Psaumes Etudes No 2 Excerpt 2
2015 - Director : Carlès, James
Choreographer(s) : Carlès, James (France)
Present in collection(s): Maison de la Danse de Lyon , Pièces pour danseurs en voie de professionnalisation
Video producer : Centre Chorégraphique James Carlès
Psaumes Etudes No 2 Excerpt 2
2015 - Director : Carlès, James
Choreographer(s) : Carlès, James (France)
Present in collection(s): Maison de la Danse de Lyon , Pièces pour danseurs en voie de professionnalisation
Video producer : Centre Chorégraphique James Carlès
Psaumes Etudes 02
Psaumes Etudes No. 2 (2015) - Contemporary Jazz
Music: Ibrahim Maalouf
Duration: 16-17 min
Playful piece that questions about religion and
Place and the role of women in bodies
religious ( Catholicism and Islam ) . Piece
in response to the attacks of Charlie Hebdo.
Carlès, James
James Carles is a choreographer, researcher and lecturer. He received initial training in dance and music of Africa and its Diaspora and then trained with the great names of modern dance in New York and London mainly. Since 1992, he hired an artistic and analytical approach that explores the “places junctions” between the dances, rhythms and philosophies of Africa and its Diaspora with technical and western thoughts frames. To date, his company’s directory contains more than fifty pieces of his own creation and authors like Katherine Dunham, Pearl Primus, Talley Beatty, Asadata Dafora, Geraldine Armstrong, Rick Odums, Wayne Barbaste, Carolyn Carlson, Robyn Orlin, etc.
Dancer soloist and outstanding performer, James Carles was performer and artistic collaborator for not only numerous “all music” ranging from Baroque to contemporary music, through jazz; but also choreographers such as Carolyn Carlson, Robyn Orlin, Rui Horta, Myriam Naisy, etc.
Artist associated with Astrada- Jazz In Marciac 2012-2014, research associate in the laboratory of the University LLA Créatis Jean Jaures Toulouse, James Carles is particularly invests in heritage projects for diversity and diffusion of choreographic culture. He is also founder and artistic director of the festival “Dances and Black Continents”.
Carlès, James
Since 2016, James Carlès has made the choice to make available to the public a selection of its videos.
Psaumes Études n°2
Choreography : James Carlès
Choreography assistance : Répétitrice : Tiphaine Jahier
Additionnal music : Ibrahim Maalouf
Duration : 16-17minutes
[1930-1960]: Neoclassicism in Europe and the United States, entirely in tune with the times
The Ballets Russes paved the way for what would become known as: neo-classical. Back then, the term “modern ballet” was frequently used to define this renewal of aesthetics: a savvy blend of tradition and innovation, which each choreographer defined in their own way.
Amala Dianor: dance to let people see
James Carlès
Bagouet Collection
The committed artist
In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.
The BNP Paribas Foundation
The American origins of modern dance: [1930-1950] from the expressive to the abstract
CHRISTIAN & FRANÇOIS BEN AÏM – VITAL MOMENTUM
Indian dances
Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!
[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.
In the 1970s, artists’ drive towards a new classic had been ongoing for more than a half century and several generations had already formed since the Russian Ballets. As the years went by, everyone defended or defends classical dance as innovative, unique, connected to the other arts and the preoccupations of its time.
Why do I dance ?
The Dance Biennale
Female / male
A walk between different conceptions and receptions of genres in different styles and eras of dance.
Les Rencontres chorégraphiques internationales de Seine-Saint-Denis
Vlovajobpru company
VAISON DANSES
The “Nouvelle Danse Française” of the 1980s
In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out their unique take on the world.
Body and conflicts
A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.