The Spectator's Moment or how to discover an artist, a piece of work or a company in just two minutes. It is a collection of programmes produced by the Maison de la Danse in Lyon and presented by Dominique Hervieu. Each episode is devoted to an artist or a company that is programmed at the Maison de la Danse and offers the public keys or artistic benchmarks for better understanding and appreciating the choreographic art.
 



© Maison de la Danse de Lyon

Combining a classical technique with personal intervention, Alonzo King projects his performers in a nonstop dance translating into a staggering articulation of bodies. After a dancer's career at Alvin Ailey company and American Ballet Theatre, Alonzo King moved to San Francisco and in 1982 founded LINES Ballet which today is one of the most prestigious and exciting companies in North America. Highly recognized in the United States, he has worked regularly with opera, television and cinema. At the same time he is invited to work with the largest companies around the world. William Forsythe stated that "Alonzo King is one of the few, true Ballet Masters of our times."  Admirer of Balanchine, he creates bridges between tradition and modernity and developes an inventive, sensual and vibrant dance with impeccable classically trained dancers.  Through his collaborations with artists from different disciplines and cultures, he proposes a work that is always new and fed by cultural diversity. As a visionary choreographer, Alonzo King is renowned for his incredible ability to grip the audience with a real humanity and a deep sense of freedom. The company 's repertoire includes 13 pieces, especially Meyer (2013), Biophony (2015), Sand et Art Song (2016) et Figures of speech (2017).

Source : Le Trait d'Union

More information : linesballet.org

Born in 1977, Fabien Plasson is a video director specialized in the field of performing arts (dance , music, etc).

During his studies at the Ecole Nationale des Beaux-Arts de Lyon (joined in 1995) Fabien discovered video art. He was trained by various video artists (Joel Bartoloméo Pascal Nottoli , Eric Duyckaerts , etc) .
He first experimented with the creation of installations and cinematic objects.

From 2001 to 2011, he was in charge of Ginger & Fred video Bar’s programming at La Maison de la Danse in Lyon. He discovered the choreographic field and the importance of this medium in the dissemination, mediation and pedagogical approach to dance alongside Charles Picq, who was a brilliant video director and the director of the video department at that time.

Today, Fabien Plasson is the video director at La Maison de la Danse and in charge of the video section of Numeridanse.tv, an online international  video library, and continues his creative activities, making videos of concerts, performances and also creating video sets for live performances.

Sources: Maison de la Danse ; Fabien Plasson website

More information: fabione.fr

Artistic Direction: Alonzo King

Creation: 1982

Alonzo King LINES Ballet is a celebrated contemporary ballet company that has been guided since 1982 by the unique artistic vision of Alonzo King. Collaborating with noted composers, musicians, and visual artists from around the world, Alonzo King creates works that draw on a diverse set of deeply rooted cultural traditions, imbuing classical ballet with new expressive potential. Alonzo King understands ballet as a science – founded on universal, geometric principles of energy and evolution – and continues to develop a new language of movement from its classical forms and techniques. Alonzo King’s visionary choreography, brought to life by the extraordinary LINES Ballet dancers, is renowned for connecting audiences to a profound sense of shared humanity.
 

"The term LINES alludes to all that is visible in the phenomenal world. There is nothing that is made or formed without a line. Straight and Circle encompass all that we see. Whatever can be seen is formed by a line. In mathematics it is a straight or curved continuous extent of length without breadth. Lines are in our fingerprints, the shapes of our bodies, constellations, geometry. It implies genealogical connection, progeny and spoken word. It marks the starting point and finish. It addresses direction, communication, and design. A line of thought. A boundary or eternity. A melodic line. The equator. From vibration or dot to dot it is the visible organization of what we see." Alonzo King

Source: Alonzo King LINES Ballet 's website

More information : linesballet.org