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Deux-mille-dix-sept

Maison de la Danse de Lyon 2018 - Director : Plasson, Fabien

Choreographer(s) : Marin, Maguy (France)

Present in collection(s): Maison de la Danse de Lyon , Saisons 2010 > 2019 , Saison 2017 > 2018

Integral video available at Maison de la danse de Lyon

en fr

Deux-mille-dix-sept

Maison de la Danse de Lyon 2018 - Director : Plasson, Fabien

Choreographer(s) : Marin, Maguy (France)

Present in collection(s): Maison de la Danse de Lyon , Saisons 2010 > 2019 , Saison 2017 > 2018

Integral video available at Maison de la danse de Lyon

en fr

Deux-mille-dix-sept

A fervent Republican, Maguy Marin is an outstanding choreographer and director. Her last plays reflect the world with lucidity and pugnacity. Located in the Lyons region, Ramdam, an art center she shares with other artists, she sketches the current society as a caricaturist could do. In this play fed many authors, she is still engaged in a new adventure. She explains: "In 1928, Edward Bernays, the American nephew of Sigmund Freud, wrote a book called Propaganda, a real little practical guide, which exposes cynically and straightforward the great principles of mass mental manipulation, what he called" the factory of consent "(...) In 2017, the obsolescence of men and women who do not adapt to the boxes of competition and profitability is programmed in advance. Faced with the world supposedly citizen, young, sporty, open, friendly, it offers a dance that draws its power in a vital momentum that does not ignore the contortions of the "society of the show". A dance that brings together ten fellow interpreters, whether they are faithful of the company or newcomers.


Source: Maison de la Danse de Lyon

More information: https://ramdamcda.org

Marin, Maguy

Born in Toulouse, dancer and choreographer Maguy Marin studied classical ballet at the Toulouse dance academy. She then joined the Strasbourg Dance Company and later Mudra, Maurice Béjart’s multi-disciplinary school in Brussels. In 1978, with Daniel Ambash, she founded the Ballet-Théâtre de l’Arche, which was to become the Compagnie Maguy Marin in 1984. The Centre Chorégraphique National de Créteil et du Val-de-Marne followed in 1985: its unremitting artistic work spread worldwide.
In 1987, Marin’s encounter with musician-composer Denis Mariotte was the starting point of a decisive partnership, which broadened the scope of experimentation.
Then in 1998, a new place to settle in, for a new Centre Chorégraphique National, in Rillieux-la-Pape: a place as a we in time and space to strengthen one’s ability to foster those diagonal forces resisting oblivion (H. Arendt).
The year 2011 saw a remodelling of the framework in which the company’s reflection and achievements unfold. After the intensity of the Rillieux-la-Pape years, there emerged a need for a new phase in Toulouse from 2012.
In January, 2015, Maguy Marin and the company find the region of Lyon. An installation to ramdam to Sainte-Foy-lès-Lyon, who engages the deployment of a new ambitious project: RAMDAM, un centre d’art.


Source : Compagnie Maguy Marin

More information : compagnie-maguy-marin.fr

Plasson, Fabien

Born in 1977, Fabien Plasson is a video director specialized in the field of performing arts (dance , music, etc).

During his studies at the Ecole Nationale des Beaux-Arts de Lyon (joined in 1995) Fabien discovered video art. He was trained by various video artists (Joel Bartoloméo Pascal Nottoli , Eric Duyckaerts , etc) .
He first experimented with the creation of installations and cinematic objects.

From 2001 to 2011, he was in charge of Ginger & Fred video Bar’s programming at La Maison de la Danse in Lyon. He discovered the choreographic field and the importance of this medium in the dissemination, mediation and pedagogical approach to dance alongside Charles Picq, who was a brilliant video director and the director of the video department at that time.

Today, Fabien Plasson is the video director at La Maison de la Danse and in charge of the video section of Numeridanse.tv, an online international  video library, and continues his creative activities, making videos of concerts, performances and also creating video sets for live performances.


Sources: Maison de la Danse ; Fabien Plasson website


More information: fabione.fr

Deux mille dix sept

Choreography : Maguy Marin

Interpretation : Ulises Alvarez, Laura Frigato, Françoise Leick, Louise Mariotte, Mayalen Otondo, Cathy Polo, Ennio Sammarco, Marcelo Sepulveda, Adolfo Vargas

Set design : Albin Chavignon (et régie plateau)

Original music : Charlie Aubry

Lights : Alexandre Béneteaud

Costumes : Nelly Geyres assistée de Raphaël Lo Bello, conception d’éléments costumes Montserrat Casanova, Éléments d’accessoires Paul Pédebidau

Sound : Antoine Garry et Loïc Goubet

Production / Coproduction of the choreographic work : COPRODUCTION Centre Culturel André Malraux - Vandoeuvre-lès-Nancy, Théâtre de la Ville / Festival d’Automne - Paris, Opéra de Lille, MC2: Grenoble, Centre Chorégraphique National - Nancy, Manège / Scène Nationale - Reims, Maison de la Danse - Lyon, Centre Chorégraphique National - Grenoble, Théâtre Garonne / Scène européenne -Toulouse, ADAMI. Avec le soutien du Théâtre, Scène nationale de Mâcon.

Production / Coproduction of the video work : Maison de la Danse - Fabien Plasson

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