. Ces  pièces oscillent entre une grâce sophistiquée et la brûlure d’un  archaïsme brut. Sa grande avidité créatrice se nourrit de multiples  références musicales, picturales, littéraires. En 1992, « Gueule de  loup » est ainsi une évocation de l’Espagne, qui puise à l’écriture de  José Cela. Elle restitue un univers où la pauvreté matérielle déteint  sur la rudesse des âmes : la difficulté même à se dire dans le monde  laisse place à l’expression de rustiques et brûlantes ardeurs.

Source : CND

Zeriahen, Karim

From live stage images to life in images, the  director and video artist Karim Zeriahen seems to have found the  shortest way. Since the beginning of the 90s, when he worked in close  relationship with choreographer Philippe Decouflé, he learned how to put  the art of stage in motion, contemporary dance most of the time. Karim  Zeriahen then starts a fruitful collaboration with Montpellier based  choreographer Mathilde Monnier. Stop, Videlilah, day of night, short  films adapted from her stage creations. Each time, Karim Zeriahen's   camera takes over the place with movement, the body language is not  frozen but magnified. Choreographer Herman Diephuis also joins this  gallery of dancing portraits. Documentaries on figures such like Albert  Maysles or Hubert de Givenchy and from Joe Dalessandro to Paul  Morrissey, he sets a signature, a camera always in action with  confidence.

Today the director goes further with a new  project and tracks the subtle movements of the body language beyond the  physical appearance. A collection of living portraits as unique pièces  reminding us of the master portraitists of renaissance. These living  natures consists in filming the subject in a certain amount of time,  almost still, with signs of respiration, eye blinks, as if it were  posing for a painting. They are then displayed on a flat screen with a  memory card. With this collection starting, Karim Zeriahen, with his  documentary and artist vision, interrogates himself about the virtual  world filled with images. By taking a pause, and his models with him, he  questions the way we look at things, the way we look at life.


Source: Philippe Noisette 


En savoir plus: www.karimzeriahen.com

Gueule de loup [remontage 2016]

Choreography : Christine Bastin

Interpretation : Eva Bachelier, Laurence Brossas, Mélanie Dervaux, Lucile Desrats, Séverine Foucaud, Nadine Guenard, Hélène Halgand, Catherine Surma

Original music : Christophe Séchet, Bernard Parmégiani et musiques traditionnelles hongroises

Other collaborations : Extrait remonté par le groupe Aléa Citta (Parthenay), coordinatrice Ana Popovic, dans le cadre de Danse en amateur et répertoire (2015) - Transmission Christine Bastin, chorégraphe

Duration : 12 minutes

Danse en amateur et répertoire

Amateur Dance and Repertory is a companion program to amateur practice beyond the dance class and the technical learning phase. Intended for groups of amateur dancers, it opens a space of sharing for those who wish to deepen a practice and a knowledge of the dance in relation to its history.


Laurent Barré
Head of Research and Choreographic Directories
Anne-Christine Waibel
Research Assistant and Choreographic Directories
+33 (0)1 41 83 43 96
danse-amateur-repertoire@cnd.fr


Source: CN D

More information: https://www.cnd.fr/fr/page/323-danse-en-amateur-et-repertoire-programme-d-aide

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