Skip to main content
Back to search
  • Add to playlist

Reine-Claude

CNDC - Angers 2010

Choreographer(s) : Juvanon du Vachat, Martin (France)

Present in collection(s): CNDC - Angers

Video producer : CNDC Angers

en fr

Reine-Claude

CNDC - Angers 2010

Choreographer(s) : Juvanon du Vachat, Martin (France)

Present in collection(s): CNDC - Angers

Video producer : CNDC Angers

en fr

Reine-Claude

Juvanon du Vachat, Martin

Born in 1984, Martin Juvanon du Vachat is an actor and a dancer.

En savoir plus : https://www.youtube.com/user/martinduvachat

CNDC - Angers

The National Center for Contemporary Dance - CNDC - was created in 1978 at the initiative of the Ministry of Culture and the City of Angers. It followed the B.T.C. Ballet contemporary theater directed by Françoise Adret and Jacques-Albert Cartier, transferred to Nancy. Designed as a school of choreographers and the headquarters of a permanent company, it is run by Alwin Nikolais for three years.

When Viola Farber succeeded him in 1981, the school specialized in the training of dancers. Viola Farber forms a new company and inaugurates a teacher training program.

In April 1984, the management of the CNDC was entrusted to Michel Reilhac. The center still trains dancers and teachers. It no longer has a permanent company but serves as a production platform through residences. Large companies of international renown (in residence for two to three months) and younger companies (in the context of the "Summer Quarters") are then present. This is how Merce Cunningham and his company inaugurate the large Bodinier studio and that successive personalities such as Régine Chopinot, Maguy Marin, Odile Duboc, Dominique Bagouet, Mathilde Monnier and Jean-François Duroure, Edward Lock, Hervé Robbe, Philippe Decouflé, Catherine Diverrès and Bernardo Montet, Daniel Larrieu, Trisha Brown, Wim Vandekeybus ...

In April 1988 the new director, Nadia Croquet, continues to develop a policy to support creation, with a more specific openness to Europe. In January 1993, Joëlle Bouvier and Régis Obadia were named artistic directors of the CNDC, then labeled CNDC l'Esquisse.

The CNDC, which became a national choreographic center (CCN) in the 1990s, reinforces its mission as a choreographic center through the production of shows and its role as artistic advisor while continuing the training. At the same time, from 1986 to 2006, he worked with the New Theater of Angers, a national drama center, to offer a program of choreographic performances, thus increasing the audience and the readability of the dance to the public by multiplying the glances on the creation contemporary.

In February 2004, the CNDC is under the direction of the choreographer Emmanuelle Huynh, it intends to perpetuate the tradition of experimental contemporary dance and offer a school in connection with the dynamics of contemporary creation. From 2011, the CNDC School has two major courses, one leads to the National Diploma of Professional Dancer (DNSPD) and the license, the second prepares for a master.

Robert Swinston, who was appointed artistic director of the CNDC in 2012 by the Board of Directors, takes office in January 2013. Create and encourage creativity, develop the legacy of Merce Cunningham, program shows in various aesthetics, train artists autonomous, versatile and of a high level as well as fostering the emergence of new talents, this is the purpose of his project for the CNDC. Communicating to the public the foundations of a creative approach, raising awareness among young people and making the CNDC shine at the local, national and international levels are Robert Swinston's objectives for the CNDC.

The directors of the CNDC since its creation:

Alwin Nikolais (from September 1978 to July 1981)
Viola Farber (from September 1981 to July 1983)
Michel Reilhac (from March 1984 to December 1987)
Nadia Croquet (March 1988 to December 1991)
Joëlle Bouvier and Régis Obadia (from January 1993 to June 2003)
Emmanuelle Huynh (from February 2004 to December 2012)
Robert Swinston since January 2013

Reine-Claude

Choreography : Martin Juvanon du Vachat

Lights : François Le Maguer

Sound : Alain Cherouvrier

Production / Coproduction of the choreographic work : CNDC (Angers)

la FAC, Formation d'Artiste Chorégraphique

Our videos suggestions
03:01

Hard to Be Soft

Doherty, Oona (France)

  • Add to playlist
03:04

Lobby

Zebiri, Moncef (France)

  • Add to playlist
02:55

Relâche

Börlin, Jean (Relâche)

  • Add to playlist
03:38

Yvette Chauviré

Fokine, Michel (France)

  • Add to playlist
03:46

La Valse de Vaslav

Tompkins, Mark (France)

  • Add to playlist
04:07

Icons

Tompkins, Mark (France)

  • Add to playlist
02:50

Witness

Tompkins, Mark (France)

  • Add to playlist
03:18

Under my skin

Tompkins, Mark (France)

  • Add to playlist
05:59

STAYIN ALIVE

Tompkins, Mark (France)

  • Add to playlist
03:01

Peekaboo

Goecke, Marco (France)

  • Add to playlist
03:42

Seeds (retour à la terre)

Carlson, Carolyn (France)

  • Add to playlist
31:26

Montpellier, le saut de l'ange

Bagouet, Dominique (France)

  • Add to playlist
05:30

Folias & Jacaras

Yepes, Ana (France)

  • Add to playlist
02:52

Firebird

Goecke, Marco (France)

  • Add to playlist
04:10

La Bête

Schwartz, Wagner (France)

  • Add to playlist
05:12

Savušun

Darabi, Sorour (France)

  • Add to playlist
04:28

20 Minutes for the 20th Century, but Asian

Lin
, River (France)

  • Add to playlist
05:55

Dance, if you want to enter my country!

Matsune, Michikazu (France)

  • Add to playlist
04:21

DISPARUE (dehors)

Santander Corvalán, Marcela (France)

  • Add to playlist
02:33

Everything Not in Its Right Place II

Bhu Bhu II (France)

  • Add to playlist
Our themas suggestions

Black Dance

Webdoc

Julie Charrier

Black Dance

Webdoc

James Carlès, dancer and choreographer and specialist of Afro-American dance, evokes the origin of current-day urban dances. From Africa to the United States via Europe, he emphasizes their hybrid style and puts their social and political dimension into perspective. A myriad of videos, photos, illustrations and additional resources complement this interview.
Discover
Know more

Why do I dance ?

Webdoc

Julie Charrier

Why do I dance ?

Webdoc

Social dances, anti-establishment, protest dances, rhythms or identities, rituals or pleasures... There are a myriad of reasons for dancing and a myriad of points of view. A webdoc to discover, enhanced with extracts from performances and accounts from amateurs... all the right reasons for dancing!
Discover
Know more

Dance and humor

Parcours

Dance and humor

Dance and humor

Parcours

A Thema proposed by Anne Décoret-Ahiha
Discover
Know more

Scenic space

Parcours

Scenic space

Scenic space

Parcours

A Thema proposed by Anne Décoret-Ahiha
Discover
Know more

Strange works

Parcours

Centre national de la danse

Strange works

Parcours

 Unconventional contemporary dance shows which reinvent the rapport to the stage.  

Discover
Know more

Genesis of work

Parcours

Centre national de la danse

Genesis of work

Parcours

A dance show is created in multiples steps between the enunciation of an initial desire which launch the project and the first representation. This parcours presents diff

Discover
Know more

Artistic Collaborations

Parcours

Centre national de la Danse

Artistic Collaborations

Parcours

Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians

Discover
Know more

Meeting with literature

Parcours

Centre national de la danse

Meeting with literature

Parcours

Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.

Discover
Know more

When reality breaks in

Parcours

Centre National de la danse

When reality breaks in

Parcours

How does choreographic works are testimonies of the world? Does the contemporary artist is the product of an era, of its environment, of a culture?
Discover
Know more

Dance and performance

Parcours

Marie-Thérèse Champesme

Dance and performance

Parcours

 Here is a sample of extracts illustrating burlesque figures in Performances.

Discover
Know more

Test Mgx test

Parcours

Test Mgx test

Test Mgx test

Parcours

Test Mgx test

Discover
Know more

Test 10/05

Alice

Test 10/05

Discover
Know more

Test Mgx Test

Test Mgx Test

Maison de la Danse de Lyon

Test Mgx Test

Test Mgx Test

Test Mgx Test

Discover
Know more

Hans Holbein

Hans Holbein

Numeridanse.tv

Hans Holbein

Hans Holbein

test

Discover
Know more

zefsd

Parcours

zefsd

zefsd

Parcours

Discover
Know more

Round dance

Parcours

Olivier Lefebvre

Round dance

Parcours

 Presentation of the Round’s figure in choreography.

Discover
Know more

Butoh

Parcours

Olivier Lefebvre

Butoh

Parcours

On 24th May 1959, Tatsumi Hijikata portrayed the character of the "Man" in the first presentation of a play called Kinjiki (Forbidden Colours).
The Ankoku Butoh was born,

Discover
Know more

Do you mean Folklores?

Parcours

Sarah Nouveau

Do you mean Folklores?

Parcours

Presentation of how choreographers are revisiting Folklore in contemporary creations.

Discover
Know more

States of the body

Parcours

Philippe Guisgand

States of the body

Parcours

Explanation of the term « State of the body » when it’s about dance.

Discover
Know more

Ballet pushed to the edge

Parcours

Olivier Lefebvre

Ballet pushed to the edge

Parcours

 Ballet’s evolution from its romantic form until néo-classicism.

Discover
Know more
By accessing the website, you acknowledge and accept the use of cookies to assist you in your browsing.
You can block these cookies by modifying the security parameters of your browser or by clicking onthis link.
I accept Learn more