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Suivront mille ans de calme

CN D - Centre national de la danse 2014 - Director : Centre national de la danse, Réalisation

Choreographer(s) : Preljocaj, Angelin (France)

Present in collection(s): Spectacles et performances

Video producer : Centre national de la danse

Integral video available at CND de Pantin

en fr

Suivront mille ans de calme

CN D - Centre national de la danse 2014 - Director : Centre national de la danse, Réalisation

Choreographer(s) : Preljocaj, Angelin (France)

Present in collection(s): Spectacles et performances

Video producer : Centre national de la danse

Integral video available at CND de Pantin

en fr

Suivront mille ans de calme

Preljocaj, Angelin

Angelin Preljocaj was born in the Paris region, in France, and began studying classical ballet before turning to contemporary dance, which he studied with Karin Waehner.
In 1980, he went to New York to work with Zena Rommett and Merce Cunningham, after which he resumed his studies in France, there his teachers included the American choreographer Viola Farber and the French one Quentin Rouillier. He then joined Dominique Bagouet before founding his own company in December 1984.

His productions are now part of the repertoire of many companies, many of which also commission original production from him, notably La Scala of Milan, the New York City Ballet and the Paris Opera Ballet. He has made short films ("Le postier", "Idées noires" in 1991) and several full-length films, notably "Un trait d’union" and "Annonciation" (1992 and 2003). In 2009, he directed "Snow White", featuring his own piece, and in 2011 he signed, for Air France, the commercial "L’Envol", based on the choreography of "Le Parc".
Since then he has collaborated on several films of his own choreographic work: « Les Raboteurs » with Cyril Collard (based on the painting by Gustave Caillebotte) in 1988, « Pavillon Noir » with Pierre Coulibeuf in 2006 and « Eldorado/ Preljocaj » with Olivier Assayas in 2007.

Since October 2006, the Ballet Preljocaj and its 24 permanent dancers have resided at the Pavillon Noir in Aix-en-Provence, a building entirely dedicated to dance, with Angelin Preljocaj as its artistic director. Made with Valérie Müller, the first full-length feature film by Angelin Preljocaj, « Polina », danser sa vie, adapted from the graphic novel by Bastien Vivès, came out in cinemas on November 2016.

Source: Ballet Preljocaj 's website

More information

preljocaj.org

 

Centre national de la danse, Réalisation

    

Groupe urbain d'intervention dansée (GUID)

Créé en 1998, le Groupe Urbain d'Intervention Dansée parcourt les villes  de la région et mène la danse dans des lieux inattendus, en présentant  des extraits du répertoire d’Angelin Preljocaj.

Le G.U.I.D.  rayonne ainsi dans l’espace public, des gares aux places de marché en  passant par les cours d’écoles pour faire découvrir la danse  contemporaine au plus grand nombre. Il ponctue aussi fréquemment des  événements privés et accompagne parfois le Ballet Preljocaj sur  certaines tournées en France et à l'étranger.

Les danseurs,  spécialement choisis pour ce projet, sont aguerris aux méthodes du  chorégraphe et portent avec brio non seulement ses œuvres, mais aussi sa  volonté de proximité avec le public. Les extraits de pièces révèlent le  goût d’Angelin Preljocaj pour une écriture exigeante, sa rigueur et  l’inventivité formelle de ses spectacles, le tout se conjuguant avec sa  volonté d’offrir la danse à tous.

Le G.U.I.D. intègre chaque saison les jeunes danseurs de la cellule de professionnalisation du Ballet Preljocaj.

À l’issue de chaque représentation, les danseurs se prêtent au jeu des questions avec les spectateurs.

Suivront mille ans de calme

Choreography : Angelin PRELJOCAJ

Choreography assistance : Responsable artistique du G.U.I.D. Guillaume SIARD

Interpretation : Benjamin BAC, Déborah CASAMATTA, Solène HÉRAULT, Martin MAURIÈS, Anne-Céline PIC-SAVARY, Simon RIPERT

Costumes : Nadine GALIFI

Other collaborations : Répétiteurs Silvia BIDEGAIN, Dany LÉVÊQUE, Guillaume SIARD

Duration : 100 minutes

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