Skip to main content
Back to search
  • Add to playlist

Vue sur les marches

Lainé, Marc

Marc Lainé was born in 1976.

He graduated from the École Nationale Supérieure des Arts Décoratifs in 2000. He has since worked regularly for theatre and opera as set designer and assistant director. He has worked, notably, with Richard Brunel on Albert Herring for the Opéra Comique, Elixir d’Amour (Elixir of Love) for the Opera of Lille and Kaiser Von Atlantis for the Opera of Lyon. He has also worked with Jacques Lassalle, Arnaud Meunier, Olivier Balazuc, Bruno Geslin, Pierre Maillet, Thierry Bedard, Christophe Perton, Frédérique Sonntag, Madeleine Louarn and Jean-François Auguste, etc.

Since 2008, he directs his own creations.

He has created two works with the British author Mike Kenny: La Nuit électrique (Electric Darkness), nominated for a Molière Award in 2009 (best children’s play category) and Un Rêve féroce (A Fierce Dream), performed in December 2009 at the Théâtre du Rond Point in Paris.

In 2010, he began a cycle on the great figures of popular culture: Norman Bates est-il ?, a Pirandellian variation of the cult figure of the film Psycho created for the Etrange Cargo Festival at the Ménagerie de Verre; Break Your Leg !, project based on the true story of two American ice skaters, Nancy Kerrigan and Tonya Harding and reproduced at the Théâtre National de Chaillot in January 2012; Just For One Day !, which invited a group of amateurs, young and old alike, who had never performed before, to get on stage and to act the roles of super heroes from their imagination; this was created at the CDDB – Théâtre de Lorient.

Memories From The Missing Room, created in 2012, was inspired by the album The Missing Room by the folk-rock band Moriarty, and included the band performing live on stage. The show was reproduced at the Théâtre de la Bastille in autumn 2012.

In October 2013, for the Marseille Provence 2013 event, he showcased an installation inspired by “living libraries”, where different individuals recounted their life stories. This installation was set up as a micro circular architectural space that incorporated twelve small rooms installed in the hall of the Théâtre de la Criée, where these individuals proposed twenty-minute interviews to the public.

In March 2014, Marc Lainé wrote and directed Spleenorama, a fantasy-filled, musical play inspired by rock mythology, at the CDDB - Théâtre de Lorient. The music was composed and performed by the author-composer, Bertrand Belin. This show toured throughout France, in particular at the Théâtre de la Bastille in Paris where it was performed twenty-two times during the autumn of 2014.

In March 2015, he created Vanishing Point (les deux voyages de Suzanne W.) at the Théâtre National de Chaillot, for a series of eighteen performances before moving on to the Espace Go in Montreal for a month of shows.

In September 2015, he created the Égarés, a travelling show, at the CDN de Haute-Normandie (National Centre for Dramatic Art of Upper Normandy), which reproduced the road-trip theme.

Alongside his theatrical activity, Marc Lainé co-wrote and directed Enjoy The Silence, a series for the Ferme du Buisson site, with Jean-François Auguste. This series won the Reflet d’Or Prize for the best series for the web, in the Geneva International Film Festival Tous Écrans 2009.

Since 2009, Marc Lainé has been Associate Director at the CDDB – Théâtre de Lorient and Associate Artist at the CDN de Haute-Normandie since 2014.

Penttila, Jarmo

Vue sur les marches - Marc Lainé

Artistic direction / Conception : Marc Lainé

Interpretation : Jean-François Auguste, Raphaëlle Boitel, Robin Bruno, Odile Grosset-Grange, Pierre Maillet

Stage direction : Marc Lainé

Other collaborations : Chant Odile Grosset-Grange. Cadrage Sophie Cool, Thomas Rollo. Montage Sophie Cool

Production / Coproduction of the choreographic work : Théâtre national de Chaillot

Our videos suggestions
03:42

Seeds (retour à la terre)

Carlson, Carolyn (France)

  • Add to playlist
02:42

Têtes à têtes

Villa-Lobos, Maria Clara (Belgium)

  • Add to playlist
03:05

Panorama

Decouflé, Philippe (France)

  • Add to playlist
08:54

Répète

Chaillé, Fanny de (France)

  • Add to playlist
07:42

Coupé décalé [1ère partie] - Robyn Orlin

Orlin, Robyn (France)

  • Add to playlist
03:16

Vue sur les marches - Daniel Dobbels

Dobbels, Daniel (France)

  • Add to playlist
02:27

Vue sur les marches - Koen Augustijnen

Augustijnen, Koen (France)

  • Add to playlist
03:28

Vue sur les marches - Hervé Robbe

Robbe, Hervé (France)

  • Add to playlist
01:44

Vue sur les marches - Krzysztof Warlikowski

  • Add to playlist
04:06

Vue sur les marches - Joanne Leighton

Leighton, Joanne (France)

  • Add to playlist
02:02

Vue sur les marches - Cie 14/20

  • Add to playlist
03:37

Vue sur les marches - Carolyn Carlson

Vue sur les marches - Carolyn Carlson (France)

  • Add to playlist
02:42

Vue sur les marches - Luc Petton

Petton, Luc (France)

  • Add to playlist
02:20

Vue sur les marches - Cirque Eloize

  • Add to playlist
02:55

Vue sur les marches - Bertrand Bossard

Bossard, Bertrand (France)

  • Add to playlist
02:56

Vue sur les marches - Patrice Thibaud

Thibaud, Patrice (France)

  • Add to playlist
01:09:29

LEX

Fontaine, Geisha (France)

  • Add to playlist
01:58

The Spectator's Moment (2014): Maria Clara Villa-Lobos

Villa-Lobos, Maria Clara (France)

  • Add to playlist
04:19

The chance

Touzé, Loïc (France)

  • Add to playlist
Our themas suggestions

The committed artist

In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.

Parcours

fr/en/pl/

Indian dances

Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!

Parcours

fr/en/

les ballets C de la B and the aesthetic of reality

Exposition virtuelle

fr/en/

Why do I dance ?

Social dances, anti-establishment, protest dances, rhythms or identities, rituals or pleasures... There are a myriad of reasons for dancing and a myriad of points of view. A webdoc to discover, enhanced with extracts from performances and accounts from amateurs... all the right reasons for dancing!

Webdoc

fr/en/

Strange works

 Unconventional contemporary dance shows which reinvent the rapport to the stage.  

Parcours

fr/en/

Artistic Collaborations

Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians

Parcours

fr/en/

Meeting with literature

Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.

Parcours

fr/en/

Dance and performance

 Here is a sample of extracts illustrating burlesque figures in Performances.

Parcours

fr/en/

The Dance Biennale

Exposition virtuelle

fr/en/

Hand dances

This parcours presents different video extracts in which hands are the center of the mouvement.

Parcours

fr/en/

Contemporary Italian Dance : the 2000s

Panorama of contemporary dance practices in Italy during the 2000s.

Parcours

fr/en/

The “Nouvelle Danse Française” of the 1980s

In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out  their unique take on the world. 

Parcours

fr/en/

The national choreographic centres

Exposition virtuelle

fr/en/

Dancing bodies

Focus on the variety of bodies offered by contemporary dance and how to show these bodies: from complete nudity to the body completely hidden or covered.

Parcours

fr/en/

Dance and percussion

Découvrez de quelles manières ont collaboré chorégraphes et éléments percussifs.

Parcours

fr/en/

Dance at the crossroad of the arts

Some shows are the meeting place of different trades. Here is a preview of some shows where the arts intersect on the stage of a choreographic piece.

Parcours

fr/en/es/de/pl/pt-pt/

Scenic space

A dance performance takes place in a defined spatial area ... or not. This course helps to understand the occupation of the stage space in dance.

Parcours

fr/en/es/de/pl/pt-pt/
By accessing the website, you acknowledge and accept the use of cookies to assist you in your browsing.
You can block these cookies by modifying the security parameters of your browser or by clicking onthis link.
I accept Learn more